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* Edition of 199 copies * Between 1999 and 2000. By the early 2000s, Merzbow had entered a markedly new phase. The tape collages, junk electronics, and analogue chains that had defined his work across the 1980s and 1990s gave way to a digital practice built around laptop, software processing, and a rigorously composed approach to harsh noise. Across releases such as Merzbeat (2002), Animal Magnetism (2003), and the present album, Masami Akita reorganised his vocabulary around dense, sculpted str…
* Edition of 199 copies * Government Alpha, the project of Yasutoshi Yoshida, is one of the central figures in Japanese harsh noise, emerging from Tokyo's early 1990s underground scene. Through his Xerxes label, he developed a style that is both extreme and meticulously constructed, balancing ferocity and precision with remarkable control. Even at its most chaotic, every sonic eruption feels carefully placed.
Originally released on cassette in 1994, The Human Race Was Restored To Life Repeatedly…
Tip! 17 Re is the third studio album by Italian New Wave band Litfiba, released by I.R.A. Records in December 1986. Although little known outside Italy, It is still considered by many to be Litfiba's stylistic masterpiece. It is part, with the previous Desaparecido (1985) and the following Litfiba 3 (1988), of the so-called "trilogy of power".Initially released as a double album (in France it was released as a single), 17 Re is distinguished by the presence of four sides and sixteen tracks, all …
On Vol.3, Heimito Künst abandons drift for brutal repetition, channeling Thomas Bernhard and 19th‑century auditory therapy into a krautrock‑acid vortex where Moog, Mellotron and pounding drum machines turn obsessive sonic loops into a deeply psychedelic, physically overwhelming ritual.
Scorn is dead. Mick Harris has said it himself, repeatedly, over the years, but this time the sentence has the weight of finality. Anamnesis, expanded to a four LP set and issued by GOD Records as catalog GOD 80, is the last word. Few projects have travelled the distance Harris travelled. From the blast beats that helped invent grindcore in Napalm Death to the cavernous low end and pulverising patience of Scorn, his career describes one of the strangest arcs in British underground music. Formed …
Paradessence, Visible Cloaks’ third full length, is a work of emergence and illusion. The album’s fourteen songs shift, heave, and shimmer against a faintly luminous backdrop of night, a cavernous space shaped by sparse hyperreal representations of the natural world. The arrangements are simultaneously grandiose and fragile, both an inversion and culmination of what came before and as adventurous as anything they’ve produced so far.Since transforming from Cloaks to Visible Cloaks in 2014, Spence…
Aquainted through their shared love of music technology, and now a friendship, this is the second-time pairing between two well-known musicians from the ambient and electronic scene since some decades: the German artist Arovane and the American artist Taylor Deupree.After their first release together in November 2022, "Skal_Ghost" on 12K, this new release explore once more an organic journey built around loops and layers or processed and re-processed sounds giving this particular color to a new …
"It might sound like a cliché, but the music on the album "The Sea" emerged from watching the sea every morning on Fårö - more precisely, in Aursviken. It was the subtle shifts in the sea, the waves, the direction of the wind, and the colour of the sky that filled me with inspiration. The light and the darkness. The fact that we have this beautiful sea surrounding us, and the sky above as an opening toward infinity. Sometimes it’s that simple. I recorded the entire album during the summer of 202…
Birdman Records is proud to be reissuing Invisible Men, the early space explorations of electronic music pioneer F/i. In the mid-80s F/i was on the cutting edge of electronic bombast, producing cassette tapes of late-night interstellar sessions to be traded world over with the handful of heads that were plugged into similar perambulations. As a link between Throbbing Gristle and the Spacemen 3, this period of F/i has been woefully forgotten, until now. Later in the 80s, F/i would morph into Voco…
Pink Floyd’s legendary Wembley 1974 performance captures the band at one of the most pivotal moments in their career, as they toured in support of the groundbreaking The Dark Side Of The Moon. Recorded during a period of extraordinary creative momentum, this historic show offers a powerful snapshot of Pink Floyd at the height of their artistic vision, blending atmospheric soundscapes, immersive instrumentation, and the unmistakable sense of experimentation that would come to define an era.
Set a…
In any band there is a constant push and pull. A state of tension and release between written music and improvisation, between leading and following. In the instinctive, unpredictable world of jazz, that push and pull can explode groups and compositions into entirely new forms, yet no matter how far each player might be stretched, there is always something connecting them back to each other and back to the tune. A tether.
For New York-based saxophonist and composer Alden Hellmuth, that innate se…
Trepaneringsritualen explores themes of religion, magick and the hidden realms of consciousness, taking its musical cues from the old school of ritual ambient & death industrial. Rhythmic and seething at times, and oozing forward with a creeping sense of desolation at others, Trepaneringsritualen conjures forth bleak but mesmerizing visions of the end-times.
"Perfection & Permanence": a hymn to Isis; a further exploration of the duality of the holy harlot, the black skinned Magdalen, mother and …
Cinna Peyghamy unveils new album fusing Persian tombak and modular synthesis. Five years in the making, "Music For Tombak & Synth" bridges heritage, technology, and personal identity. The project, initiated in 2019 during Peyghamy's master's thesis research on contact microphones, was conceived as a means to reconnect with his Persian roots while exploringexperimental sound design. In the album, Peyghamy seamlessly blends the traditional Persian tombak with modular synthesis and digital sign…
This double LP with 16-page booklet is the extensive documentation of the exhibition "Godspeed in 4/4 Time" at the church St. Matthäus in Berlin, where artist William Engelen installed an instrument consisting of 366 metal tubes that was on display from May to September 2025. The tubes were mounted next to each other surrounding the nave of the church. Each tube was unique and differed from the others in length, diameter, thickness and/or material (copper, brass, stainless steel, aluminium), and…
This 7" single is the first release in a fictitious series of avant-garde music packaged in those cheap generic covers of hit singles from the 1950s and 1960s. The series opens with Nikolaus Gerszewski's 7-minute orchestral piece Beethoven Square, pragmatically split into parts I & II across the two sides of the record. The cover advertises the history of Edition Telemark, but is also an homage to the elegant product design of the period, which had drawn inspiration from Constructivism, the …
After decades spent shaping the sound of southern Madagascar, Damily returns with Fanjiry, his most intimate and focused record to date. A key figure in tsapiky as a guitarist and composer, and a driving force behind a genre he helped define, Damily has long expressed himself through the voices of the singers accompanying his bands. With Fanjiry, he takes a singular step forward: for the first time, he carries his compositions himself through singing — not by claiming the role of a singer, but a…
*2026 stock* Ten years ago, La Tène released their first record, then as a trio with Cyril Bondi, d’Incise, and Alexis Degrenier. A decade, four albums, and multiple collaborations later, the group returns with Moreïne/Déclives—an album that feels as much like a celebration as it does an upheaval. True to its identity, La Tène continues to explore the cracks between tradition and experimentation, between hypnotic drone and repeated gestures, but this time they choose to move onto new ground: the…
With Heat, Société Étrange extends its work around repetition, groove and cyclic structures, shaping an instrumental music that is both hypnotic and enveloping. Without any radical shift, the Lyon-based trio subtly moves towards more melodic and more cinematic forms, revealing warmer, more textured and sometimes more luminous atmospheres.
Formed by Antoine Bellini (electronics), Romain Hervault (bass) and Jonathan Grandcollot (drums), Société Étrange builds here a more diffuse trance, driven by …
On Fragments: The Complete 1969 Salle Pleyel Concerts, The Cecil Taylor Unit detonates across two uncut Paris sets: a newly unearthed, vividly mastered document of Taylor, Sam Rivers, Jimmy Lyons and Andrew Cyrille stretching free jazz into an overwhelming, architectural storm of sound.
On Three for Shepp, Marion Brown leads a blazing American free‑jazz ensemble with Dave Burrell, Norris “Sirone” Jones and Grachan Moncur III, unleashing high‑energy fire music that shows the Impulse! era at full boil yet still somehow under‑sung.