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The final film in the Luciano Martino produced series of Edwige Fenech/George Hilton 1970s horror vehicles, The Case Of The Bloody Iris (released in Italy as What Are Those Strange Drops Of Blood Doing On Jennifer’s Body?) remains a key feature for Italian soundtrack fans and pre-cert VHS enthusiasts alike. Comprising every facet of composer Bruno Nicolai’s versatile musical matrix, this suite of rich oblique paranoia pop makes its vinyl debut via Finders Keepers as an integral part of our dedi…
An outstanding lbirary LP (Originally on Cometa) played by Pulsar, a short living group formed in 1976 by jazz musician Enrico Pieranunzi and Silvano Chimenti , was called The Pulsar in honor of the neutron star and, to date, it was thought that their only album had been used for the soundtrack of the MarioCaiano's movie Milano Violenta. The feel of the album is similar to that of some of the best tracks on the Stroboscopia comps – with lots of tight drums, rumbling basslines, and cool electric …
“Apropos Cluster” was released in Coralville, Iowa, in deepest provincial America. Youthful enthusiast Russ Curry (sic) set up the Curious Music label on his own initiative to release this very album. Emboldened by the spirit of the independent movement, he paid for manufacturing himself and took care of CD distribution, as well as doing his best to ensure that a few copies made their way to Europe. In common with so many independent label operations, Russ Curry lacked the financial clout to mar…
Lassigue Bendthaus is the electro-industrial project of Uwe Schmidt aka Atom™. Schmidt began making music in the early 1980s, first playing drums, then switching to programming a drum computer after he had heard a Linn Drum on the radio. In 1986 he co-founded the cassette label N.G. Medien, on which his first musical work under the name Lassigue Bendthaus, "The Engineer's Love", was released. Soon after, he started to work on what would become his first official record release, the album "Matter…
Fragments and compositions of was Canadian composer Kyle Bobby Dunn’s first foray into miniature works for strings, piano and analog processing. Composed during periods when the young Dunn was found sneaking into music buildings at various music academies and universities in Canada and the U.S. During this time Dunn was known to recruit friends and colleagues into impromptu recording sessions, capturing layers and verses in places as mundane as his bedroom and bathroom. The piano renditions were…
Large Electric Ensemble is Ex-Easter Island Head's fourth release on Low Point and their first piece for massed electric guitars and percussion. Following on from Mallet Guitars Three, Large Electric Ensemble sees the group expand to include twelve prepared electric guitars and drums to create a vast wash of amplified strings and droning overtones. Commissioned for the first World Event Young Artists (WEYA) festival held in Nottingham, UK, during September 2012, the piece was developed alongside…
The needle lands on the vinyl surface of Wawayanda Patent, and the room appears in your mind’s eye. Black Dirt Studio sits empty, the sunlight still caught in the west-facing window, while an array of strings, drums, bells, and wooden bodies waits in expectant silence. In time-lapse, each performer appears in the space before your eyes, channeling the experience of unnumbered past collaborations into a new chimera: heart of Pelt, head of Gunn, neck of NNCK, legs of Rhyton, wings of Pigeons. To e…
Veronica Vasicka's unterwelt divining rod points out these industrialized zingers taken from French duo, D.Z. Lectric & Anthon Shield's 1985 tape, 'Confessions D'Un Masque'. Obviously inspired by the electroid lust of Throbbing Gristle, the later disko aktions of Chris & Cosey, and Suicide's stripped down swagger, their re-titled 'Lickin'' LP presents eight tracks oscillating between raging, wiry electronics and darkly romantic themes with an almost schizoid distribution of energies. For the DJs…
Louis Johnstone has carved out a distinctive production style from noisy, often heavily compressed but surprisingly subtle recordings under a number of aliases, such as Dem Hunger for Leaving Records. His Wanda Group releases have made him one of the more reliably fascinating names in freeform noise and electronics, with a spate of standout releases in recent months for the likes of Notown, Opal Tapes and Where to Now. This new adventure on NNA is especially changeable, a long, thin thread of so…
Adventurous Belgian percussionist Eric Thielemans makes a fairly unusual entry into the Miasmah catalogue with the surprisingly positive sounding album Sprang. Thielemans has actually appeared on the label earlier - as guest percussionist on Kreng´s debut album L´Autopsie Phenomenal De Dieu. Although you can recognize the sound on this record, the main focus of Sprang is to revert to the pure joy of sound experimentation and letting go of your foothold. Thielemans's previous exercises in expandi…
Over 5 years ago, Dozzy and fellow Italian engineer/producer Manuel Fogliata aka Nuel coined a strain of pure techno distilling their deeply engrained experience of '90s techno with a further reduction of noughties minimalism made with finely tuned hardware production techniques, basically burning away the cliches and impurities to leave a potent ambient techno residue. The result was a series of powerfully monotone, hypnotic and droning 12"s issued in typically low-key fashion by Berlin's Hardw…
"Recorded in Northern California in 1984 and released in a micro edition by the Creative Sound imprint in January of the following year, Mark Banning’s Journey to the Light is a lost gem of private issue New Age music, an impossible-to-find album that is more spoken about than heard and deserves to be recognized alongside established classics of the genre. Incorporating processed electric guitar, zither, voice and field recordings, it is unabashedly beautiful music—two side-long pieces that feel…
The Diagonal dynamo returns to his label on a combustible trio of 'Club Music' trax, including a crackshot collaboration with Russell Haswell. Powell's first 12" for the label since 2012's 'Body Music' arrives a year since his 'Fizz' 12" for Liberation Technologies and a killer for The Death Of Rave - with a couple of scintillating remixes for Ike Yard and Silent Servant in between - to mark his clearest, canniest statement of intent, wrenching ideas twoc'ed from New Beat, Hardcore Jungle, Post-…
Ninos Du Brasil is the Italian battery of Nicolò Fortuni and Nico Vascellari. ‘Novos Mistérios’ follows their debut LP for La Tempesta International/Tannen Records with an acutely stripped down blend of mostly “live” recorded percussion and explorative electronic sound design. The project, and album, is a radical inversion and consolidation of the duo’s respective backgrounds in performance art, punk bands Inspired by the febrile humidity and sensory overload of Brasilian carnival music, they te…
The inimitable Estonian ex-pat takes inspiration from current hood, Brooklyn, in the darker, beguiling pop contours of her 3rd album proper. The challenging yet gratifying arrangements of 'Histrionic' are testament to both her consistency as a boundary-pushing artist, and an enduring belief in the role of pop music as a model for incisive cultural commentary and observation. Her sound here is more layered, spacious than previously heard, yet denser than ever, crammed with uncanny lyrical observ…
Matt Hill aka Umberto returns to the spectre of 'Temple Room' from his 'Prophecy Of The Black Widow' (2010) album for extended and alternative dancefloor versions. On the extended version he's doubled the track length, giving himself more time to tease out the kinky disco vibes with camp, Jamie Principle-esque synth runs and, whilst the Silvio mix locks into a stompng, Hi-NRG wiggle.
The West Coast’s weirdest hidden-treasure trio, Bronze, have plied their molten composite of serpentine metro-gnomic drumming, oscillator raga, hash-oil free verse, and pendulum bass patterns for seven shaded years, but sonic documentation remains sparse. The new decade, thankfully, has seen them reversing this deficit, first with 2011’s Copper LP, and now with World Arena, which unfolds another octagon’s worth of their signature spellbound, smoke-ringed, psych-fusion explorations. Tracked at th…
White Poppy, the “experimental therapeutic pop” project from British Columbian inner-peacenik Crystal Dorval, has been evolving fresh forms for a couple years now. Last winter, packing a satchel full of four-track tapes, she ventured out from her bedroom haven and boarded a boat across the Strait of Georgia to the town of Ladysmith, on Vancouver Island, to The Noise Floor Recording Studio, to mastermind and mix the ten deluxe, delirious dream-gaze gems comprising her self-titled full-length debu…
Finding the perfect axis between the likes of Goblin, Roubaix, Barry and Sorgini this bloodthirsty entrée to our Bruno Nicolai and Edwige Fenech series delivers a vinyl debut for the music of this lesser-known beat driven Sergio Martino Giallo horror. A real treat for the patient Euro VHS fans and the library collector alike this varied vinyl compact OST finally spreads its wings. As the third instalment of a devoted series of vinyl releases focussing on Italian composer Bruno Nicolai’s soundtra…
Gosh this is lovely - a suite of spellbinding ambient folk meditations from Timo Van Luijk, the boss of Belgium's exquisite Metaphon label. A regular collaborator with the likes of Andrew Chalk, Raymond Dijkstra, and Christoph Heeman, among others, Timo operates at the core of Belgium's current avant-garde and experimental circles. Produced and released under his Af Ursin alias on the La Scrie Dorée label set up for such purposes, 'De Overkant' is a disarmingly quiet and mysterious suite of frag…