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Relocation.Reconstruction is derived from the sound elements of the three installations in Yann Novak’s solo exhibition Relocation at Lawrimore Project (May 2009). In the original exhibition, Novak explored the multitude of emotional states experienced during and after the relocation of one’s life. With this latest work, Novak continues his exploration into this theme a year after the initial event that inspired him, with the new insight that although he has arrived at his destination, the reloc…
Shoals (Edition) is a companion release to Taylor Deupree’s 2010 full-length CD Shoals. This limited edition 7” record has a shortened version of “A Fading Found” (from the album) on Side A and a B-Side called “Sere.” While the 7” format only allows for brief works - and in this case extracted from much longer compositions - Edition creates intimate and physical vignettes into these highly acoustic and tactile recordings.
Rutger Zuydervelt aka Machinefabriek is a master of self-made sound and time-stretching, sensitively handling organic recordings and samples on countless releases, and regards preset sounds in an organ or a cheap keyboard as a tonal find, as a part of the cacophony of everyday life. These bontempi-rhythms plus the computer-stretched sounds of saxophone (Espen Reinertsen) and voice (Mariska Baars) are the base elements of "Vergezicht 1" and "Vergezicht 2." It is stunning how Zuydervelt man…
Chart smashing 7" from the Olde English Spelling Bee camp, dropping the debut from Brooklyn's hugely tipped Greatest Hits. Aside from having one of the best names ever, this band also make some of the most f**ked up pop music we've heard all year. Think Autre Ne Veut doing a guest spot on The Hitman And Her presented by Pete Waterman and James V/VM in a Michaela Strachan mask, and you're almost there. The PWL-production line groove of 'Danse Pop' is our favourite, while 'Make You Mine' s…
PREORDER, 3xLP box edition + tshirt "Much of the music included in this set is exclusive to this vinyl version of ‘Miscellany’. Andrew Liles has compiled a comprehensive anthology including as much varied, interesting and unreleased material as possible. He spent many an afternoon sifting through piles of cassettes seeking the oldest and arguably most definitive pieces of music from literally hundreds of hours of tape.The earliest recordings on these discs date back to 1984. ‘Find a New Husband’…
Recordings by Gordon Sharp (2001-2010) at Belmont shore (ca), mid-levels (hk) & Kobe (Japan) the mid-levels (hk) but manly at Roi vert, Okamoto, Japan. Cut at dubplates & mastering, Berlin, august 2010. Cindytalk have been active since 1982. During the 80s and the 90s their sound was defined by broken down rock structures and abstract piano ambience. A third side to their coin emerged at the dawn of the 21st Century with a turn towards obscure computer usage pushing all ressemblance of me…
Brethren Of The Free Spirit combines the considerable 12-string guitar talents of James Blackshaw with the lute skills of Dutch instrumentalist Josef Van Wissem. Those of you who picked up the excellent Blackshaw-curated Garden Of Forking Paths compilation on Important a couple of weeks back will already be familiar with Van Wissem's abilities, dexterously coaxing his baroque instrument into the modern age. The two musicians compliment each other beautifully - there's no treading on toes here, b…
New tour disc of solo material from Tom Carter (made for May's Charalambides UK/EU tour). The first track, 'Train Kept', was previously issued on the long out of print split LP with Barn Owl. This is the first time it has been released on CD. The second track, 'Hurricane Isis' is a new track recorded by Marcia Bassett in Tilburg, Netherlands in March 2008. 'Train Kept' was recorded the month before 'Hurricane Isis'. Both tracks are absolute raging guitar pieces, similar to Carter's 'Shots …
Just Arrived: Philip Jeck makes geniunely moving and transfixing music, where we hear the art not the gimmick. Philip Jeck writes: A version of An ark for the listener was first performed at Kings Place London on 24/02/2010. It is a meditation on verse 33 of The Wreck of the Deutchsland, Gerard Manley Hopkins poem about the drowning on December 7th 1875 of five Franciscan nuns exiled from Germany. This CD version was recorded at home in Liverpool and used extracts from live performances ov…
Long awaited new album by the enigmatic composer Angelo Petronella, in a superb piece of electroacoustic microsound, intertwining scrupulous minimalism, environmental recordings, and an intense drone nebula. The liner notes to Rimandi E Scoperte are esoteric to say the least, with statements like "In my place there is an arch, both an entrance and a barrier, both a passage and a wall" which clarify little in terms of how this music was made or what processes are involved. That's probably the wa…
Julian Lynch and filmmaker Amy Ruhl first collaborated on Lynch's Seed video from his proper debut album (Orange You Glad) on Olde English Spelling Bee. Around this time, Ruhl was beginning work on her first film, an animated, allegorical biography of the courtesan, dancer & spy, Mata Hari. Spurred from talks about a using gamelan to score the film, Ruhl asked Lynch to contribute songs to the film & he delivered five new instrumentals. Drawing on both Indonesian music and his own bedro…
Limited edition red vinyl 7", 100 copies. Two pieces for hand-held gas horns realized at the Music Research Centre, University of York, November 2008. Recorded using two Neumann U87 microphones and a Shure SM58 on custom-rigged pendulum.
The latest project from sheffield based artist and electronic musician mark fell, multistability is primarily an exploration of erratic and non-regular rhythmic patterns. drawing equally from his work with snd and his many solo projects fell's most recent work promotes a minimal complexity; combining meticulous synthetic chordal layering with convoluted, chaotic yet fundamentally engaging temporal structures. (label info)
With an eldritch terror that could just as easily be from another dimension as the darkest ocean comes the latest release from Ural Umbo, Delusion of Hope. Feedback and melody barely escape from the murky crevices, tinged with a sense of grinding tension. Sharp, acidic percussion slices through the blackness with violent urgency, while electronic blasts and organic drones entwine and ensnare. Some dim instinctive memory vaguely resurrects a shadowy scene wherein black drums roar madly, and monst…
Turntablist and concrète composer eRikm is one of the more readily recognisable names contributing to the revelatory Entr'acte label, and his disc Lux Payllettes is a typically excellent work. Stretching out over a thirty-minute-plus duration, the Marseille-based composer cuts and layers a huge variety of sounds cultivated from the sonic idioms of Western cinema. A bracing and immersive collage of fractured soundtracks, dislocated foley work and strange re-combinations, Lux Payllettes comes high…
Endless Summer, originally released in 2001 by Mego, was a breakthrough album for Christian Fennesz. The album which brought his name and music towards the first steps of mainstream recognition. Following on from the more experimental Hotel Paral.lell and the Beach Boys homaged Plays single Endless Summer brought the guitars more to the front, the electronics shimmered more, and the melodies shined more brightly. It went on to be a classic of its time, topping many end of year polls.This new de…
In this work I am approaching the analogue synthesizer Yamaha CS-40M. I built up the research in a journalistic kind of way. At first I made a plan of procedures, gave myself a problem formulation. In my first step I was looking for sounds that represent the „soul“ of this instrument. The next step was abstracting these sounds without losing the specific character of the instrument. An unconventional click sound was the result. This sound was then fed with additional information, fie…
A vinyl rarity from Andrew Liles, known for his collaboration with Nurse with Wound. Velvet box containing 4 7-inchers (all in separate picture sleeves), a poster and a set of postcards. On the vinyls one can find an odd mixture of ambient and experimental music.
Latest from these blackened doomdrone soundscapers, once again demonstrating that these guys definitely don't let any sort of genre classification define what they do, cuz what they do here is let their krautrock freak flag fly, whipping up a gorgeous chunk of hazy, rhythmic psychedelia, a reinterpretation of a classic Popol Vuh jam (from 1976), which does indeed channel the same sort of brooding, blissy mesmer, a dreamy, dark dirge, hypnotic and hazy, spidery guitar melodies over simple …