New Arrivals
Up To Earth
Vinyl edition of this joyous improvised music drawing on South African roots and European free jazz from Chris McGregor and a group including Evan Parker, Louis Moholo, Barre Philllips, &c. This album only had a few test pressings at the time of recording and this is therefore the first vinyl release of this classic work. In 1969 the Chris McGregor Group were riding high on the London jazz scene, playing and hanging out with all the rising stars of British free jazz. Sessions for the pre…
Alignment
Incredible, seemingly out-of-left-field debut release from tashi wada, a west coast composer perhaps best known as the accomplice / son of yoshi wada ...a gorgeously executed display of upper-harmonic-series movement & the psycho-acoustic properties of carefully controlled tuning systems (a medal has assuredly already gone out to violinist marc sabat for his performance here ; channeling the painstaking adherence to micro-tonal accuracy of phill niblock’s music ... only in a real-time, live-play…
Tweek
"since the last senking album "pong" (r-n122) was a great success in 2010 and sold out quickly raster-noton swiftly asked for a follow-up of massel's sound cosmos. on "tweek" senking again reveals his sense of cineastic atmospheres and dark abysmal depths of sound, which are subordinate to extremely slow choky basses and delayed beats. references to dubstep are rather the result of testing the outlying areas of the frequency spectrum than a direct relation to the genre. nevertheless it se…
Glass Fountain
The duo mainly sticks to their guns, mining the same post-Suicide art-trance vein they perfected on Dream, but here there's an added emphasis on the disembodied, oscillator pop mode that they often toy with. Mesmerizing organ melodies over plink-plonky vintage drum machines with weirdo soulful singing & outer space electronics, like an outsider-punk Silver Apples or something. Edition of 600
Rocket Ship Rock
...a set of totally twisted sides called Rocket Ship Rock featuring Yochanan 'The Outer Space Vocalist' (with his demented Saturn 45 Muck Muck/Hot Skillet Momma) and his way out friends backed by Sun Ra and his Arkestra! Atomic outer space genius from yet another Norton turban headed star!"
Primal waters
Fresh/new live studio rec. by one of the greatest jazz Ensemble around these days. (Label Press)
Bunny
Simon Scott produced one of the best records of 2009 with Navigare, an album whose shoegaze dronemusic was dotted with radioluminescent dream-pop numbers. It was hardly a surprise to us when we learned that he was the drummer of Slowdive way back when. Since then, Scott has produced a single for Immune and a collaboration with Jasper TX, both equally fantastic. For his second proper record, Scott makes a slight detour; but one that is well suited to everything else that's been released by…
Boca Negra
LP version, ultralimited: For a band with only two members, this group gets an impressive variety of sounds. Rob Mazurek on cornet and Chad Taylor drummer also use the studio as an instrument, alternating between post bop jazz and near ambient soundscapes. Taylor's rhythmic sense is unerring throughout the album, whatever the tempo. Electronics are added at times, and add effect, especially at slower tempos making for spooky music along with slurred horn. "Green Ants" has sputtering …
Visits Planet Earth
180 gram vinyl version. Tracklisting: "Circe," "The Nile," "Brazilian Sun," "We Travel the Spaceways," "Calling Planet Earth," "Dancing Shadows," "The Rainmaker," "When Sun Comes Out." First two tracks probably made during the same session at the Choreographers' Workshop, late 1962 or 1963. Remaining tracks recorded during different sessions around the same period. The master tape of side B is in stereo; all known pressings of the album are in mono, however. The master tape also includes …
The Divine
""the divine" marks the second phase in the trilogy proposed by john twells aka xela. crawling out of a castle dungeon in pursuit of its predecessor, "the illuminated", this lp finds itself trapped in an abandoned church somewhere in a damp southern wilderness. church bells chime and rattle through the record's first piece, echoing and distorting through a fog of chattering voices and prayers. tape loops stumble over tape loops and the solemn, ecclesiastical drone slowly decomposes into thick, c…
The Live in Lisbon
What happens when two stars collide? An interstellar collaboration out of this galaxy! Here in this new fantastic LP from Virginia Genta (of Jooklo fame) and Chris Corsano (arguably considered 'the last drummer on earth'), both musicians put blood, sweat, and lots of muscle into three new wildly charged cuts!!!! The album begins at sunset on a terrace in Lisbon (Summer 2008) with ferocious sax and drums escalating as the sun sets with Chris' incredible drum solo leaving everyone in a trance, whi…
And
Derek Bailey, electric guitar. Pat Thomas, keyboards. Steve Noble, turntables. Recorded at Moat Studios, London, August 1997.
Albeit Albeit / Sibelius Spiders
There's no shortage of electronic reissue imprints operating these days, especially ones concentrating on 'lost' synth-wave recordings from the late 70's - mid 80's - but few have access to the kind of material amassed over the years by Forced Nostalgia, a brand new label curated by one of Belgium's most knowledgeable and methodical sound archivists: Fré De Vos. The breadth and quality of the material already scheduled for release by Forced Nostalgia is just jaw-dropping - extending the r…
Trop de pas assez
Salmigondis is a collective (born in 2006) of musicians and graphist designers. Free rock, psychedelic, noise Ludovic Renaud (keyboard, turntables, electronics), Jean-Pierre Barja (bass, keyboard, electronics), Jérome Declercq (saxophones, keyboard, basse), Mathieu Renaud (guitar, electronics), Jean-Noël Cognard (drums,objects, voice). Recorded in 2007. Limited to 150 copies.
Split
Much time has passed since the release of "Can't Illumination" in 2003, and Anna Zaradny and Burkhard Stangl meet yet again, now on each side of a vinyl record on the Bocian Records label. There were, however, many various encounters in various circumstances in between those two official events, and one of them is shown in the photos on the cover. This is hardly a chance meeting as the two compositions have more in common than it might seem at first sight. Take the misguiding beginnings, f…
Sound Carvings (Ongoing Celebrations of Insignificance)
"Recorded in concert by Milo Fine (May 16, 2008) at the Ritz Theater (as part of the Heliotrope V Festival), Minneapolis, MN. electronic piano (electronics), voice, Acme whistle. Design and screen printing by Cork Leg Nelson." - Mutant Music
Stone/Water
With any sizeable Brötzmann group, the temptation is always there to compare it to his classic Machine Gun unit. This new tentet doesn’t match up to the unbridled ferocity of that earlier grouping, but then what has? Perhaps the greatest sea change since the heavy-drinking glory days of 1968 is that ecstatic playing is now as much an idiom as an instinctive response. For all its supposed iconoclastic freedom, this idiom now has its own traditions, its own heroes, and its own stock cliches. Youth…
Cult Cargo: Grand Bahama Goombay
The second in our series of exploration of the panAmerican funk experience, Cult Cargo: Grand Bahama Goombay is a deep overview of Funky Nassau’s redheaded sister city, Freeport, GBI. From 1969-1976 Frank Penn’s GBI studio and label cranked out a dozen LPs and twice as many singles infected with the Miami sounds drifting in over the 100 mile strait. The catalog is a fruity blend of rake and scrape, bush, junkanoo, calypso, reggae, and of course, goombay, wi…
The Burden of Hope
"I don't know about you lot but we're absolutely crazy about Grails here at Boomkat HQ, last year's incredible 'Black Tar Prophecies' album on Important blew us away so it's great to see 'The Burden of Hope', the band's 2003 debut, back in press on vinyl finally. At this time the band were working under the messy banner of 'post-rock' and lumped in with the whole Godspeed You! Black Emperor/Constellation scene; they were using violins, letting themselves succumb to the influence of dusty America…
Live at the Storyville, NYC - 24 October 1977
Quite simply one of Sun Ra's best live albums. This rare recording (originally on Horo records) finds Ra, along with a 19-piece Arkestra, playing a mix of his own compositions ('Images' and 'Lights') along with several jazz standards (including Jelly Roll Morton's 'King Porter Stomp' and Duke Ellington's 'Lightnin''). While Ra's own compositions were usually more avant-garde affairs, he always revelled in playing the classics as well in an effort to give his audience a lesson in jazz histo…