We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
"In the fading days of autumn in 2010, Taylor Deupree and Marcus Fischer, having become acquainted only earlier that year, set out on the sort of cross-country collaboration typically executed via technology and the web. However, having made a few rough sketches, they became disenchanted by the Internet and the machines between them, and quickly realized that the only way forward was via a plane ticket. Marcus left Portland for New York in February of 2011. The two met face-to-face for th…
Latest entry in Touch's bitesize Touch Sevens series, with typically lush cover design and photography by Jon Wozencroft. This one comes from NZ native Paul Douglas aka Rosy Parlane, and was recorded in Auckland back in 2008-9. 'Willow' is a blast, its radiant widescreen drones and shimmering surfaces - which corrode and curdle over the duration - calling to mind the work of labelmate BJ Nilsen. 'Morning' is more reserved, elegiac even; rotary organ tones and delicate processing conspire …
A numbered edition of 400 copies in an embossed hard bound box featuring four 180-gram vinyl records. Vinyl versions of Dream Logik Part One and Dream Logik Part Two with the bonus vinyl only album Dream Logik Part Three.
Limited edition red vinyl 7", 100 copies. Two pieces for hand-held gas horns realized at the Music Research Centre, University of York, November 2008. Recorded using two Neumann U87 microphones and a Shure SM58 on custom-rigged pendulum.
Julian Lynch and filmmaker Amy Ruhl first collaborated on Lynch's Seed video from his proper debut album (Orange You Glad) on Olde English Spelling Bee. Around this time, Ruhl was beginning work on her first film, an animated, allegorical biography of the courtesan, dancer & spy, Mata Hari. Spurred from talks about a using gamelan to score the film, Ruhl asked Lynch to contribute songs to the film & he delivered five new instrumentals. Drawing on both Indonesian music and his own bedro…
'The Icy Echoer constitutes a premiere in many respects, for both, the label and the artists. After countless collaborations with the likes of Leif Elggren, CM von Hausswolff, Bryan Lewis Saunders and others (mostly released on CD), this 7' marks the first time that Esposito's works are published on vinyl, while the same applies to the Fragment Factory. Likewise, believe it or not, it's the very first appearance of Drumm on a 7' platter. Michael Esposito is an experimental artist and long…
As the album title could say, this is a way to the "wonderland" (also called as "the other side" - many names have been used during the history of humankind), which shouldn't be mixed with the adventure's of the famous Alice - though it might give some idea about what is going to happen, but that's just the start of it all - the start of nothing else but listener's mind. What are the "echoes" then? They are something which is coming from beyond to here where we stay - so the album is a link betw…
Based exclusively on end grooves from vintagerecords, 'untitled #205' is a straightforward and joyful exploration of the potential for reincarnation of these unintended sonic structures into new life. More a tool than a final product, it delves into static, noise and rhythm with a hopeful perspective.' The untitled #205 mix on the a-side brings us 18 minutes of hissy, textural sound in dissolution, ranging from ryhthm to noise. The b-side has the 20 original loops López constructed out of…
Amazing box containg the entire Polyphonic Size discography, with all singles, maxi singles, 1st lp produced by JJ Burnel (live for each moment), b-sides and rare tracks, plus superb unreleased material (in excellent sound quality), carefully selected and remastered from roger-marc vande voorde's archives. including unreleased songs (Me Or You, Citizen Of Science, Asakusa Dub, Her Toys Dub), unreleased electronic instrumental tracks (Electronic 14-7, Electronic 65-4, Electronic 69-7, Electronic …
After 2 full-lengths mining vintage horror scores and Italo/Goblin-isms for inspiration, Kansas City riddler and composition whiz Umberto slow-pans his focus out of the graveyards and black widow cobwebs into the celluloid-stained artificial streets of Beverly Hills police beats and pop culture ghost-busting. Freeze! is an inscrutable but impressively legit reinvention of Jan Hammer-style 80’s soundtrack cheese: soaring keyboard lines, fast-tappin’ piano, locked-in bass grooves, goofy canned dru…
"Iowa City silver apple-pickers Wet Hair pitter-patter into yet another picture-perfect futurist synth-pop raga, 'Blessed.' Yes you are. On the flip, kindred midwestern matrimony team Peaking Lights hotbox a basement of black ark basslines and waterlogged reggae 45s. Sleeve art by Robert Beatty."
Prurient (aka noise musician Dominick Fernow) has become one of the most well-known and influential names in the noise field. Anti-technology and anti-electricity. An unconventional use of banging objects together to create music; playing with live wire, pennies, frying pans, toolboxes, scrap metal, and used shotgun shells are an example of some of his instruments he has used before. On this new material sounds and voice gradually emerge, in a distant and threatening outhouse.
This is the long-awaited vinyl re-issue of the timeless Nurse With Wound debut release from 1979. Described by Sounds at the time as a record that "makes The Faust Tapes sound like Carousel," nothing has changed to alter this view over the last 30 years, and to say that this work is the "Sgt. Pepper of the avant-garde" would not be hyperbole. The special box edition will consist of: the double LP, which will be a 2LP set with the extra track "Strain, Crack, Break" (never previously available on …
With an eldritch terror that could just as easily be from another dimension as the darkest ocean comes the latest release from Ural Umbo, Delusion of Hope. Feedback and melody barely escape from the murky crevices, tinged with a sense of grinding tension. Sharp, acidic percussion slices through the blackness with violent urgency, while electronic blasts and organic drones entwine and ensnare. Some dim instinctive memory vaguely resurrects a shadowy scene wherein black drums roar madly, and monst…
Brilliant new recordings by the prolific cosmopolitan (currently residing in Berlin) Michael Northam. Suhina is a notion for the sound of the wind moving through the trees. Instead of doing field recordings of wind Michael Northam tried to capture this feeling & the essence of this process through instrumental recordings from Indonesian flute & keyboard. Nature phenomena seen as the true manifestation of the Unknown. Stunning full colour artwork by Indian artist Rohini Devasher. White vinyl, edi…
Vibractions, a sound installation and performance by Ferruccio Ascari, was conceived and created in 1978 within a program of sound installations organized by the center for visual arts Sixto/Notes (hich included site-specific works by Giuseppe Chiari, John Duncan, Walter Marchetti, Gianni Emilio Simonetti, along with contributions by representatives of the most radical researches of those years: Ant Farm, BDR Ensemble, Chris Burden, Paul Mc Carthy, Fredrick Nilsen, Barbara Smith, and Demetrio St…
Alessandro Bosetti‘s music for the last decade has documented the de- and re-contextualization of the human voice through a variety of means. Il Fiore Della Bocca achieved this through the natural alterations of ‘normal’ speech exhibited by the voices of individuals with speech impediments, such as stuttering and phonetic disorders. Africanfeedback did so through vocal mimicry of contemporary music and through a simple ignorance of the languages his subjects were speaking (often Dogon). T…
special gallery edition artists book, issued for the 2009 exhibition held at Villa Romana (Florence), a research project on the deserted island of mediterranean by visual artists Amedeo Martegani, Armin Linke, Giulia Di Lenarda, Giovanna Silva and the sound artists Giuseppe Ielasi and Renato Rinaldi. A lavishly b/n illustrated catalogue contains a exclusive 7" with music based on field recordings of the islands, very few copies available
Second 7" release for Dirty Knobby takes us on another diversion through a hellish landscape peppered with brittle discordance and fuzzed out string burn, courtesy of an old cheaply produced Indian 'banjo', or bulbul tarang, which had the wooden keyboard removed, a contact mic attached and then thwacked repeatedly with a screwdriver head. The track evolves from this nightmarish scenario into something utterly transfixing, again created using a contact mic, rubbing on a table top and fed through …
september 2009 release ; excellent (if painfully brief ; could really use an lp-length recording of this stuff !!!) single of ghostly guitar passages (recorded in harlem, usa, no less) from italian artist stefano pilia ...two mazzacane-connors-esque figures, drenched in amp-buzz (incidentally, the only way we could solve the ages-old 33/45 dilemma was to run the 60-cycle ground-hum through a frequency counter) ; impeccably channeled & gorgeously presented ... highly recommended !!! (MIMAROGLU)