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New Arrivals

Farewell to the Night
Farewell to the Night by Ethan Syann is an immersive album released through the IIKKI label, offering a contemplative journey through ambient and cinematic textures. Spanning six tracks, it gently blurs the boundary between experimental soundscape and evocative minimalism, creating a space for reflection and nocturnal introspection. Its subtle layers and atmospheric depth exemplify Syann’s refined and measured approach to sound design.​
Poco Prima dell'Aurora
Poco Prima dell'Aurora represents a significant collaboration between Ivano Fossati and Oscar Prudente, released in 1973. This transitional album weaves together folk-pop textures and progressive echoes, reflecting the vibrant creativity of Italian songwriting in the early seventies. Marked by solid arrangements and lyrical depth, its enduring freshness lies in both its authenticity and the synergy between two distinct musical voices.​
J’Accuse... Amore Mio
J’Accuse... Amore Mio marks a pivotal moment in the career of Faust’O, standing as a radical and ambitious album within the Italian new wave scene. The work delves into urban alienation and existential discomfort through avant-garde sounds, nihilistic lyrics, and an intense metropolitan atmosphere. Its experimental approach and emotive currents secure its place as a distinctive and influential release in Italian pop-rock history.​
Catherine Spaak
Catherine Spaak's self-titled 1963 debut album encapsulates the elegant melodic pop style of early 1960s Italy, extending Spaak’s cinematic charisma into the recording studio. Produced with the collaboration of top talents and distributed internationally, the album showcases her gentle vocal approach over finely arranged tracks, balancing French chanson influences with distinctly Italian songwriting. This release reflects Spaak’s position as a cross-cultural muse and a vital pop presence in the …
Encounters of a Loving Kind
Nadia Cassini’s album Encounters of a Loving Kind delivers a distinct blend of disco, funk, and pop, vividly reflecting the stylistic tides of the late 1970s. Despite a muted commercial reception at the time, its catchy rhythms and Cassini’s charisma earned it a cult following, securing its status as a notable crossroad for fans of sensuous, groove-oriented European pop.​
Tender Revolutions
Expansive and ambitious, Tender Revolutions is the latest from Vietnam-born, Portland-based multimedia artist Dao Strom. A fluid album, existing between genres—part ambient folk, part sound collage, part spoken word, part post rock—it blurs the line between the work of an experimental composer and the work of an accomplished singer-songwriter. Instruments slip in and out (guitar, piano, synthesizer, strings, drums, percussion) amid field recordings and samples, all anchored by Strom’s singular v…
Emo Inhaler
Roman Hiele (1991) is a Brussels-based musician and composer whose work explores the boundaries between improvisation and electronic composition. His music unfolds as a living system of shifting harmonies, fractured rhythms, and unexpected turns. At the core of Hiele’s practice lies a deep fascination for contrast, where his soundscapes act as both anchor and disruption, sharpening the emotional depth of images and spaces, a sensibility that extends into his collaborations with filmmakers, visua…
The Fantastic Jazz Harp Of Dorothy Ashby
This is the sixth album by Dorothy Ashby, a Detroit born jazz harpist who passed away in her early 50s in 1986 way before her time. She left us a rich legacy of music with this 1965 release being one of her milestones. The music is pure bright and swinging with a joyful mood. Dorothy Ashby performs her lines big time with her harp and captures your soul with the melodies she picks from its strings. She is always there upfront while the brass section mostly fills the background with colour if the…
Nocturnal Rainforest
The first collaboration between Japanese noise titan Masami Akita, aka Merzbow, iconic Brazilian drummer and producer Iggor Cavalera and forward-thinking Italian guitarist and sound designer Eraldo Bernocchi, 'Nocturnal Rainforest' terraforms a sonic landscape that's almost overpoweringly dense and disorienting, but never aggressive or chaotic. It's a fully immersive experience that re-contextualizes the trio's years of work in extreme experimental music by concentrating on texture, atmosphere a…
Ambient $
Mythology has a recurring theme: creating ambiguity by rearranging worlds and creatures that normally don’t belong together. Centaurs, Minotaurs, Hydras and so on: mockery and mystery intertwine into entities that are in equal parts magnificent and ridiculous. Referencing this idea in the present, Loris S. Sarid conjures 12 compositions simultaneously showing traits of dreamlike trap, candy-flavoured New Age and Spoken Word. The lines between spiritual and mundane, drama and parody are bent and …
Collectors' Items
When Ira Gitler, jazz journalist and producer at Prestige, curated this album, the term "collector" was already well-established among music enthusiasts. The pursuit of out-of-print recordings, old 78 rpm discs, and unreleased material had reached an intensity comparable to the fervor seen in the vinyl-collecting market decades later. Gitler aimed to offer jazz fans unreleased Prestige recordings while meeting expectations for the amount of music on an LP. Initially dismissed as a mere compilati…
The Travel Agency
During the legendary Summer of Love and throughout the Vietnam protest marches, a mysterious sound emerged from beyond the conventional boundaries. The Travel Agency, a Los Angeles psychedelic rock group, unleashed their only album in 1968, produced by James Griffin of Bread fame. This record is packed with incredible proto-garage tracks and mesmerizing lysergic crescendos. It kicks off with the haunting organ intro of "What’s A Man," which astonishingly echoes the vibe later found in "Smells Li…
Le Città di Pianura
After ‘Requiescat In Plavem’ and ‘Lentius Profundius Suavius’, Krano returns with another curveball in his discography, a kolossal double-album and his first original soundtrack for the movie ‘Le Città di Pianura’ (The Last One For The Road), directed by Francesco Sossai and presented at the Cannes Film Festival (Un Certain Regard), a rollicking, bittersweet journey through the Venetian countryside, where memory and mischief ride shotgun, a road-movie through a territory undergoing great transfo…
You Can't See Speed
You Can’t See Speed is a limited-edition vinyl accompanying the artist’s major solo exhibition at the Australian Centre for Contemporary Art. Attending to the interconnected and multisensory experience of film beyond vision, You Can’t See Speed features vocal resonances and spoken descriptions written and recorded in collaboration with participants from Stefanou’s film works, alongside music composed by the artist. A cacophony of lived experience, oral storytelling, and vocality. The B-side cent…
Voyage
After a series of EPs and releases across different media (magazines, posters, digital), dTHEd returns with a new LP — their first in six years since the debut Hyperbeatz vol.1 on Boring Machines — titled VOYAGE (Vital Operations and Yearly Administration for Galactic Existence), a bold, genre-defying concept album chronicling humanity’s flight from an uninhabitable Earth to the deep unknown of interstellar exile. More than an album, VOYAGE is a full speculative fiction universe — part musical e…
Dead Mind Records Bundle
A comprehensive survey of experimental sound practices across generations, geographies, and aesthetic approaches. This four-release bundle from Dead Mind Records presents vital documents of uncompromising artistic vision: from contemporary electronic collaboration to archival excavations of ambient and industrial histories. At the center stands Carlos Giffoni & Joachim Nordwall's New Music - a visceral convergence of two sound artists operating at the outer edges of techno, noise, and electro-ac…
Le Cri Du Caire
Le Cri du Caire is a striking mosaic of Sufi poetry, jazz, and spoken word, led by the magnetic presence of Abdullah Miniawy alongside Peter Corser, Karsten Hochapfel, and Erik Truffaz. Fusing hypnotic loops with visceral strings and evocative brass, the album channels the hopes and struggles of Cairo’s youth into a transcendent musical ritual - challenging, inventive, and brimming with emotional intensity.​​
A Fraying Space
2025 stock Imagine being a punk rocker before there were any others, or a hippie whose message of peace was infused with a sardonic whimsy. That’s what it must have been like to be Pip Proud, in Sydney in the late 1960s, railing against the media and its hypocrisies, making a music that cut through all lies. — David Nichols Pip Proud, sui generis, could be considered an Australian outsider, with his untutored and uninhibited singing style, his primal guitar playing, his resolutely personal visio…
The Meters
Debut 1969 album by New Orleans’ The Meters. Led by organist Art Neville, the quartet was rounded out by jazz-influenced guitarist Leo Nocentelli, along with the bubbling rhythm section of bassist George Porter, Jr. and drummer Joseph "Zigaboo” Modeliste. Their regional influences were a smashing together of rock n’ roll, syncopated ‘second line’ rhythms from Mardi Gras parades, and jazz improvisations that only could have come from the New Orleans music scene. The Meters helped move R&B music t…
Look-Ka Py Py
1970 seminal second album by New Orleans’ The Meters is one of their most beloved releases. Produced by one of New Orleans’s preeminent musicians, Allen Toussaint. Between backing such names as Lee Dorsey and Betty Harris, The Meters cranked out a follow-up that was even funkier than its debut.