We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
2022 restock, killer price. Last copies The early Eighties marked a transition in popular music, especially for a generation of musicians (still heavily influenced by the previous decade) trying to assimilate the changes in aesthetics and technology which were occurring.Disco music is dead, so is prog, synths are still too expensive and unreliable, jazz is lost somewhere and the term “fusion” has become really popular. This the environment in which this album – released in 1981 by library music…
* 2021 restock, killer price. Last copies * LP 180 Gram. Black vinyl edition. Another master of the soundtrack is Francesco De Masi, that, through a long carrier, has moved between different genres, giving the soundtrack to spaghetti western movies (like Vado l’ammazzo e torno) comedies, and action movies like La Macchina della violenza, by Robert Day. A soundtrack that goes from tense and nervous songs, to soft ballads with female voice.
Tip! Release on Raw Tonk Records.
Colin Webster - Baritone SaxophoneDirk Serries - Acoustic GuitarEmilie Škrijelj - AccordionMartina Verhoeven - Double BassTom Malmendier - Percussion
Recorded at Oud Klooster, Brecht, Belgium on 5th May 2022. Mixed and mastered by Dirk Serries
In These Times is the new album by Chicago-based percussionist, composer, producer, and pillar of our label family, Makaya McCraven. Although this album is “new," the truth it’s something that's been in process for a very long time, since shortly after he released his International Anthem debut In The Moment in 2015. Dedicated followers may note he’s had 6 other releases in the meantime (including 2018’s widely-popular Universal Beings and 2020’s We’re New Again, his rework of Gil Scott-Heron’s …
Dirk Serries is an extremely prolific and creative artist who has a huge amount of music composed solo, under his own name or under the name Vidna Obmana. In addition to solo recordings, Dirk often collaborated with other artists, thus introducing a new quality to his own music. While implementing the next installments of our informal series, we also published a few of them; for example "Traces" in collaboration with David Lee Myers, or "The Shape of Solitude" with Serge Devadder. This time we p…
Cello player and electronic artist Martina Bertoni returns with her 2nd album for Karl: Hypnagogia delivers six new, masterfully crafted tracks between experimental ambient, drone and modern composition.
*In process of stocking* Official Afrodelic reissue of the ultra-rare Tunde Mabadu’s debut album. Originally released in 1978 on Blackspot label (Decca's West Africa division), Bisu, which includes the supergroovy ‘Red Jeans’, differs from the later 1980 ‘Viva Disco’ album by a much more pure African style. A beautiful and soulful production in which Tunde's deep voice and sax move on the excellent horns arrangements, percussions, the wahwah rhythm guitar and weird keyboards and synths (at times…
*100 copies limited edition* Recorded during the Summer of 2014. The sounds enshrined here document the final days of Raajmahal. After this there was silence.
*200 copies limited edition* Recorded live at 'Mu' Dalston London on the 7th of July 2022
Personnel:Bruno Heinen - PianoGene Calderazzo - DrumsJulian Siegel - Tenor SaxophoneLeon Brichard - Double Bass
'The Earth is burning, covering all environments in ashes. Smoke comes to us from computers-from social networks accelerating the spread of burnt affects, damaging our ability to feel and respond to what the planet strives to express. We need to cool down. Thomas Köner's music can help change the pace of our perceptions: 1) In Daikan (2002) - a Japanese term meaning "the coldest" or "the coldest part of the year"-the ear stretches until touching the depth of time that persists in the ice; a soni…
On the cover... Richard Pinhas: France's master of cosmic rock has come through his game-changing 1970s group Heldon to become an international trailblazer of guitar noise, forging links with Wolf Eyes, Tatsuya Yoshida, Pascal Comrade and many others. As a brand new album Coda with Merzbow and Oren Ambarchi is released, he talks to Daniel Spicer about his extraordinary orbit; Inside the issue... The Primer: French underground rock: A user's guide to Francophone revolutionary rock music, as Keith…
This is the first long form solo artist release by Corker since 2013. Sounds collected and forgotten about to be then re found and used as seeds of new compositions. Neither acoustic composition nor electroacoustic but somewhere in between, the music was recorded in many different spaces from Japan to Berlin and France, often remotely, whilst finally put together in one room in London. Rooms and our current shifting relationship with them as well as using space as compositional material are some…
Frog Bones is the original Frogman music that Dean sent to his mate, Supreme Vagabond Craftsman, over which to write a story over in 2015. It was predominantly composed with an EMS Synthi AKS and an Oberheim Two Voice synthesizer, plus some crunky Watkins Copicat tape echo. Much of it didn't make the final album cut. This version has been slightly edited down to a reasonable length.
Noodles is a selection of short jams and demo ideas that were/are to be the basis of a new solo project. But Dean …
The first issue of Moonbuilding, which touched down back in May, was one of those finger in the wind, run it up the flagpole and see who salutes sort of projects. The A5, 48-page full-colour title, put together by former Electronic Sound commissioning editor Neil Mason and published by Colin Morrison’s Castles In Space label, went down rather well. There seemed to be a fair bit of saluting and lots of kind words. In fact, the debut issue came within a whisker of selling out. So Neil and Colin th…
1980 cult horror film soundtrack to the Don Dohler film “Fiend”. Synth horror film score by Paul Woznicki. An evil spirit possesses the corpse of a diseased man, Mr. Longfellow, must absorb the life energy of the living, in order for the corpse not to rot away.
Fiend was scored over a weekend without sleep in the Dohler families basement. Woznicki recorded the films music on a Niagara field recorder under the direction of Don Dohler, totally improvised as the movie played in real time. The film’…
The Vaults of Hell open once again… This Diabolic collection assembles dusty favourites from the acclaimed and out-of-print Hillbillies In Hell series with previously unsighted subterranean jewels in an all-new Necrotic Experience. Witness this daemonic carousel of broken Nashville delights – Brazen Voodoo Rituals, Satanic Trysts, Apocalyptic Cataclysms, Premature Burials and Beastly Jousts. Sometimes grim, sometimes beautiful – this extraordinary anthology of knowns and unknowns, battered Opry …
From the people who brought you Hillbillies In Hell… Sitars, Fuzz Guitars and LSD sugar cubes…a Lysergic collection of Forgotten Nashville. Hayseed Moog Hoedowns, Psyche Teen Meltdowns and Wild Weed Compounds. All cut on Music Row by serious Nashville players in comfortable suits. Eight Miles Higher than a Haystack – you’ll witness melting, Dali-esque cakes, Apocalyptic Flower Power driven by banjos and fiddles, Floating Bongo Lullabies and Crazed Nashville Knock-Off Ersatz Exploitations.
Someth…
*2022 repress. In process of stocking* Bruce Haack's The Electric Lucifer is rightly considered one of the masterworks of 20th century electronic music. Originally recorded in 1968-69 (released in 1970), it's an eminently listenable work where pop-psychedelia and Moog/musique concrete sounds coalesce. Acclaimed upon its original release (one of Rolling Stone's favorite albums of 1970) yet unavailable for over three decades, The Electric Lucifer is presented here for the first time on LP. Remaste…
Following his 1971 conviction for the murder of seven people, including the actress and model Sharon Tate, the notorious cult leader, Beach Boys associate and failed singer-songwriter Charles Manson was sentenced to death, later commuted to life imprisonment. Recorded with just an acoustic guitar in his jail cell, Live At San Quentin dates from 1983 and is probably the most poppy of Manson’s improvised far-out folk songs ever committed to tape, with flushing toilets and background conversations …