We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
First in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through…
Jawdropping new collection of crop circles etched in sonic candy-floss by New Zealand’s beardsmith / noise-farmer Campbell Kneale. Rated by the horses mouth as the best thing he ever made, EVER, ‘Blue Eyes Are My Reward’ shimmers like an icicle-clad forest resplendent in its own crystalline magnificence. Snakecharming groove, dublike boomph, and bleary eyed strum blast the path out of a decidedly greying world of so-so metalized myspace drone, into a miniaturized drone-prairie of superpow…
LP version, The African Twintowers Suite" represents a lost soundtrack; compiling the most interesting recordings, newly edited, layered, collaged, shortened and mixed between 2009 and 2010. Seminal German director Christoph Schlingensief (R.I.P. 2010) shoots his latest feature film "The African Twintowers" in Lüderitz-Namibia with Irm Hermann, Klaus Beyer, Robert Stadlober, Patti Smith... Autumn 2006: Schlingensief approaches Berlin musician-composer Hanno Leichtmann (Groupshow, Static, …
From out of the Great Republic of Texas, and a new side project from Tom Carter (Charalambides) and Brian Smith (Iron Kite) rises a lone star called Friday Group. In a seemingly appropriate gesture, the opening scherzo of droney solo guitar twang blows dusty debris across the speakers, as if a small sand storm in a remote part of Amarillo. With wind wrestling loose gutters and flat chimes, the first movement is almost a weird paean to Ry Cooder's desolate Paris Texas score. Axe attacks ho…
Limited edition of 500 copies pressed on virgin vinyl. Guitar out-crunch hailing from the Bardo Axis. Alasehir is grounded stoner heavy-zen and the second in our four part Bardo Pond related vinyl set. Alasehir's 4th release, following a CD apiece for the Important, aRCHIVE and Siltbreeze labels, Torment of The Metals "continues their sonic exploration of dense, languorous, free expansion. Billowing and exploding like a cluster of hashish stars, they produce a cosmic energy akin to a quasar in t…
The performance on this LP was recorded live at Roulette in New York last year. I have appreciated Knuffke's playing and music before, and I will do it again here. His tone is always full and warm, and he's a master at taking tough bends easily. The music is jazz in its purest sense : improvisational joy and emotional expressivity in a compact form. There is nothing but pulse in the pieces they play, even if the rhythms are not always explicit or when there are no patterns, the three musici…
First released of Malass aka Vincent Malassis. Project from experimentation and improvisation based on the research for organic textures and maximum musical expression. The purpose of this approach is to create a balance between noise, dissonance and melody. Thought as a filmic trip that allows emotion thanks to a sound design inspired from american minimalism and french concrete music. Ambient music mixed analogically in order to get a landscape of feedback, reverb and echoes which acts on both…
Tokyo-based guitarist/singer Hisato Higuchi presents his fourth full-length and first LP release. Henzai is Higuchi at his most bare. Each song appears like a spectral poem -- sewn together with hushed electricity and whispers. This recording is wholly intimate, recorded in seclusion, and washes over the listener like a hazy, day-break dream. Higuchi splits these 12 torch-songs between slow-motion improvisations and the composed, yet each is sung with a mix of beautiful wordless/Japanese languag…
Sandy Bull's 1965 LP Inventions remains one of those legendary albums that almost no one has heard. Its impact, however, can be scene in the title of this new compilation spotlighting a great unsung hero of "psychedelic folk." "Blend," the 22-minute opus from 1963 that opens this disc, surely fits that designation, perfectly blending folk, jazz, and Indian influences into what Bull called "new guitar raga." An eclectic virtuoso who switched from acoustic guitar to banjo to Stratocaster to oud (m…
Incredible, seemingly out-of-left-field debut release from tashi wada, a west coast composer perhaps best known as the accomplice / son of yoshi wada ...a gorgeously executed display of upper-harmonic-series movement & the psycho-acoustic properties of carefully controlled tuning systems (a medal has assuredly already gone out to violinist marc sabat for his performance here ; channeling the painstaking adherence to micro-tonal accuracy of phill niblock’s music ... only in a real-time, live-play…
'insect is a work by Dave Phillips that consists of untreated field recordings made in Thailand in 2001. It was first presented live on the 6th of December 2002 at Egocity in Zürich. the accompanying text evokes questions of what might happen to humanity if insects were to perish. Insect was originally issued as a cdr in an edition of 50 copies in 2003, and later rereleased by dp on demand. By the time i heard this work, almost 3 years after its release, i was astounded by its sound. A wo…
For his latest album, UK avant-folk maverick Richard Youngs seems to be converging on some of the most assured and firm-footed vocal work of his career to date, fashioning rock-solid songs from typically leftfield instrumental tactics. On 'Broke Up By Night', Youngs sounds like a gnarled old folkie of almost Ewan MacColl proportions, albeit accompanied by organ drone and wispy electronics. It's a rather magical, mantra-like cadence he elicits, and the album springboards nicely from this point. S…
The lonesome banjo picker returns! Recorded in one take in a de-sanctified century old cathedral in Northern Minnesota, The Uses of Infinity is a 6 part cosmic hobo’s dream suite for 23 string banjo. Cast in the drifting nebula of the whole tone scale, Paul Metzger plucks, picks, bows and spins his way through a 40 minute odyssey making for his most ambitious and adventurous musical trip to date
LP version, ultralimited: For a band with only two members, this group gets an impressive variety of sounds. Rob Mazurek on cornet and Chad Taylor drummer also use the studio as an instrument, alternating between post bop jazz and near ambient soundscapes. Taylor's rhythmic sense is unerring throughout the album, whatever the tempo. Electronics are added at times, and add effect, especially at slower tempos making for spooky music along with slurred horn. "Green Ants" has sputtering …
**Limited edition of 300 housed in handmade silkscreened sleeve. Tipped for fans of Atelecine, Carter Tutti Void, Factory Floor** Ninni Morgia and Silvia Kastel make their first appearance as Control Unit on Italy's freshly minted Backwards label. Guitarist Ninni Morgia is a respected member of the New York underground scene, known for his work with La Otracina for Holy Mountain and Ultramarine Records. His co-conspirator Silvia Kastel was a willing participant in his Ninni Morgia Control …
Edition of 380 copies** Powell marks up the 2nd release on The Death Of Rave, following Mark Leckey's debut entry, 'Fiorucci Made Me Hardcore'. Powell's 3rd release refines his ascetic blend of lawless New York no wave, cold European electronics and late '90s D&B with incisive vision and propulsive torque. The EP's standout 'A Band' emphasises a chimeric indistinction between the "real" textures of sample-spliced guitars and drums and the gritted tension of painstakingly processed electr…
Frode Gjerstad (alto sax, bass clarinet) and Paal Nilssen-Love (drums) recorded 2000 by Frode. Cover art by Terry Nilssen-Love. 'Two men sitting on a balcony, old friends, right before dawn. Maybe sipping some nice cups of tea, maybe even something stronger. Talking about anything, things shared, opinions, the way of the world. From time to time the conversation heats up a bit, touches things that are not seen completely eye to eye, then (eventually, always) understanding, friendship, trust take…
The debut LP from eccentric ambient-psych pair Sherri West and Taylor Clark was recorded at a self-described "mountain fortress" in California, despite the couple generally residing in Tulsa, Oklahoma. And like their disparate locations, the duo dabbles in varying forms of weirdness, from the amateurish, Deerhoof-esque racket of opener "I Am A Pony" to the dreamier blips and bleeps of songs like "Particles," which evoke a Hawaiian vacation as narrated by Rod Serling. LAVA CHILDREN strikes a uniq…
Bengt is the new solo recording by Mats Gustafsson and is dedicated to Bengt Nordström. Mats Gustafsson plays a plastic alto sax. A classic Grafton sax. The type of sax that was used by Charlie Parker, Ornette Coleman and Bengt Nordström. Nordström is best known having produced Albert Ayler´s first recording Something Different!!!!!! on his Bird Note imprint. It is in his own role as a sax player Bengt was truly inventive. Bengt was playing solo sax improvisation already in 1962 (!!!) Nor…
Amanda from Pocahaunted joins Robedoor for this first full-length as Topaz Rags, and the album's a real winner, kicking off with 'Darker Sooner' sounding like a Portishead album recorded over the phone. Elsewhere, twisted blues and moaning, haunted house vocals convene for 'Sightings', and 'Wear You Thin' is like a chill-wave night terror. An uneasy listen, but Capricorn Born Again is a druggy, beautiful raincloud of a record that's got appeal beyond the more conventional parameters of the Not N…