New Arrivals
Whistle and I'll Come To You
Whistle and I’ll Come To You by Death and Vanilla is an evanescent, cinematic dream-pop companion to the cult 1968 BBC ghost story film. Through shimmering synths, vibraphone, and spectral loops, the Malmö trio crafts an atmospheric journey where hau…
The Last Sacrifice
The Last Sacrifice by Mike Lindsay—co-founder of Tunng and the creative force behind Lump—offers a meticulously crafted folk-horror soundtrack that doubles as a standalone listening experience. Written as the audio companion to Rupert Russell's sinis…
Howl
Howl by Daisy Rickman offers a luminous journey through Cornish and English folk, steeped in mythic sun worship, nocturnal dreamscapes, and meditative storytelling. Recorded and performed entirely by Rickman herself, this second album channels solita…
Where to From
Where to From marks the much-anticipated solo return of Hildur Guðnadóttir, a composer-collaborator equally versed in spectral pop, avant-garde, and soundtrack work. Reaching beyond her acclaimed film and TV scores, Guðnadóttir crafts nine intimately…
West and East Baying
West and East Baying by Oakland Reductionist Orchestra investigates the porous boundaries between acoustic improvisation and electronic sound, favoring the subtle friction and microdynamics of “lowercase” performance practice. Across two extended pie…
Seeing the Way the Mole Tunnels
Seeing the Way the Mole Tunnels by James McKain, Damon Smith and Weasel Walter immerses listeners in an unmediated environment of spontaneous improvisation, where baritone saxophone, double bass and percussion fuse into a dense lattice of collision, …
Betsy Jolas: Femme le soir
Femme le soir immerses listeners in Betsy Jolas’s world of memory, inquisition, and fleeting radiance, performed by Anssi Karttunen (cello) and Nicolas Hodges (piano). These pieces unravel at the tempo of spoken thought, suspending lyrical lines in u…
Sarah Nemtsov: Tzimtzum
Tzimtzum imagines four sweeping new orchestral canvases from Sarah Nemtsov, weaving Ensemble Nikel’s hybrid-electric force with WDR Sinfonieorchester’s expressive palette under Peter Rundel. Her music traces broken cycles - rupture, echo, and repair …
Selected Works 1985-2005
Selected Works 1985-2005 by Gabrielle Roth & The Mirrors assembles eleven transformative pieces from two decades of percussive ambient innovation. This 2025 repress captures their hypnotic blend of ceremonial rhythm, improvisation and deeply spiritua…
New Conference Call
New Conference Call brings together Gebhard Ullmann, Uwe Oberg, Joe Fonda and Dieter Ulrich for an engaging session rooted in deep listening, spirited interplay and exploratory textures. Their varied compositional voices and dynamic rapport yield mus…
Slow Crimes
2025 Stock. The Work emerged from the dissolution of Henry Cow in 1979, formed by saxophonist Tim Hodgkinson, guitarist Bill Gilonis, bassist Mick Hobbs, and drummer Rick Wilson. Their inaugural LP, Slow Crimes, is a little-known treasure of transfor…
Death in the Urban Jungle
Death in the Urban Jungle by Lance Austin Olsen is an expansive electroacoustic tapestry, weaving copper plate, shruti box, tape fragments, and wordless voice into a narrative of decay and emergence. Resonances and silences shape a listening experien…
Liminal Spaces
Liminal Spaces, by Ed Jones and Emil Karlsen, sketches a quiet but complex dialogue between saxophone and percussion. Their communication is fluid, as fleeting motifs and rhythmic fragments surface and dissolve, inviting the listener into the shiftin…
Moon
Moon sees Simon Rose and Nicola Hein map a shifting terrain between breath and electricity. Baritone saxophone and microtonal guitar unfurl in subtle layers, crafting a microcosm where fragility and abrasion lie side by side, always moving, always se…
The Duke of Wellington
The Duke of Wellington is a vivid portrait of Derek Bailey and John Stevens in spontaneous conversation, recorded live at a London pub in 1989. The set captures their dynamic synergy; jagged guitar and agile percussion interlock and diverge in an unr…
Within (2) / Appearance (2)
Within (2) / Appearance (2) by Michael Pisaro-Liu presents a contemplative exploration of duration and silence, foregrounding gradual transformation. These extended works for guitar and double bass, created with Michael Francis Duch, reward patient l…
Zaum´ - Заумь 1981-1989
Edition of 80 copies, signed and numbered by Scherstjanoi. Published on occasion of the exhibition “Valeri Scherstjanoi – Auf dem Weg zum Scribentismus, Experimentelle Texte und Gesten. 1982-1989” at Rumpsti Pumsti (Musik), Berlin, June 2012. Featuri…
Ausgewählte Kurze Hörstücke 1961-1987
special edition of 60 copies, signed, with additional CD Unlike previous Gerhard Rühm editions on Tochnit Aleph which portrayed his phonetic poetry and longform radio-plays, the pieces on Ausgewählte Kurze Hörstücke are more conceptual, actionist, an…
Akustisches Abreaktionsspiel
Special edition of 10 copies with Signed photoprint and CD Hermann Nitsch’s very first release, originally published 48 years ago by Edition Galerie Klewan in a limited edition of 100 copies..Produced and recorded at the WDR Radio in Cologne, Germany…
Akashaplexia
Akashaplexia is the culmination of Merzbow and John Wiese’s decades-long partnership, offering over three hours of new music across four CDs. Recorded together in Tokyo, the album balances Merzbow’s psychedelic intensity and Wiese’s meticulous sonic …