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Inimitable post punk insurgents The John Cale produced '79 Model Citizens EP is finally available again, and with it comes unheard live recordings from Max’s & Hurrah! "Model Citizens, attacking their instruments with poetic yet strangely ironic frenzy, reflect the frightened, scattered, painful (yet edge-of-ecstatic) world of the moment." (NY Rocker) This short lived vanguard outfit now gets its due on red vinyl, with an insert featuring liner notes from Tim Page. There were four Model Citizens…
2025 Vinyl Repress. ONE DAY ALL WILL BLACKEN AND BURN. Just as the two-headed basilisks predicted. Lies, Truth, Denial and Envy embodied. Their riddling yet oddly accurate prophecies were put in ink by Anuk Schleger the monk, in the scrolls that now hold many names - The Nameless Scriptures, The Unwritten, The Dirt Pages. And so far, every promise therein has been realized, hence why both kings and beggars now cry and wail. Everything will blacken and burn. The stormy, Endless Sea will boil and …
‘redrum’ (with a lowercase r) is the original music for the dance performance of the same name by the group nanou (with lowercase g and n). Composed in 2023 and staged in 2024, it won the Ubu Prize for best dance show of the year. The collaboration between Bruno Dorella and gruppo nanou has been going on for many years now, and for this show the music is almost entirely electronic, with rare inserts of guitar, bass and vocals. Bruno Dorella plays, produces and mixes the entire work, in a process…
"Disguise In Love" released in 1978, is the debut album of British punk poet John Cooper Clarke. Renowned for his quick-witted delivery and sharp humor, Clarke fuses punk rock with spoken word, resulting in a one-of-a-kind sonic experience. The album includes tracks such as "I Don't Want To Be Nice," "Valley of the Lost Women," and "(I Married a) Monster from Outer Space," highlighting Clarke's talent for social commentary and dark comedy.
Produced by Martin Hannett, known as (one of) the creat…
"For his first Mondoj release, Finnish musician Olli Aarni journeys to the wide oblique, where shapes are implied by slants of light previously thought impossible, coming from sources dispersed and hidden. The paranoid eye turns them into phantasms: distant pop songs, fields of fair folk spinning vocoded fudge, an exquisite tasting menu, the shiny towers of an inflatable castle protruding from underground. Scientific inquiry reveals spoken word, diatonic harmony, wide stereo fields, spectral she…
As he is master of crushing beats/bass, Mick Harris remained faithfull to his primary love - drones! With brand new Lull, Harris deliveres four deep drone pieces, each for one side of vinyl. Beware your record player stylus that it is going to have hard job reproducing the depths of this new dimension music...
Tip! Minty (named after the Polari word for ‘snooty’) was formed in 1992 around legendary designer, performance artist and muse for painter Lucien Freud, Leigh Bowery. Alongside friend, and designer Richard Torry and club promoter, musician and filmmaker Matthew Glamorre, Minty was conceived to present ‘actions’ on the fringes of music, art and fashion and to explode (sometimes literally) in the face of growing homogenisation. Inheritors of the Post Punk and New Romantic scene, Bowery and crew l…
AMM collaborates with Sachiko M on Testing (Matchless Recordings), documenting sessions between the British collective and the Japanese sound artist. The work explores intersections of improvised acoustic techniques and sine wave electronics, presenting careful negotiations between established experimental practices and minimalist electronic intervention.
*200 coipes limited edition* Among the many kind remarks and deeply personal stories that have been shared with zakè and 36 about their beloved series, Stasis Sounds For Long-Distance Space Travel, perhaps the most succinct and poignant is one from a fan, regarding the first installment: “I was terrified of space travel, until I heard this album.” In those few words, the complex themes and contrasts that the artists explore through their comforting hymns of cosmic scale are summed up beautifully…
Klaus Morlock returns with Fireside Spells, an album blending eerie folk, vintage synth, and psychedelic soundscapes into a world of supernatural encounters, Cold War conspiracies, and time slipping away. Inspired by 70s horror soundtracks, lost transmissions, and forgotten folklore The title track evokes woodland rituals and ancient myths, while Henderson Makes Time shifts into 60s psychedelia, following a protagonist caught in a web of espionage and dark magic. The spectral synth work of A Gat…
What happens when you bring together familiar faces at London experimental music venue Café OTO, Charles Hayward (drummer Abstract Concrete, This Heat) and John Edwards (double bass), and the Total Refreshment Centre (hub of new london jazz scene recording studio ) like Alabaster DePlume (singer and saxophonist) and Danalogue (synths from Soccer96, The Comet is Coming), and the learning disability autism art scene like singers/spoken word artists Sebastian Golgiri and Dean Rodney Jnr (Fish Polic…
Matthew Bower's Total released 'Sky Blue Void' in 1994 through Freek, recorded the same year as previous NOHL reissue Skullflower's "Last Shot at Heaven." "Sky Blue Void" is the zoner of zoners, as heavenly and crushing as the rapturous cover art suggests. Release yourself to the void.
If "Cathedral" is one of Nigel Ayers' most celestially minded records, then "Invocation of the Beast Gods" is among his most ritualistic. We start at full throttle with suffocating tension before giving way to an uneasy release. "Tranquil" this is not, but Ayers' delicate touch allows him to explore the full breadth of the album title's implications — here you will find moments of whimsy, contemplation, and full-bore reckoning. No Holiday is pleased to offer "Invocation of the Beast Gods" alongs…
*2025 stock* Nocturnal Emissions' releases throughout the 1980s are eclectic, adventurous and intermittently raw. 1991's "Cathedral" is something else entirely — ritualistic, expansive, awe-inducing. It is at turns warm, ominous and ethereal. We could come up with adjectives all day, but it really must be heard to be believed. Originally released by Italy's Musica Maxima Magnetica, "Cathedral" finally gets its due on vinyl with a deluxe 2xLP edition featuring a large booklet with many of Nigel A…
*249 copies limited edition* The "static noise" project of Richard Ramirez, Werewolf Jerusalem was introduced to the world fully formed and consumed with darkness. Ramirez is no stranger to confrontation, which makes this album's mysterious approach all the more sinister. No track titles, murky and dystopian samples, and overwhelming sound that pulses and stutters but retains all of its lurching power, plowing endlessly forward until it all just stops. 24 years after its release, Werewolf Jerusa…
*249 copies limited edition* Reissue of the long out of print 1996 album. In the 22 years since "God Has Shot Himself" was released as a CDr by Legion Sudan, it has gained a somewhat mythic status as a notably disquieting release. Some might say disturbing — and they'd be right. But it's also more than that. "God Has Shot Himself" is the sound of abandonment, of spiritual collapse. It is just over a half hour of total blackening annihilation that still must be heard to be understood. Now on viny…
The two masters, thousands of miles apart, released this fearsome collaboration in 1997 on Sterilized Decay. Matthew Bower's source sounds were processed, mangled and reassembled by Masami Akita for 50 minutes of unbridled destruction. At once a summation and reconfiguration of both artist's incredible work throughout the 1990s. Remastered and with a new layout based on the original tape.
First released by Extreme in the massive, infamous 'Merzbox,' "Red Magnesia Pink" is extracted and recontextualized as a standalone release for the first time. Recorded in 1995, "Red Magnesia Pink" sees Merzbow in peak form. A psychedelic whirlwind of synthetic transmissions; harsh, wet, screeching sounds that could only be produced by Masami Akita. Featuring two previously unreleased bonus tracks from the same era.