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When, years ago, I read Herman Hesse's "Steppenwolf" I was struck by a part of the novel... Harry Haller, the main character, is walking through a passage with endless doors. As he opens each door he is thrown into a new, unknown, mysterious dimension; a life between the real and the virtual world."Login" is an imaginary journey through the web, where one can explore new realities - or different views of well known stuff - on a thin line between truth and fiction.For this sound project I've used…
Now-Again Records, in conjunction with Jazzman Records, presents an expanded version of the compilation that introduced many listeners to the sound of the unsung musicians who - in the midst of the Vietnam War and the fallout of the Civil Rights struggle - created some of the most beautiful spiritual and meditative music of the 60s and 70s. The music was at times funky, at times contemplative, but it always strived to say something about the world in which the musicians lived.
For the better part of the past decade, Loren Chasse has been refining his compelling sonic approach, which generally involves "activating" the latent sound-making qualities of natural / commonplace objects, such as pine cones, leaves, stones, or paper. This approach will seem immediately familiar to fans of John Cage, although Chasse's work has always felt more humanist to me than Cage's—driven less by theory and more by a romanticism that isn't afraid to get muddy or wet. You could also align…
self-issued cd collecting two early 80s cassette-only releases (“quiz party” & “life in video city”) by richard bone, both tipped by the mutant sounds crew a few years back resulting in something of a renewed interest in this otherwise obscure figure in the 70s / 80s “minimal synth” wave - jumping back & forth between noisy, arpeggiated sequences & more atemporal modes (i can certainly hear the tod dockstader influence throughout the “quiz party” pieces) this is in many ways the perfect disc for…
Amish is pleased to officially announce a new release from Humboldt County's finest contemporary experimental unit, Starving Weirdos. A couple of years in the making, Land Lines documents a vital step in the evolution and refinement of Starving Weirdos' freeform improvisational practices, as well as its infamous and highly disciplined studio practices. Land Lines chronicles Starving Weirdos' most focused and structured release to date, with pieces that import a distinctly European flavor…
Volume 3 in the series of Sun City Girls singles, compilations, and rare tracks, consists of material recorded between the mid-1980s and early 1990s. Much of this collection reflects the Arabic guitar instrumental and acoustic pseudo-Asian vocal folk styles of the band from the period when they recorded relentlessly. The 14 cuts vary wildly in scope yet maintain a consistent listening experience throughout, bridging a wide gap between the band's second full-length LP Grotto of Miracles (T…
"Resume the Cosmos" finds the unclassifiable Virginian band Rake performing some of their most diverting and accessible work to date. The five nameless tracks that make up the disc were culled from many hours of studio improvisation, not only on a range of atmospheric instrumentation, but also with studio space and "silence" itself. The elusive membership of Rake play out like reconstructed indie rock fans with fistfuls of Sun Ra/Coltrane/70s Miles/Art Ensemble of Chicago/Henry Cow scattered thr…
What’s this? A rockin’ new album by Devin Flynn and Gary Panter? Yes, it’s a breezy country/psych full length jam from Devin and Gary. Gary sings lead and guitar and Devin conjures forth ambitious, omnivorous and altogether ambidextrous soundscapes, not to mention some sweet harmonizing. The sound of this record is the sound of two dudes hanging out on a Spring day, having fun. Devin and Gary: they don’t just go outside, they go all the way. - Picture Box
In 2010 electronic musician Esther Venrooy and drummer Lander Gyselinck were invited to collaborate with two Chinese musicians during the Shanghai World Expo. This event inspired Venrooy and Gyselinck to start their own collaboration which resulted in the creation of Point Break. Fascinated by speech patterns, film dialogues and cut-up techniques they explore the interaction between acoustic drums, electronics and digital processing.
Llum Moll is a multilayered composition made with a manipulated AM radio receiver subjected to interference by LED lamps. The combination of the lamps in tandem with the radio tuned to certain frequencies creates a phantom organ' sound, turning the receiver into an instrument with a peculiar timbre and pitch. The composition was made in two parts. The first was to record and then select fragments with different lengths, pitches and textures. The second was to readjust the pitch of the chosen fra…
In his interpretation of the music from Osvaldo Coluccino, Alfonso Alberti takes us by the hand to lead us part of the way through our innermost being.What we hear seems like fractured piano music, like notes and sounds scattered in space: in his “Stanze,” Osvaldo Coluccino uses the piano’s resonant body to generate resonances in the spaces within us. He removes the windows, eliminates all opulence, and confronts us with environments that lie within ourselves. The light and the dimensions keep c…
All music by Charbel Haber, recorded mixed and mastered by fadi tabbal at tunefork studios on the 16th and 17th of January 2012. all track titles are taken from roberto bolaño's novel 'nazi literature in the americas'. artwork and design by mazen kerbaj. produced in lebanon by al maslakh
Marc and Olivier Namblard did some recordings of deer during the rutting season. Deer bellow and listen. Marc and Olivier work also with the idea of sound trap. They find a place where animals go through, they set up the recording equipment and come back the day after. Beautifull and amazing recordings. Comes with photos from David Hackel et Marc Namblard. Texts in French and English.
'The only album by Tia Blake was recorded at the Ossian Studio in Paris in 1971 and released that same year by the tiny French label SFP (Societe Francaise de Productions Phonographiques). Great psych-folk with guitars, dobro, flute and fantastically fragile female vocals. First time available on CD, with Tia Blake's own recollections."
A three-way collaboration by Chicago based sound artist and renowned researcher in the field of Electronic Voice Phenomena Michael Esposito, Hamburg based operator of the Fragment Factory label Michael Muennich and long-time conceptual/performance artist, filmmaker, writer and core member of The Haters GX Jupitter-Larsen from Los Angeles. The origin of this project was a field investigation conducted by Esposito at American Film Studios, Santa Barbara, CA, additional sounds recorded by Michael M…
'Two musicians from very different backgrounds finding common ground. The first half consists of studio duets on guitar and viola recorded in New York City without any electronics, but they are not what one would expect from these two instruments. The second half is very different - recorded in concert in Geneva with a liberal amount of electronics.'
The size of the stage, position of the equipment, monitor position and height, hall architecture and acoustics, capacity and attendance, temperature and humidity, and sound level (dB) or Leq Meter limiting all varied from event to event. Each of the final recordings documents the performed audio output, each hall's acoustics, the audience's reaction, and their proximity to the recorder, all from an onstage position, while retaining the auditorium's spatial impression. Recordings failed, or…
With “Kuopio”, Raster-Noton releases the second full length album by Vladislav Delay aka Sasu Ripatti. The record features eight new songs which allow the listener to dive into Delay’s cosmos of deep and likewise organic sounds. Subtle yet complex electronic manipulations are used, resulting in a high degree of variation within every single track and a nearly imperceptible intensification of their density. Progressive and energetic rhythms play an important role as already indicated in hi…
Pieces by John Cage, Morton Feldman, Hanns Eisler, Giacinto Scelsi, György Kurtag, Frederic Rzewski, Henri Pousseur, Théodore Botrel, Rudolf Siecynski, and Sephardic songs. Performed/interpreted by vocalist Marianne Pousseur. "I like to listen to music in places that haven't been designed for it. I like when music mixes in with noise. Only came from a very personal desire to open the doors of my musical world to the concreteness of daily life, to tear down the fictional barriers between places a…
Magnificent reissue of this tape obscurity from 1980, Cluster's eighth album (the first of three live LPs) originally released on the YHR label (which was curated by Pump's David Elliott), also including archival material never before issued on CD. With so much stuff from this era coming to the surface recently it's sometimes easy to get blasé about it all, but this is one you really ought to give your fullest attention to. As the title says, this was recorded live in Vienna in 1980 at th…