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New Arrivals

Musica Metaphysica
Mauricio Reyes was born in Mexico City in 1969 and composes music under the name Robol. Musica Metaphysica is his debut album. When he was 14 years old he started to create music with dual tape recorders, two turntables and experimented with different records playing simultaneously at times in reverse. Later he collected rare samples of early electronic music and started to study a wide range of electronic music. One year ago he started to create this album and used sound samples that were recor…
With Records
Otomo Yoshihide (turntable), Ozeki Mikito (kirie), Mats Gustafsson (baritone saxophone from Mats Gustafsson's solo LP 'It Is All About' on Tyyfus label). Mastered by Jun Numata. Released to commemorate the exhibition Ensembles '09: With Records at Gallery 45-8, Tokyo, October 11-November 8, 2009. No cover, limited 800 copies, serial numbers. Otomo Yoshihide (turntables), Ozeki Mikito (cutout art) and Mats Gustafsson (baritone sax).
Just To Feel Anything
Just to Feel Anything, the new album by Emeralds, surpasses all expectations, just as its predecessor, Does It Look Like I'm Here, did in 2010. This expertly recorded new album sees the band deliver plenty of their distinctive aesthetic for old fans to enjoy while offering a new range of fresh, exciting ideas for newcomers. 'Before Your Eyes' begins the record with a steady build-up, which bleeds into humid layers of synthesizer pads and warm guitar. The track sets the tone perfectly for 'Adreno…
Deep Fried
Now this a strange one. I never would've thought I would be paired with Jaap Blonk... it seems an unlikely combination. But when Tijs van Trigt asked us to perform at his AMPsnacks event in Arnhem, we had such a blast that we decided to do some recording together. This cd is a selection of three hours of improvisation we recorded at STEIM in Amsterdam. Quite a rollercoaster I'd say!
Strings.Lines
Created between September 2008 and February 2010 in the artist's studio. Viola da gamba: Pierre-Yves Martel. Violin: Chris Bartos. 'strings.lines' came to life from an obsession for old and forgotten object-matter and the desire to produce music that exists in between the new and the old. The starting point to the composition of this work were acoustic tuning forks. In 2007 Nicolas Bernier became fascinated with this object/instrument of particularly beautiful design, and started a collec…
Bag It
After 4 intensive days of recording with Steve Albini (WTF!?! Thought he didn't like jazz) The Thing created Bag It!, a new mastodon of ecstasy music. The Thing is well known for their free jazz versions of rock classics from artists such as PJ Harvey, White Stripes, The Sonics, Yeah Yeah Yeahs & Lightning Bolt. This time the band is only doing two rock interpretations, one by Japan's 54 Nude Honeys & one by the The Ex/ Muzsikás. The rest of the tracks on the album are written by Mats Gustafsson…
La Sala Dei Cristalli
Using selected sound materials from Sonorous stones, Stalactites, Bat calls, Flutes, Field recordings collected by Mariolina Zitta in different caves in Liguria a Sardinia, Italy, processed and edited by Alio Die.  In "Lithos" the drones are played by the authors on a set of long stones that goes in resonance, caressed by a bathed hand, by the same principle of the crystal's glasses. A very immersive and obscure traveling, an underground meditation with a ritual touch, in accord with the …
Quite a way away
To say that the last few years of Gareth Dickson’s life have been tumultuous would be an understatement. In 2007 he fell in love with a girl from South America, packed up a few essentials from his life in Scotland, and moved to the Argentinian countryside. It didn’t turn all fairy tale at that point, however. While there he was shot at, attacked by dogs, and was involved in a very close call when the passenger plane he took to a little town in the Andes was forced down after an engine cau…
Temporary Perspectives
Limited to 300 copies. Field recordings, sine waves, computer data, lloopp, electric guitar, tremolo pedal, condenser microphone, contact microphone, mixing board. Recorded and mixed: 2006-2009. Mastered by Valerio Tricoli. Photography by Fotini Lazaridou-Hatzigoga. Package design by Pafsanias Ioannidis.' label info
Lean Left, Volume 1
Earlier this year The Ex toured with a wonderful brass section, which comprised saxophonists Mats Gustafsson and Ken Vandermark, trumpeter Roy Paci and trombonist Wolter Wierbos, fleshing out the core quartet. Thrilling as that show was, however, the horn section were deployed firmly in counterpoint to the Ex’s rhythm throughout. Lean Left is another matter entirely. Recorded live in Amsterdam in March 2008, it’s an exhilaratingly vivid and spontaneous workout focused on just two or three…
Green & Cold
A kind of different album from A. Baker (Nadja) as it leans more into shoegazery and drone-pop songs. “Green & Cold” is the strength of strings proved by A. Baker. His soft lyrics suffuse weightlessly into a humming cloud of perfumed guitar scour. Yes, when gazed upon, these patent leather shoes really do reflect up. However, “G&C” is accomplishes much more than throwing Loveless lights back up to Heaven. An ass-load or so of previous avant-garde releases has developed in Baker a skill-se…
Postepeno
poSTepeno is inspired by a multi-part collage created circa 1890 by an anonymous schizophrenic patient (known only as Frau ST) at the Viennese Oberdöbling asylum. The compositions (for piano and sine tones) morph musicalthemes through continual microtonal modifications. Sine tones are unstable, but nevertheless they consistently keep their individual frequency direction (up or down). In the chordal sense, the distance between the tones is subject to alteration. In this way the harmonic indicatio…
1934-1935
More than seventy years since his death in 1937, Ustad Abdul Karim Khan retains his reputation as one of the greatest singers India ever produced. Possessed of an elastic, honied voice that poured out like mercury, he influenced generations of singers including Mohammed Rafi, Pandit Bhimsen Joshi, and Pandit Pran Nath. Born at the end of the 19th century to a family of musicians that extended back in time for centuries, his art was formed in the culture of the courts of the maharajas under Briti…
Kontinent
Number 4 of the Salzburg Festival “Kontinent” series was dedicated to Wolfgang Rihm. We have compiled a selection of the works for your conven- ience – including a first recording! Wolfgang Rihm once claimed that the most appropriate statements about his oeuvre are his own compositions. In 2010 the Salzburg Festival adopted this approach. The result was a “Kontinent Rihm” which placed the manifold tone colors and modes of expression created by the former Stockhausen student into a broader contex…
Concours d'art radiophonique Luc Ferrari: composer le réel
“For this 9th anniversary, La Muse en Circuit and the Sacem, in collaboration with Radio France, the Swiss Romansh Radio, the Deutschlandradio Kultur, the RTBF and the Archipel festival, propose Compose the Real. Re-establishing with complete freedom this inventive form of composition which allows the narration as much as the abstraction, the most minimalist gesture as much as the most luxuriant form. Without a doubt, the acoustic space of today is not more full of sound than that of yesterday. …
Grand Electronic Suite
Recorded at the Roundhouse 1972, during the ICES Festival."For this show we rehearsed a week in a small village in the south of Holland. The repertoire of the first part was a kind of "frozen improvisation". We made some written plans about the form and structures and then rehearsed it for the whole week. So during these rehearsals things moved from improvisation into fixed form, just by remembering what we have played, and polishing it. This is a working concept that …
Monsters & Miasmas
Brian Cook (TERMINALS) & wife Maryrose make up this long-running project who's releases on Ajax/3 Beads of Sweat & Siltbreeze have continued to tread a line between haunting country-esque ballads & the brand of noise-rock for which the Terminals is known.
Simple Psychedelic Pleasures
I love the Tadpoles, a quintessential American psych band, so chances are I was going to be all over David Max’s solo platter when I heard about it. And I am. I don’t want to go on and on with endless comparisons with his work with the Tadpoles because much of that is obvious. Let me just say that maybe its sort of another tentacle from the body of the Tadpoles; sprung from it, indebted to it, but operating with a mind of its own. And name-checking all of David’s influences, though tempting and …
Apokatastasis
Consisting of one side of solo lute material by Van Wissem and one side of new pieces by the duo. Film maker Jim Jarmusch plays electric and acoustic guitar and does tape on one piece. Van Wissem plays lute and 12 string electric guitar. CD edition.Jim Jarmusch and Jozef Van Wissem met on the streets of New York in 2006.  Finding that they shared many interests, both a friendship and a musical collaboration was soon born.  The duo has released two albums of lute and guitar compositions: Conce…
Unter den linden / Und transit
The 'Grundton' of this 30-minute composition is the recording of the concert given at SND Studios Sheffield (UK) in March 2009, entitled 'Why is there something rather than nothing?' by Mark Fell and powered with d&b speakers by Tony Myatt (MRC, University of York). The sounds of planes have been recorded in Mallorca (Spain) in 1987, and in Pilat (France) in 2009. This music comes after HCDC, composed in November 2008 after the death of Daniel Charles Ð his last days were darkened by brea…