We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Salvatore Sciarrino, in league with the Neue Vokalsolisten Stuttgart, embarks on the investigation of a new ecology of sound, through a form of polyphony reduced to chamber-music scale. The lyrics selected by the Italian composer are based on six haikus by the Japanese poet Matsuo Bashô (1644–1694). A comprehensive explanatory text on the production is contributed by Max Nyffeler. The world premiere of the work was recorded at the 2008 Salzburg Festival and is now made available on CD for the fi…
This amazing CD contains some of the great works for solo percussion by the authorities in the field of contemporary music. The performances and recording quality are both superb! Clearly all care and effort went into the recording and text however, the dual layered dvd /cd is in PAL format, and will require said player or a media transfer to see the studio footage and interview with Xenikas. Considering we spend much time searching for the "right music" to add to our collection, this disc…
UK free jazz guitar icon in unreleased solo material remastered from the original reel-to-reel recordings recorded in London, 1974, Bailey playing mostly electric guitar. Previously unreleased recordings, remastered from original reel-to-reel tapes. The music on this CD came to light when, during preparations for the reissue of Derek Bailey's Lot 74 - Solo improvisations (incusCD57), Karen Brookman discovered tow reel-to-reel tapes stored along with the original album masters. They turn out to …
Howard Riley : piano. CD 1 was recorded on 23rd July 1998. CD 2 was recorded on 11th April, 1999. CD 3 was recorded on 29th June 2004. CD 4 was recorded on 2nd August 2006. CD 5 was recorded on 27th June 2008. CD 6 was recorded on 22nd April 2010. All compositions by Howard Riley (PRS MCPS). Mastered by Ar nas Zujus at MAMAstudios. Design by Oskaras Anosovas. Producer Ð Danas Mikailionis. Co-producer : Valerij Anosov.' label info. 'The beauty of a short story, of course, is that it can be taken …
Gatefold 2LP/DVD version. Ambitious, epic and grand in scale, In The Country's previous album Whiteout was an artistic triumph. Always a very powerful and exciting live act, it was only natural that a concert album should come at this stage of their career, after three studio albums and a number of Norwegian, European and U.S. tours. Originally planned as a concert DVD, In The Country invited video director Claus Arthur Breda-Gulbrandsen to bring a crew to film a couple of Norwegian shows i…
Collected here for the first time are the complete studio recordings of one of the major ensembles in the renaissance of Jewish Jazz. Featuring five Downtown New York improvisers, these four CDs originally released by Knitting Factory records from 1996 to 2001 embrace the Hasidic musical legacy with a fresh new voice. Blending together an intense mixture of ethnic and cosmopolitan sounds, Hasidic New Wave fuses spiritual songs from Hasidic dynasties to funk and jazz, Arabic dances with avant-gar…
10 CDs documenting three full concerts from March, September & November 1978 at the Horseshoe Tavern; 8 hours of excellent music, well recorded and available here for the first time (none have been on bootleg lists) and a long radio interview with Sun Ra. This is a chance to experience the flexibility and vast repertoire of the arkestra and the way sets were organised and constantly changed. This is a numbered limited edition of 500 copies, officially released
After several years spent searching for a publisher for On The Road, in 1957 Jack Kerouac s fortune finally changed as he literally became a star overnight, thanks to rave reviews by the New York Times and others who heralded Kerouac as the voice of a new generation. It was during this initial period of fame (1957-1959) that Kerouac also recorded a trio of albums. His first effort, Poetry For The Beat Generation, was recorded at the Village Vanguard in 1957 with soon-to-be pop icon Steve …
Die Schachtel is proud to present a recording that embodies the virtuosity of Thollem McDonas and Stefano Scodanibbio in the spirit of Claude Debussy's rebellious creativity. As Terry Riley wrote: “Anyone who has heard Thollem or Scodanibbio as a soloist might well imagine what a combination of their unique genius could produce. Awesome, well matched virtuosos in an ocean of sound." During the listening of this CD, you will witness the renowned talent of Scodanibbio, a 21st ce…
'It could be a walrus. Some very large, ungainly, semi-aquatic creature expelling air through a hole layered with tissue and fat and hairs. But then multiple apertures open at once and the creature just spouts information, chaotic from one angle, streamlined from another. Effluvia momentarily expelled, the beast lies down and breathes in short, percolating gasps, quiet but insistent. The pressure builds, however, surging in near-regular waves, causing the organ-walls to quiver, liquid to shudde…
A 4-CD box set of 9 "Spontaneous Sweets", elaborate, magnificent and melodic piano improvisations, recorded by Connie Crothers & David Arner performing in the Richard B. Fisher Center for the Performing Arts, NY. "It was magical from the beginning. The music seemed to create itself" "We trusted our spontaneity, our intuitive logic, our sense of form." "We had no set tempos, no preconception about soloing or accompanying." "We had no set themes or referents. What we did have was complete trust, i…
Never mind the piano, the pianist is Fine! Milo Fine describes the particular piano as 'more remains than intact', yet he still manages to get the right music out of 'that wonderful beast'. The earlier date is unaccompanied piano improvised mainly at the keyboard. On the other longer concert, recorded towards the likely demise of the 'beast', Fine spends most of his time working on the innards resulting in a very wide range of sound. He also uses some electronics, and is joined by alto saxophoni…
LP version with bonus 7". Every once in a while, a record presents itself so defiant in its refusal of categorization that it becomes the bane of those poor vinyl archaeologists whose business it is to file and classify. The aptly-named The Naked Truth (1975) is one such artifact; a wayfaring stray of an album that weaves its insouciant magic through the edgelands of sound. The musical provenance is palpable -- an electric blend of spiritual jazz, rhythmic black psychedelia and far-out ex…
Another fine disc from the Treader label, this time featuring the marvellous Evan Parker alongside John Coxon (Roland MKS 80, piano and harpsichord), Mark Sanders (Drums and percussion) and Ashley Wales (bass drum, riveted tambour and piano). As the title suggests this collection of improvisations is interspersed with brief interlude tracks, whereby Parker takes a backseat in order for his fellow musicians to plot out some experimental, palate cleansing sonics. During the main body of these piec…
The Modern Sound Quintet were formed in Stockholm by Trinidadian steel drum master Rudy Smith. On Otinku, Smith wails out on his set of 'pans' (as I believe the vernacular goes) in an improbably slick bebop mode, accompanied by a rhythm section capable of keeping it free and swinging one moment, and then within an instant locking down a groove. While pieces like the title track and 'Bye Bye Blackbird' flow effortlessly, 'Mercy, Mercy, Mercy' and 'Memphis Underground' lay down a solid bedrock of …
A split single with Cremaster (Ferran Fages and Alfredo Costa Monteiro) on one side and Komora A (Karol Koszniec, Dominik Kowalczyk, Jakub Mikolajczyk) on the other side.
Awesome 5 CD box set recorded over 3 nights in Oslo on February 19-21, 2009 at Victoria, Nasjonal Jazzscene. This time out the Tentet +1 includes Mats Gustaffson, Ken Vandermark, Jeb Bishop, Joe Mcphee, Johannes Bauer, Per Ake Holmlander, Fred Lonberg-Holm, Kent Kessler, Michael Zerang & Paul Nilssen-Love.
Afro-Danish saxophonist John Tchicai spent his youth playing alongside the greats, recording and performing with Albert Ayler, John Coltrane, Archie Shepp and Don Cherry. For this recording, Tchicai is joined by John Coxon, Mark Sanders and Ashley Wales, who between them supply an arsenal of instruments including piano, harpsichord, sampler, steel bowls and bowed percussion. This setup makes for a bewitching backdrop of esoteric sound textures and atmospheric accompaniment, giving an otherworldy…
This is the collaborative masterpiece of the 3-piece unit, sim (Oshima Teruyuki on guitar and composition, Ootani Yoshio on computer, electronics, etc, and Uemura Masahiro on drums) and Otomo Yoshihide (turntables, self-made synthesizer). The noise of Otomo sharply incises the unique sound of sim, where Uemura’s controlled roaring drumming sets an main axis on Oshima’s precise rhythmical composition, Oshima’s the chord cuttings beats minimally and the electronics of Ootani give extreme voltage. …