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Edition of 150 copies. Compostion by Ferran Fages (acoustic guitar, contact mics and speakers). The nature of this recording is a distorted image that came to my mind during the composition of the piece.I worked on Llavi vell during 3 months from july to september 2010. The sound is the result of bowing the strings of the guitar in different fret positions, with a bow made of a long metapiece. The fret positions were related to the different divisions of the lenght of the strings: half, third, …
Berlin based italian musician Claudio Rocchetti is on his first massive work, a long concept on vojages, sailor and explorers. Musically this is reflected on four cassettes wich, althought different from each other, are strongly connected. The Furthest Shore develop between live improvvisations, acoustic pieces, slices of field recordings and an obscure submarine collaboration with percussionist Klaus Janek. All has flavour of adventure, between the scare for a stormy night in the seas and…
Turntablist and concrète composer eRikm is one of the more readily recognisable names contributing to the revelatory Entr'acte label, and his disc Lux Payllettes is a typically excellent work. Stretching out over a thirty-minute-plus duration, the Marseille-based composer cuts and layers a huge variety of sounds cultivated from the sonic idioms of Western cinema. A bracing and immersive collage of fractured soundtracks, dislocated foley work and strange re-combinations, Lux Payllettes comes high…
Open the gates to the mystifying world of Belgian electronic producer Hans Dens’ Innercity project. Truly alien, truly futuristic rhythmic mantras and techno miscalculations. Dens’ unique minimal beat style, combining elements of electronic, Kraut, and New Age weirdness, creates an otherworldly entity that transcends our earthly boundaries. Limited edition pressing of 300 copies.
MINBLOWING EDITION! 'This might very be the first time that Staalplaat repeats a cover for their Mort Aux Vaches: the metallic cover for this one was also used for the Mitchell Akiyama release (unless of course one states that a lot where printed on paper), but with a different pin. Musicwise of course Vernon & Burns are something different than Akiyama. What many perhaps don't know is that perhaps the whole Mort Aux Vaches enterprise started with VPRO and Staalplaat was by asking people to deli…
a rich, layered mesh of droning sound leaning towards the lower end of the scale that hangs together in a somewhat fragile manner. In many ways there can be detected some of the dynamics and stimuli present in modern noise music in what Oceans of Silver and Blood are doing. Indeed Nordwall has a partial background in this area, and both musicians took part in a very noisy conclusion to the Eight Hour Drone People concert I saw at Oto last winter, alongside the likes of Lasse Marhaug, thirty minu…
Fennesz's first solo release since Black Sea (2008) is a 4 track 10 vinyl, with a CD version soon available. Using acoustic and electric guitars, bass, synths, computers, Fennesz continues to engage and entrance us in equal measure.'Liminal', 'July', 'Shift', 'Seven Stars' (with Steven Hess on drums).Fennesz writes: Seven Stars was recorded in Vienna in January 2011. I recorded and mixed the album within 3 weeks. Liminal and July were existing pieces which I have reworked. (I wrote an early ve…
Awesome electronic music by Thomas Gorbach. The composer uses algorithms to compose, but the result is so musical that it sounds intuitive and dramatic. He synthesizes sounds that mix poetic, elusive textures with powerful rhythms that come and go like images in a fog. He describes these sound sources as "various murmur and instrumental pickles" The compositions include 'Trilogy: not to yield an inch, hermitage, oysters'; and 'Miasma'.
Rutger Zuydervelt aka Machinefabriek is a master of self-made sound and time-stretching, sensitively handling organic recordings and samples on countless releases, and regards preset sounds in an organ or a cheap keyboard as a tonal find, as a part of the cacophony of everyday life. These bontempi-rhythms plus the computer-stretched sounds of saxophone (Espen Reinertsen) and voice (Mariska Baars) are the base elements of "Vergezicht 1" and "Vergezicht 2." It is stunning how Zuydervelt man…
"Copper Glove, the new project from Baltimore's Door (formerly Earth Crown; who shared splits with Secret Abuse and Kites on past Arbor releases), shows a further progression of his one man industrial-noise synth unit. In opposition to his former work, Copper Glove is more mindful of composition; utilizing tone generators and processed synthesis and vocals, to present a dense cut up analog form of industrial concréte. Door's nihilistic optimism carries itself with a sense of effortlessne…
In this work I am approaching the analogue synthesizer Yamaha CS-40M. I built up the research in a journalistic kind of way. At first I made a plan of procedures, gave myself a problem formulation. In my first step I was looking for sounds that represent the „soul“ of this instrument. The next step was abstracting these sounds without losing the specific character of the instrument. An unconventional click sound was the result. This sound was then fed with additional information, fie…
Coppice (Noé Cuéllar & Joseph Kramer) is a Chicago-based duet of bellows and electronics. Since its formation in 2009 they have produced original compositions for stage, fixed media, and performed installation settings, with a focus on adhering textural attenuation, processed gradation, the contours of instrumentation, and their multiple aspect highlights.Their variable instrumentation departs from bellows and reed instruments (accordion, pump organ, shruti box, harmonica), custom electronics (…
Off/On is an evolutionary act of fissure, the opening of a rift in Forma's sonic landscape. The second LP from the Brooklyn cosmic synth trio of Mark Dwinell, Sophie Lam, and George Bennett, Off/On's universe is darker, its terrain more enigmatic and aggressive than 2011's critically-acclaimed self-titled album. Recorded at the renowned Schoolhouse space in Bushwick, Off/On combines swirling arpeggios, gnarled sequences, and deconstructed motorik rhythms to conjure an atmosphere of entropic …
Following on from previous collaborations between Robert Horton and Charalambides Tom Carter on fine labels such as Important, Preservation and Digitalis, Carter and Horton come back to Blackest Rainbow (both we have previously worked with but not as a duo) for their first duo recording in a while. The 3 tracks result in combinations between outsider improvised trips and swirling head drones created via a wide array of instruments and non-instruments. Carter takes hold of the guitar, ebow…
Wire's Bruce Gilbert restarts Touch's 7" series, which has previously seen highly collectable shortform releases from Mika Vainio, Fennesz, and Phillip Jeck. Following an Editions Mego reissue of his seminal mid '80s works and recent live outings, these two tracks comprise his first new material since 2009s 'Oblivio Obligatum' and find him working to typically stoic, yet subtly dynamic scheme of electronic sound art. Both tracks deliver cold, metallic drones with a "coruscating" resonance, all p…
Finally arrived, very few copies available left, both wooden Boxes (VOD74 and VOD75) delivered in deluxe silk-screened and embossed fine-linen folder to complete and protect the 2 wooden boxe. Already sold out at source, an extraordinarily beautiful and monumental release from Vinyl on Demand
Finally restocked, last copies around...Unmissable!!! Almost complete discography of P16.D4 collecting the classic recordings from 1982 til 1991 plus some unreleased recordings and a dvd of video footage never available before. "P16.D4 might not be an overly obscure name for those knowledgeable of the nascent industrial/experimental/noise scene of the early 1980s, but P16.D4 has not been as venerated as many contemporaries either. Monotype has jumped upon the opportunity to give this project th…
New tour disc of solo material from Tom Carter (made for May's Charalambides UK/EU tour). The first track, 'Train Kept', was previously issued on the long out of print split LP with Barn Owl. This is the first time it has been released on CD. The second track, 'Hurricane Isis' is a new track recorded by Marcia Bassett in Tilburg, Netherlands in March 2008. 'Train Kept' was recorded the month before 'Hurricane Isis'. Both tracks are absolute raging guitar pieces, similar to Carter's 'Shots …
Not sure you could gather four bigger names from the drone metal inner circle to record a pair of splits. Hats off to Hydra Head. Both new splits come with awesome artwork from Aaron Turner, and this Torche / Boris split comes with a pretty fucking sweet t-shirt option. Don’t try and tell me you haven’t been dreaming of wearing Wata on your chest. This one hasn’t sold out of black vinyl quite yet
BRAND NEW! “What can we hear now? A sound, as though grains of sand trickle down onto a fine membrane….” This sound, as though grains of finest sand trickle onto a membrane–the last thing that the narrator in Stanislaw Lem’s “Solaris” hears when he starts out on his journey to a world that is falling apart–is the most fitting way to describe the characteristics of Luigi Archetti’s music NULL.Stylistically, the compositions can be placed within the field of planar tonal design, and with this, als…