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Shunter, the new album by the Berlin-based duo Driftmachine, is their most ambitious work to date. Although instantly recognizable, featuring their trademark Kosmische and Avant-garde sounds, it also presents a new journey into abstract and hallucinatory worlds. Filled with eerie textures, their electronic visions are darker and more vaporous than ever.Driftmachine's fourth album (also the fourth one for Umor Rex) offers a new perspective on their ample sound spectrum and systemic narratives. Sh…
A multi-platform production that explores the overlap between the digital and the organic through field recordings of Inuit throat singing may sound, on surface level, to be something that is a rather niche. However, Zoe Mc Pherson’s exploration of this world on String Figures is a deeply rhythmic, immersive and forward-thinking piece of electronic-leaning music that remains just as danceable as it does experimental. The album is fundamentally one of duality, exploring the traditional and the co…
While the production of bohemian drips’ latest release – Iván Paz’ Visions of Space [BD007] – was dedicated to the exploration of virtual space in a physical context, the label’s next binaural in-house production reaches out to new recording ethics.Die Milchstrasse Flockt [BD008] marks a turning point in the label’s history, as a group of Berlin based artists got together only for this record: The quintet consisted of Ruth-Maria Adam, Alexander P. Jovanovic, Inox Kapell, Josefine Lukschy and Ale…
Instant Music is the trio of Bernd Schöll (Bass, Vocals, Rhythm), Mike Hauer (Guitar, Synth, Percussion) and Marion Siekmann (Vocals) from Munich, Germany. They formed in 1980 after meeting through mutual friends attending the local art and graphic design school. The trio were dissatisfied with their surrounding musical environment. Inspired by the Velvet Underground, Kraftwerk, and Giorgio Moroder, they set out to create their own brand of Neue Deutsche Welle fusing Dada, disco and Krautrock.Ov…
The Schleissen series stands as one of the finest facets of the ever expanding Emotional Response empire, initially kicking off in 2015 with releases from artists such as Harmonious Thelonious, Abul Mogard, Don't DJ and Sad City. Now the series has been fired up once again with the exotic tones of Tomaga, recently found lurking round the likes of Meakusma and Hands In The Dark. It's an exotic live band sound that touches on Fourth world exploration and motorik drive, but certainly with its own u…
Edition of 200. New record from Darksmith years away from the previous ... well, it is not easy to talk about the records of Tom, even if this difficulty, on the borders with the impossibility, validates the complete success of his work.We are not dealing with an abstract thing, reality is omnipresent in these furrows ... yet it manages to escape any attempt at semantic classification and makes even impossible the definition of an emotional tonality; rather the listening leads back to places of …
Biblioteq Mdulair is an orchestra made of some 15 analogue function generators played by Swiss based artists Emma Souharce and Daniel Maszkowicz. In their concerts they often collaborate with the analogue modular video synthesizer SYNKIE creating a total audiovisual symbiosis with dozens of CTR televisions. This first release is a live performance recorded at Cinéma Nova in Brussels (Belgium): a hypnotic ambient noise evolving towards a magma of colliding frequencies growing in intensity with an…
A full length LP by the eminent Australian sound artist Matthew P Hopkins. The first side "The Gallery Rounds" consists of three pieces which were assembled from field recordings made at various art galleries, museums, and other institutional buildings. The raw materials captured at these sites was not focused on particular artists, or kinds of artwork, but rather, on various unintentional combinations: outside traffic and construction work blending with the sounds of videos and kinetic sculptur…
All analog - no computers or instrument overdubs - The prodigal return of Venezuelan artist Carlos Giffoni to the avant-electronic music scene he was instrumental in shaping with the seminal, hybridising No Fun Fest and No Fun Productions label, which was home to debut releases by Oneohtrix Point Never, and classics from Haswell and Prurient during the late ‘00s to early part of this decade. If yr into 0PN or Keith Fullerton Whitman, this album f u c k i n g r u l e sCarlos’ first new release i…
Face Time is the second release from the trio of Oren Ambarchi, Kassel Jaeger, and James Rushford, following on from their 2016 debut Pale Calling (BT 020LP). Recorded at the GRM studios in Paris in June 2017, the record immediately returns to the idiosyncratic sound-world of the trio's first release, a simmering stew of electronic smears, pitched-down animal moans, and mysteriously emotive microtonal organ chords. But before long the record takes an unexpected turn, as sounds that initially ent…
sold out at source, Edition of 150. Cover art Bill Nace. Paste on covers screened by Alan Sherry. Mastered by Mark Alan Miller. Recorded live by Tim Barnes. Twig Harper--electronics, voice. Bill Nace--electric guitar, voice. .
Proper lysergic melters from Bear Bones, Lay Low on No ‘Label’ - a sometime home to Jamal Moss, Torn Hawk, Morgan Buckley, among many othersPushing the label’s boundaries for psychotomimetic behaviour, Atlantean Encrypted Message bubbles up from a place usually only visited in the throes of a full blown acid trip. On the A-side, the Belgian artist Ernesto González Rondón tilts in steeply with the warped wormhole of the EP’s title track perhaps meant as gateway as much as a test of the listener’s…
Exact LP repro edition. A few months after the foundation of Can, Holger Czukay recorded his first solo album ‘Canaxis’, in conjunction with producer/engineer Rolf Dammers, this album was assembled from thousands of snippets recorded from short wave radio, a long standing obsession of Czukay's which he also incorporated into some of Can's later albums. A refugee during the Second World War, Holger Czukay famously studied with Karlheinz Stockhausen in the early ‘60s. That direct exposure to the c…
**Limited edition of 500 coloured LP** « It's stressfull! It's shocking! It's everything a disturbed mind can imagine! » A zombie wearing a Nazi SS uniform terrorizes the French countryside. Meanwhile, some really weird shit is happening, involving a possessed horse, a pirate boat and a couple of car drivers desperately fighting the evil tearing the land to pieces.No plot needed for the madness to begin, as this movie is filled with the insanity guaranteed to give you psychedelic dreams. Directe…
Fantôme Phonographique present a reissue of Pur En Finir Avec Le Jugement De Dieu by Antonin Artaud. Antonin Artaud was a French poet, dramatist, and director and one of the most important figures in 20th century European theater, and especially the avant-garde. His piece "Pour En Finir Avec Le Jugement De Dieu" was recorded in 1947 to be aired on French radio. But the project was shelved not only for its scatological, anti-American, anti-religious content, but also for its avant-garde sound, wi…
Empty Editions is pleased to present Failed Celestial Creatures, the unanticipated debut collaboration between composer and writer David Grubbs and musician and sound engineer Taku Unami. Recorded at the Kyoto underground performance space Soto, the album takes inspiration from a reading list which Grubbs refers to as something like an “assignment” exchanged in emails between the two artists before the recording sessions.Primarily recorded in Kyoto, the album takes inspiration from the duo’s sha…
Shelter Press continue to pull us deeper into their uniquely curated soundworld on this exceptional new album from prolific composer and synth builder Justin C. Meyers, an artist who has had a cult following in the US underground noise and electronic scene for many years. This new album is a staggering collection of complex but gradually immersive modular compositions; a jittery, fragile thing that attempts to catalogue the precarious life of an artist with all the despondancy and joy that can e…
Edition of 250 copies. "Premiere loop-age and analogue slurping from Brighton’s F.Ampism. Put simply this record is a jitterbug in a bubbling pond, coz this collection of nine fine sound pieces are all about fluid movement and itchy digit fidgets. Songs like ‘The Loosest Caduceus’ ripple like time waves, setting off yeasty fireworks behind my eyes. ‘Sand/Blood/Glass’ becomes a relic from my formication nightmare. And ‘Absolute Beyond Ill’ drives gravity back into a wood-lined barrel. Oh yeah Amp…
**warehouse find, last copies, originally this LP was available only as a part of 4LP boxet Musick For Liberation And Ecstasy** and unavailable as stand alone release** Formed in Japan after the collapse of the noisy, SPK-ish White Hospital — the other half of which, Jun Konagaya, went on to continue as Grim — Vasilisk consisted of Tomo Kuwabara and Yukio Nagoshi, with other members (including longtime fixture of the Japanese underground, drummer Tatsuya Yoshida) joining in from time to time. L…