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Re-issue of Japanese tribal/industrial pioneers, released back in 1987 on Eskimo Records. Originally recorded and mixed in Tokyo from December '86 to March '87 now remastered with additional bonus track. Comes as transparent purple vinyl.
2014 repress. Recollection GRM is one more label within the Editions Mego family of labels. Its aim is to make available on vinyl the vast archives of Groupe De Recherches Musicales (GRM). Being released in batches of two every three months, it will present both known and lesser-known works. All releases will be re-cut at Dubplates & Mastering and packaged in new artwork by Stephen O'Malley, featuring bi-lingual (French/English) texts. Some of these pioneering works have been out-of-print …
'Music for Stocking Top, Swing and Staircase' is a spellbinding archival discovery documenting a performance by one of the missing links in experimental electronic and prototypical industrial music. John Lacey is one of the background players in British electronic music and conceptual performance art. He was an early collaborator with Chris Carter and Cosey Fanni Tutti and a crucial member of COUM Transmissions alongside Throbbing Gristle's Genesis P-Orridge. Lacey contributed technical directio…
This, Majkowski's third solo double bass release, is an album comprising of two pieces, which in their own way explore the relationship between stillness and momentum. The spectrum and resonance of particular sustained frequencies, and the atmosphere which they create is also at the core of this work. Majkowski captures these aspects via specific and highly detailed playing approaches, sustained over extended periods of time. We hear an inner pulse in slow melodies, and floating, almost frozen, …
Mats Gustafsson, aka King Skronk, aka Skronkmeister General, aka The Skronk Controller, aka Squeaky Pete, aka Skronkmaster Flash, joins forces with another experimental giant Lasse Marhaug (aka The Ear Destroyer, aka Mr Skreee, aka Electro Crunch Bastard, aka Testicle Hazard) on this sanity-obliterating collaboration. Squeaky reeds go head to head against fluttering, hissing, rotting reels in a shrill, broken, fluttering noise experiment. It sounds horrible, of course, and if you're looking at t…
Atsushi Reizen, living in Japan, uses electric-guitar-based sound sources with drone, noise and minimalist techniques. In 2007 he formed the ambient quartet Nerae, but he has now left the group to focus on his solo music. This LP features two newly recorded tracks based on the concept of 'differing speeds', and a track recorded live at Fylkingen in Stockholm.
Kye is proud to present a new 7' coupling from Philadelphia's Good Area, expanding and refining the signature sound first heard on 2013's 'French Antarctica' LP. 'Cubic Zirconia' offers a coarse instrumental homage to the cubic crystalline form of zirconium dioxide. 'Bad Karlshafen' delivers a stark, text-based rumination on the breakfast habits of the Huguenots, collapsing ice-rinks and astral photography, bundled together in a viper's nest of non sequiturs. 'Cubic Zirconia' b/w 'Bad Karlshafen…
Ralph Cumbers' Bass Clef debuts on PAN with four pieces of fluent modular acid. The most substantial dancefloor drop on a tour of duty which has seen him release on Public Information, Punch Drunk, Alter, and Mordant Music (as Some Truths) in the past 6 months or so, his 'Raven Yr Own Worl' EP carves a dead English dance sound from his favoured Bug Brand modular system, made by Tom Bug of Bristol. For want of a more concise phrase, it's a Radiophonic Dub Rave style, coming off like the eager off…
While Dylan Nyoukis has become on the great out vocal performers of the past two decades, his backbone of crude fluxus certified tape collage is what got him into the main event scene back in the 90's. Secondary Skin is almost a throwback album for the Nyoukis fan. The spontaneity and natural course of direction of his bellyaches combined with straight no chaser editing complete the experience. Fleshtone Aura is the current persona of Gastric Female Reflex founder and visual artist Andrew Zukerm…
Aulos' Second Reed is a massive development in the transverse music created by Part Wild Horses Mane On Both Sides. Pascal Nichols and Kelly-Jayne Jones go outside of themselves and become a whole listening unit with a singular pulse. Side A is elegance personified. Using what appears at first to be a two person small Gakaku style setup which leads the listener through occasional tympani playing and a flute response that sounds like it came a hundred years before this time. As each player moves …
If previous releases for Nihilist, Arbor and his own Catholic Tapes established Chicago\'s Brett Naucke as one of the more accomplished practitioners in the American synth underground, Seed, his debut LP for Spectrum Spools, is a veritable career apex, brimming with sonic ingenuity, detail, and mastery over both instrument and musical form. It is hard to fathom due to the sheer diversity of sound and affectations of the eight individual pieces on the album, but Seed was recorded -- almost im…
Recorded in 2013 shortly after the release of "Edenfall", this first vinyl LP from the American death industrial project explores the destructive realities of industrialized agriculture, Heathen atavism and humanity's continuing exemptionalist arrogance and loss of a spiritual connection to nature. The three tracks feature composed layers of grinding analog electronics, melodic synths, droning guitar, heavy percussion, scrap metal and a brutal vocal delivery that listeners have come to expect fr…
Kye is proud to present The Annihilating Light, the brand new LP by Stefan Jaworzyn. For over three decades Jaworzyn has colored the varied waters of underground practice with his unique and darkly acerbic hue. His tenure in such genre-defining units as Skullflower; Whitehouse and Ascension/Descension, and his scholarly position on extreme cinema have awarded Jaworzyn his reputation as a counter-cultural impresario. He is equally regarded for his solo work, which has taken in everything f…
Kye is proud to present Much To My Demise, the brand new solo LP by Jason Lescalleet. Since establishing himself as a preeminent voice in contemporary electro-acoustic study, Jason Lescalleet has, through his solo work and in collaboration, exploded the notion of what is possible within the realm of tape-based music. His recorded catalog acknowledges a diversity of application, from lo-fi reel-to-reel soundscaping and work for hand-held cassette machines, on through to digital sampling and…
“Sonja Henies Vei 31" is a profoundly moving document of the personal and artistic union between Crys Cole and Oren Ambarchi. Abandoning their usual instrumental artillery, both performers make themselves vulnerable to the listener, undertaking a committed exploration of pure physical gesture. Surrounding an explicitly intimate duo performance is a hazy collage of field recordings, tape hiss, metallic clinks and wandering voices. This forces the listener to hover in a disorienting psychological …
Sohail Rana, versatile maestro of film and pop composition, and leading force in pioneering the cultural landscape of modern Pakistan. His longplay masterpiece, Khyber Mail is stocked with groovy eastern moods, electric organ, sitar soul and surf guitar. Alan Bishop (Sublime Frequencies/Sun City Girls)
As the son of renowned Urdu poet Rana Akbar Abadi, Sohail Rana was born into a respected family in Agra, Uttar Pradesh, India, 1938. Having achieved academic qualifications in his formative years …
The strangest lp in the UE Antwerpian archival series so far! Recorded on christmas eve in 1980 by visual artist and general lune Bruneau, who is illegal about everywhere on this planet, and his pals Tom Van den Broek, Ewald Van Dyck and Jan De Pauw, at the time all creating trouble in the Antwerp scene around the legendary punk/glam basement Cinderella's Ballroom, Café Tom Tom (and Radio Centraal), Café De Mok and so on! The same puddle Ze Barbies were swimming in. B.P. was rather ambitious in …
Between the floor cracks of her whispered folk pop music as a solo artist, burning various violin and bass strings in Thurston Moore's Chelsey Light Moving, breakdancing for a Jackie O Motherfucker and playing in 1234 other bands in and around Soho NY, Samara Lubelski melts all other violinists on earth in a small metal bucket, while still hot she wiped their fat on her strings and blurred out 2 stripped, beautifully psychedelic solo violin pieces!
"Maurizio Bianchi's 1981 Symphony For a Genocide LP is the artist's most well known work, widely recognized as a classic of early industrial music. A year and a half after its initial release on vinyl in a limited edition of 227 copies, the album was reissued on cassette by the Broken Flag label. It was at this time that Bianchi created an entirely new recording drawn from the audio of the original LP. Entitled S.F.A.G. 81 and issued in January 1983 as a companion to the Symphony For a Genocide …
2013 Reissue.Xex were an all-synthesizer band from South River, New Jersey in the late 1970s. The band formed when a trio of high school misfits with funny names (Waw Pierogi, Thumbalina Gugielmo and Alex Zander) teamed up with some friends from Rutgers College. They released their debut album “group: xex” in 1980 which Dark Entries reissued in 2010. We were lucky to discover the master tapes of their unreleased second album “xex:change” in Waw’s basement. “xex:change” takes a leap from where th…