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New Arrivals

Ermete
*20 copies limited release* ERMETE is an ambient/drone project that blends sonic exploration with dark, retro-futuristic tones, unfolding over a fluid and immersive droning foundation. The debut self-titled album "Ermete" is composed of three distinct movements: "29°00′N 13°44′W (I-II-III)", the opening piece, is an extended composition divided into three parts. Its structure revolves around three evolving themes, emerging from a hypnotic and earth-shaking drone that underpins the entire track. …
Good Bye
Their sophomore release, after their supreme 1972 psychedelic debut, is a proto-hard rock affair. The Japanese power trio is in a more enthusiastic jammin' mode, with deep heavy blues notation. Ensure this lost classic now and forever!
Michael Pisaro-Liu - Tombstones II
After a first album made up of 11 pieces from Tombstones by Michael Pisaro-Liu — works with delicate tones and dusty melodies that wrap us in an intimate atmosphere — the musicians of the Muzzix collective, brought together under the direction of Barbara Dang, present this second recording, which completes the entire collection. This new opus continues the sonic exploration: timbres become more diverse, textures thicken, and silence — in its rawest materiality or its faintest breaths — becomes a…
You Think You Really Know Me
2024 repress! Gary Wilson's monumental 1977 LP reissued with the original cover art (care of Owen Maercks's well-loved copy), delicately laid out by Scott Allison. Which makes it, perhaps, the last copy you'll ever need. You Think You Really Know Me (also the title of Michael Wolk's 2005 documentary about Wilson) was Wilson's second LP, but the first he recorded as a vocalist, hewing to his own bizarre vision -- a syncretic collision of romance, new wave cocktail jazz, heartbreak, disco porn-sou…
Adorable Ruin
2025 stock  ‘Adorable Ruin’ is the second release of Stokholm-based composer and electronician Siri Jennefelt under her Nev Lilit moniker, and her first one to be released on vinyl. Each composition of the release starts with a drone that seems to be of a similar design, but brings us into vastly differing worlds. Jennefelt’s blend of large, primal drums and meticulously crafted synthesis, that moves independent of each other, makes a fitting canvas for her extensive arsenal of haunting, dystopi…
No Sound Forever
From the depths of Gothenburg, The Family Men emerge. Since 2017, they have slowly carved out a sound entirely their own within the current music scene, standing out as one of the hardest groups in Sweden today. Making use of unconventional sampling, chainsaw-guitars and gritty industrial tones, they manage to blast their way into yet uncharted musical territory. Their debut album 'No Sound Forever' is an explosive, daring and vital record of a band ready to swallow you whole.
The Grass Harp
*200 hand-numbered copies limited edition* Aiko Takahashi is a Nova Gorica-based musician, a spirit that has released albums on various labels. Just like the line that separates the two cities where Aiko lives, Gorizia and Nova Gorica, divided between two countries yet united as one, Aiko’s music exists on a boundary. A line that separates silence from peculiar, almost imperceptible sounds. Too quiet to be Ambient, too Ambient to be Sound Art. Two years ago, after a first complete release on IIK…
Noising Sheng
*60 copies limited edition* Noising Sheng documents Zhang Meng’s attempt to reinvent the Chinese sheng into a noise instrument. Since ancient time, the sheng has been associated with the virtue of “he” central to Confucian ethics, denoting peace, harmony, and conciliation. In the family of Chinese wind instruments, the sheng is a rare member who is able to fix to a certain tune unaffected by playing, and to play multiple notes at the same time. In an ensemble setting, it often functions on the o…
Taipei, Beijing
*60 copies limited edition* Xu Shaoyang makes music about the fragmented beauty of everyday life. Over the years, he has sustained a fresh spirit of amateurism by travelling and performing in many different parts of the world, occasionally as a member of the avant-pop group Maher Shalal Hash Baz. His songs are made of simple tunes, sometimes silly sometimes smart, sometimes delivered with a “backing band” of improvising musicians who he met and collected along the way. Sometimes the karaoke work…
All My Circles Run
Sarah Davachi’s ‘All My Circles Run’ is a meditative journey through sustained drones and harmonic resonance, blending analog synths, strings, and organ into a deeply immersive ambient experience."
Barons Court
A landmark debut reissued: Barons Court finds Sarah Davachi crafting mesmerizing electroacoustic landscapes that invite deep listening and contemplation. Blending vintage synths and acoustic timbres with patient, immersive composition, Davachi’s singular vision reshapes the boundaries of minimalism and ambient music
Let Night Come On Bells End The Day
A quietly stunning meditation on sound and space, Let Night Come On Bells End The Day sees Sarah Davachi sculpting slow, luminous improvisations for Mellotron and organ. Each piece unfolds with patient restraint, revealing rich overtone complexity and a dreamlike sense of presence-minimalism at its most intimate and immersive
Ostranenie
Ostranenie is a collection of digitally manipulated, impressionistic piano miniatures — each named after blockbuster films and TV series. Improvised late at night as a reaction against passive media consumption, these pieces function as both homage and critique, navigating the space between classical impressionism and contemporary digital manipulation. They don’t just deconstruct traditional piano expression; they interrogate the emotional stakes of sound in an era where immersion culture flatte…
Nuits Sans Nuit
Pierre Bastien and Michel Banabila return with Nuits Sans Nuit, their second collaboration following their Baba Soirée debut from 2023.
Extensions
"Languishing off-catalogue for many years, McCoy Tyner's Extensions may be the pianist's most unjustly neglected album. Strange days, for not only is the music ineffably vibrant, but Extensions is the only recording ever to feature Tyner alongside pianist and harpist Alice Coltrane, who replaced him in saxophonist John Coltrane's group in 1966. The album has one foot in the echoes of John Coltrane's "classic quartet," of which Tyner was a member from 1960-65, and the other in the astral jazz sty…
Night Dreamer
“Night Dreamer is an album that finds Wayne Shorter in a state of transition as he was still rooted in the hard bop style that started his career, but also starting to lean toward the more abstract style that will serve for the greater part of his remaining career. It’s a talented, and somewhat unusual ensemble that Shorter has assembled here. McCoy Tyner and Elvin Jones, at that time, were mostly known for their famous work with Coltrane, but in 1964, when this album was recorded, Tyner and Jon…
Schizophrenia
"Wayne Shorter’s Schizophrenia found the legendary saxophonist at the pinnacle of post-bop with a sextet of like-minded musical explorers including James Spaulding, Curtis Fuller, Herbie Hancock, Ron Carter & Joe Chambers performing Shorter originals like ‘Tom Thumb’, ‘Go’, and ‘Miyako’. Recorded on March 10, 1967, at Van Gelder Studios, Englewood Cliffs, New Jersey." - HHV
Poly-Currents (Blue Note Tone Poet Series)
After his six years with the seminal John Coltrane Quartet, the master drummer Elvin Jones signed with Blue Note in 1968 and began building his own career as a bandleader. His first two albums for the label were spare trio outings—Puttin’ It Together and The Ultimate—both featuring saxophonist Joe Farrell and bassist Jimmy Garrison. For his next album—1969’s unfettered post-bop exploration Poly-Currents—Jones expanded his ensemble with additional woodwinds and percussion while still maintaining …
Rivbea Live! Series, Volume 3
Track 1 recorded May 21, 1976 at the Wildflowers festival Track 2 recorded June 20, 1974 Jimmy Lyons - alto saxophone Karen Borca - bassoon  Hayes Burnett - bass Henry Letcher - drums Syd Smart - drums
The Lost Session, Paris 1979
Recorded August 22, 1979 at Campagne Premiere, Paris, France All compositions by Dave Burrell and Monica Larsson, unless otherwise noted Dave Burrell - piano Sam Woodyard - drums