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Reissue of the long out of print 1997 album. All performed, recorded and edited at Acty Hanazono, Summer 1997. Used Instruments: Microphone, Colorsound Pedals, Romero Theremin, 60'sFuzz, Expj Ring Modulator, Arion & Guyatone Digital Delay, Evans Super Echo and Noise Canister.
Newly remastered vinyl edition of this seminal 1972 release. In the history of experimental music, few artistic decisions have proven as radical or as successful as Florian Fricke's complete abandonment of electronic instrumentation on Popol Vuh's third album, Hosianna Mantra. Released in 1972, this stunning work represents not just a departure from the Moog synthesizer explorations that defined the group's first two releases, but a complete reimagining of what spiritual music could accomplish i…
Mystic Synthesis at the Dawn of Electronic Consciousness! Florian Fricke's visionary second album remains a towering achievement in transcendental electronics
Limited Anniversary Edition: hand numbered, White vinyl, 500 copies available! Released in 1975, this second full-length stands as perhaps the most uncompromising statement in the Heldon catalog - a work that refuses all concessions to accessibility while remaining utterly compelling from first pulse to final fade. Where the debut balanced Pinhas's most extreme impulses with moments of relative calm, Allez-Téia feels like an artist completely unleashing his vision without concern for consequence…
*2025 stock. 300 copies limited edition* The third offering in No Holiday's September 7-inch batch comes courtesy of Merzbow, offering up twin bursts of total electronic punishment that could have been made by no one else. Avian electronics for white-cheeked starlings the world over.
*2025 stock. 35 copies limited edition* For the first time on a physical format, No Holiday brings you two releases from Pawtucket, RI's Crusher Conveyor. True electronic dissections and recombinations of all things dark and horrible, these two span drone, harsh noise and good old-fashioned industrial in a package that sounds distinctly out of time.
*2025 stock. 35 copies limited edition* For the first time on a physical format, No Holiday brings you two releases from Pawtucket, RI's Crusher Conveyor. True electronic dissections and recombinations of all things dark and horrible, these two span drone, harsh noise and good old-fashioned industrial in a package that sounds distinctly out of time.
*2025 stock. 250 copies limited edition* Brooklyn's Mouths Agape offers 23 minutes of suffocating power electronics exploring dreams, child abuse and the possibility of violence. An outpouring of contempt in the spirit of the contemptible.
*2025 stock* Since January 2024, New Jersey's Chvrch Street has released 14 digital releases and counting. With stark titles composed of sinister compound words, these releases span dark ambient, death industrial and pure noise with a surprising degree of emotional complexity.
Here, No Holiday is releasing the first ten EPs in two packages, showcasing the evolution of the project while allowing each one to tell its own story. Best listened in one marathon session, Misanthology Vol. 1 & 2 is read…
*65 copies limited edition* New York's Chronowerx serves up a slab of jungle as refracted through Americanoise and Jerkbooth arguments on 'Mysterious Guy Hardcore Junglist,' No Holiday's first cassette release. Breaks are chopped into chthonic new forms beyond easy classifiers like "power noise." Jungle's form is exploded and reassembled over and over again on each of these four tracks, familiar and unrecognizable at once.
** Limited Anniversary Edition: hand numbered, limited edition light Blue double vinyl, 500 copies available! hird album from the French spacerock electro combo masterminded by Richard Pinhas. Heldon’s darkest work lays another stone in their sonic mosaic: synths,drones, fuzz and trippy improvisations. Intense Heldon!! **
In the sprawling landscape of 1970s experimental music, few figures carved as singular a path as Richard Pinhas and his electronic storm trooper project Heldon. While their c…
The Complete Pharoah Sanders Theresa Recordings reveals the revolutionary saxophonist's misunderstood 1980s period. Seven discs capture Sanders integrating avant-garde fire with melodic tradition, featuring collaborators like John Hicks, Elvin Jones, and Bobby Hutcherson. Essential rediscovery of an artistic evolution long dismissed by critics but blazing with spiritual intensity and technical innovation.
Groggy, engrossing new work from Ulla under their newly minted U.e. tag, riffing to the sublime on a set of (mostly) acoustic reveries that tap into the kind of smokey vapours favoured by the likes of Vincent Gallo, Voice Actor, Jonnine. Oh aye, it’s a special one.
A new year, label, album and handle for Ulla, a multifaceted artist who has draped our pages with wonder, under numerous aliases and collabs, for almost a decade. On ‘Hometown Girl’ they distill transience and flux into a quiet set of…
CEM has gained international notoriety over the past years for bewitching club and festival audiences alike with his feverish, polymorphic and richly referential DJ sets. For his debut full-length album, FORMA, the Berlin-based Herrensauna founder momentarily departs the dancefl oor, instead contributing a refl ective and at times menacing compositional study on terror and temporal anachronism for our perplexing times. All six pieces were originally commissioned to accompany Portuguese artist Ma…
Ecstatic presents I Can Hear The Grass Grow, the transportive new album from Mancunian duo Celestial. Expanding on the bucolic dreamstates of their previous work, this latest release unfurls like dawn mist over dewy fields, steeped in fragile fingerpicking guitar aching with hushed intimacy.
Where Listen to the Sky traced the heavens, I Can Hear The Grass Grow sinks into the earth—its organic, fungal textures blossoming in layers of acoustic and electric guitar, droning harmoniums, and shimmerin…
Spool is a multi-disciplinary, collaborative project by musician and producer Florian TM Zeisig and artist and perfumer Angel Paradise. The project came about when both artists were living in Hinang, a small farming village in the Bavarian Alps. The work embodies a period of isolation, reflection and personal awakening. Florian TM Zeisig has a distinctive ability to weave compositions that feel weightless yet deeply evocative. His music carries a profound tenderness—a soulful presence that linge…
Recorded at the 1970 Montreux Jazz Festival in Switzerland and produced by Helen Keane, Montreux II (originally issued on the CTI label) was the second of Bill Evans’ Montreux concert recordings to be released, following the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968). It features the leader accompanied by Eddie Gomez on bass, and Marty Morell on drums. According to AllMusic writer Ken Dryden, the concert finds “the pianist in peak form” presenting “a terrific live perfo…
Further Conversations with Myself, released on the Verve label in 1967, was Bill Evans’ sequel to his 1963 Grammy Award LP Conversations with Myself. As on that initial album, here all the pieces are unaccompanied solos with piano overdubs. On Further, however, he plays just two pianos instead of the three he had previously employed. According to AllMusic reviewer Scott Yanow, “The program is brief, but Evans plays quite well throughout. In particular, his versions of Johnny Mandel's ‘Emily’ an…
Lonnie Liston Smith was one of the most important musicians to emerge in jazz in the 1970s. His 1975 album ‘Expansions’ is one of the foundation stones of modern dance music and his recordings have been sampled by many of the biggest artists in the world. His music was a cosmically inspired spiritual interpretation of the music he had been making during his time with Pharoah Sanders, Gato Barbieri and Miles Davis.
Released in 1976,“Reflections On A Golden Dream”, the follow-up to “Expansions”, w…
A fascinating blend of jazz and contemporary classical influences, How Time Passes is the debut album from the envelope pushing trumpeter and composer Don Ellis.
Known for his extensive musical experimentation, particularly in the area of time signatures, Ellis began his long career in the New York Citys post bop and avant-garde jazz scenes of late 1950s. Most notably he appeared on Charles Mingus Mingus Dynasty, and albums by George Russell and Maynard Feguson. But he also worked with, among ot…