New Arrivals
Pinhead in Fantasia
Esoteric synths and classical harmonies from The Skaters mastermind. Pinheads in Fantasia is probably Spencer Clark's most out-there endeavor. At some point his records became more than just trippy music with crazy artwork and his use of symbols and poetry started to take a more central part in the releases. He even stopped calling them albums, preferring the term soundvisions instead. Fourth World Magazine Vol. II is the culmination of these tendencies, sounding like the creation myth for …
Suoni di Frontiera
It's finally here: a foundational album of electronic music which has not been available on vinyl since its original release almost 40 years ago. This newly remastered version is pressed up on heavyweight vinyl, made in an edition of 500 copies. Ahead of his time, armed with a VCS3, Synthesizer and guitars, Claudio Rocchi began treating all instruments with tape delays and echo effects, while absorbing the influence of the electronic music idioms of the time and exploring the potential of new te…
Ezz-thetics
Doxy present a reissue of George Russell Sextet's Ezz-thetics, originally released in 1961. The sextet features George Russell, Dave Baker, Don Ellis, Eric Dolphy, Steve Swallow, and Joe Hunt. Includes bonus track. Edition of 300 (numbered). "With a group of musicians assembled for the occasion, pianist/composer/theorist George Russell goes into Riverside's studios in 1960 to record Ezz-thetics. Nowadays frequently found on 'greatest jazz albums' lists, this fantastic record is difficult to cat…
Processed Snippets: Congo Traditional 1952 & 1957
Mike Kitcher's Processed Snippets falls firmly into the category of new exotica, a music created from a very specific location that becomes placeless through abstraction. Kitcher reworks moments recorded from the SWP Records re-mastered release of Congo Traditional 1952 & 1957 (SWP 046LP, 2014), a collection of recordings by Hugh Tracey. Tracey, a pioneering documenter of traditional music across the continent of Africa was notable for the extent of his travels and the breadth of his work, as we…
Ou
2015 release. Along the arc of Lucrecia Dalt's music, beyond what steers her so allusively away from self-repetition, there is an undefinable forward inertia. What can explain, for instance, the near absence of her voice? Is it personal interest, renunciation, an embrace? Is she driven by a backdrop of conceptualism, or is this a lyrical wandering? What is known, for starters, is that she made Ou immersed in a cinema of her own, curatorial creation. Ou's filmic quality is a direct consequence of…
Swallow
2013 release. Scott Cazan's music is driven by a fascination in the fullness of sound as well as an interest in network and information theory. Like the writings of those who inspire him, such as Deleuze, Baudrillard, and Alexander Galloway, his work, for all its directness, has a dark and seductive aura. Swallow is an album that lingers at the borders between memory, ambience, and feedback.
Dead Zones
Jean-Louis Huhta (Dungeon Acid) and Ideal label head Joachim Nordwall unite once again as High Boys for an EP influenced by their love of old school acid, bad vibes, dub 7”s, William S Burroughs and 80s industrial music. The pair are already bandmates of sorts as part of the mighty Skull Defekts, but anyone familiar with Dungeon Acid’s much sought after catalogue or Nordwall’s sprawling, eclectic interests will no doubt already have their ears pricked for this one. The results are pretty much in…
Study For A Monument
Gothenburg-based artist Johan Zetterquist delivers his debut album for the excellent iDEAL label, unspooling three extended pieces shaped like sound sculptures. It's a profound drone metal variant recorded on a Gibson SG, amplifier and effects, live with no overdubs, slowly unfolding to reveal blistered shards of sound that recall everything from Stephen O’Malley to Maryanne Amacher's seminal Sound Characters. Zetterquist gets a huge amount of mileage out of the contrast between extremes produce…
Unknown Rains
Utterly destructive and heart-wrenching power noise and catharsis from the don gorgon of Hospital Productions, making Prurient's first album confession since the release of the stunning Frozen Niagara Falls. Taking almost 40 minutes to spell out a litany of ills that mark up as classic, pain-saturated Prurient in contrast with the more layered, nuanced narrative and more complex production values of his last album, the set boots off with the infernal backdraft and flagellating vox of the album’s…
Untitled Death
Gorgeous new album from Teresa Winter, an uncanny collection of ambient / dream pop / entheogenic reveries that comes highly recommended if you're into anything from Grouper to F Ingers to Leyland Kirby to Delia Derbyshire to early AFX. Teresa Winter’s LP debut Untitled Death is a hallucinogenic wormhole of sensuously ambiguous pop and electronic experiments primed for the after-after party and altered states of reception. Realised thru a mesh of strategies from live, lo-fi tape recordings of sy…
Rotations
Hyper colourful and shiny modular synthesis and effected Clarinet ecstasies from the American contemporary avant garde...“As the duo Golden Retriever, Matt Carlson and Jonathan Sielaff have explored an ocean’s worth of sound. Primarily working with the intersection of modular synthesis and amplified/effected bass clarinet, the duo has done eight releases for labels like Thrill Jockey, Root Strata, and NNA Tapes. Their music combines an intense emotional immediacy and meditative focus with strong…
Science & Technology
Impossible-to-find Italian library music oddity from semi-mythical producer and Fabio Frizzi collaborator Giuliano Sorgini, aka Raskovich. Best regarded for his groundbreaking electro-acoustic and concrète sound design input to The Living Dead At The Manchester Morgue and Zoo Folle , Raskovich is also linked to a wealth of impossible-to-find cult LPs with Alessandro Alessandroni’s Braen, Giulia Alessandroni’s Kema, and their mysterious supergroup The Pawnshop, all amounting to a catalogue which …
A Thousand Strands 1975-2015
'A Thousand Strands' is the debut long-player from The Dandelion Set, a new collaboration between Glyn 'Bigga' Bush (Lightning Head, Rockers Hi Fi) and PK Chown (James Beige, Mr Liquorice). The album travels back to their formative years in the mid 1970s, with sleevenotes, lyrics and vocals by cult writer Alan Moore (V For Vendetta, Watchmen) and passes through a cavalcade of musical landmarks en route to the present day.
Två porträtt
Två porträtt (Two portraits) is a record that includes two long sounding portraits of two, in different ways, significant figures from the 19th century Europe that in a first glance should not have much in common. But both Hanna Arendt and Friedrich Jürgenson chose in their thinking and in their practice a completely own way. Rainer Maria Rilke appears as a shadow in the wings, as a third for the record important character, whose words has given the two compositions their titles. In Martin Tegen…
Attempt No.6
"Attempt No. 6 is the result of a cooperation between Swedish organist Hampus Lindwall and the Stockholm-based artists Joakim Forsgren and Leif Elggren with the Werkleitz Gesellschaft e.V. in Halle (Saale), Germany. Upon the invitation of curator Martin Hartung, the audio-visual performance Attempt No. 6 formed the core of the Werkleitz Festival 2016, titled Trans-Positionen, which was addressed to the power of the imagination associated with radio broadcasting. In conjunction with the internati…
Spectral Arrows : Venice
Spectral Arrows is an ongoing series of long-duration performances for guitar and electronics by Marco Fusinato. In Spectral Arrows, Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours. Fusinato presents himself here in the guise of a worker, clocking on and unceremoniously clocking off at the end of his 8-hour day, refusing to allow the behind-the-scenes mystery of rehearsals and pre…
Substantial
2017 repress of Hauschka's debut album Substantial, originally released in 2004. Piano music is highly personal music, which is the reason why piano solo albums occupy a particular place of importance in a musician's work -- not that Volker Bertelmann wants to hype his first foray to that extent, hence the pseudonym. Nevertheless Hauschka is personal music, simply because it has accompanied him for so long, because it has always been there in some shape or form, because it has always been import…
Embrace
Nice ambient/minimal reissue from the good folks at the Italian label Orbeatize. The duo of Martin Kornberger and Volker Kuhn put out two lone cassette tapes back in the 80s that all but vanished from the public eye bar a few hardcore collectors of the era. The music sits somewhere between post-kraut German synth and the electronic fourth world excursions of Per Tjernberg. Drifting piano and basic drum machine patterns also recall the work of Paki & Visnadi, the new age stylings of Paulin…
The Shameless Years
Post-minimalist American composer Rafael Anton Irisarri makes his Umor Rex debut with bold new album, The Shameless Years. Inspired by a troubled socio-political climate, buried melodies punch their way through a bleak cover of noisy drones, periodically veering into some of Irisarri’s most eerily pertinent music to date. LP limited edition of 700 copies pressed on red colored vinyl, includes a post card with original artwork and free download coupon. One of Rafael Anton Irisarri’s most th…
Luxor Necropolitics
Dominick Fenrow's Vatican Shadow returns with a new doublepack for his own Hospital Productions imprint following on from the recent Rubbish Of The Floodwaters 12” for Ostgut Ton. ‘Luxor Necropolitics” was once again produced by Joshua Eustis of Telefon Tel Aviv, and the vinyl edition also includes a super rare remix from Female of Sandwell District fame.
Clocking in at almost 40 minutes, this is the most substantial Vatican Shadow release since last year’s Media In The Service of Terror LP…