New Arrivals
Dimension Scrolling
"For his first Mondoj release, Finnish musician Olli Aarni journeys to the wide oblique, where shapes are implied by slants of light previously thought impossible, coming from sources dispersed and hidden. The paranoid eye turns them into phantasms: distant pop songs, fields of fair folk spinning vocoded fudge, an exquisite tasting menu, the shiny towers of an inflatable castle protruding from underground. Scientific inquiry reveals spoken word, diatonic harmony, wide stereo fields, spectral she…
As Bright As A Thousand Suns
Arcana’s As Bright as a Thousand Suns Returns: A Timeless Neo-Classical Masterpiece Reissued on CD & Vinyl.
Tide
As he is master of crushing beats/bass, Mick Harris remained faithfull to his primary love - drones! With brand new Lull, Harris deliveres four deep drone pieces, each for one side of vinyl. Beware your record player stylus that it is going to have hard job reproducing the depths of this new dimension music...
This Is Like A Dream / Total Pleasure
Tip! Minty (named after the Polari word for ‘snooty’) was formed in 1992 around legendary designer, performance artist and muse for painter Lucien Freud, Leigh Bowery. Alongside friend, and designer Richard Torry and club promoter, musician and filmmaker Matthew Glamorre, Minty was conceived to present ‘actions’ on the fringes of music, art and fashion and to explode (sometimes literally) in the face of growing homogenisation. Inheritors of the Post Punk and New Romantic scene, Bowery and crew l…
Stasis Sounds For Long-Distance Space Travel III
*200 coipes limited edition* Among the many kind remarks and deeply personal stories that have been shared with zakè and 36 about their beloved series, Stasis Sounds For Long-Distance Space Travel, perhaps the most succinct and poignant is one from a fan, regarding the first installment: “I was terrified of space travel, until I heard this album.” In those few words, the complex themes and contrasts that the artists explore through their comforting hymns of cosmic scale are summed up beautifully…
Fireside Spells
Klaus Morlock returns with Fireside Spells, an album blending eerie folk, vintage synth, and psychedelic soundscapes into a world of supernatural encounters, Cold War conspiracies, and time slipping away. Inspired by 70s horror soundtracks, lost transmissions, and forgotten folklore The title track evokes woodland rituals and ancient myths, while Henderson Makes Time shifts into 60s psychedelia, following a protagonist caught in a web of espionage and dark magic. The spectral synth work of A Gat…
Robyn Rocket And People You May Have Heard Of
What happens when you bring together familiar faces at London experimental music venue Café OTO, Charles Hayward (drummer Abstract Concrete, This Heat) and John Edwards (double bass), and the Total Refreshment Centre (hub of new london jazz scene recording studio ) like Alabaster DePlume (singer and saxophonist) and Danalogue (synths from Soccer96, The Comet is Coming), and the learning disability autism art scene like singers/spoken word artists Sebastian Golgiri and Dean Rodney Jnr (Fish Polic…
Sky Blue Void
Matthew Bower's Total released 'Sky Blue Void' in 1994 through Freek, recorded the same year as previous NOHL reissue Skullflower's "Last Shot at Heaven." "Sky Blue Void" is the zoner of zoners, as heavenly and crushing as the rapturous cover art suggests. Release yourself to the void.
Invocation Of The Beast Gods
If "Cathedral" is one of Nigel Ayers' most celestially minded records, then "Invocation of the Beast Gods" is among his most ritualistic. We start at full throttle with suffocating tension before giving way to an uneasy release. "Tranquil" this is not, but Ayers' delicate touch allows him to explore the full breadth of the album title's implications — here you will find moments of whimsy, contemplation, and full-bore reckoning. No Holiday is pleased to offer "Invocation of the Beast Gods" alongs…
Cathedral
*2025 stock* Nocturnal Emissions' releases throughout the 1980s are eclectic, adventurous and intermittently raw. 1991's "Cathedral" is something else entirely — ritualistic, expansive, awe-inducing. It is at turns warm, ominous and ethereal. We could come up with adjectives all day, but it really must be heard to be believed. Originally released by Italy's Musica Maxima Magnetica, "Cathedral" finally gets its due on vinyl with a deluxe 2xLP edition featuring a large booklet with many of Nigel A…
The Cauldron of Flesh and Copper
*2025 stock. 35 copies limited edition* For the first time on a physical format, No Holiday brings you two releases from Pawtucket, RI's Crusher Conveyor. True electronic dissections and recombinations of all things dark and horrible, these two span drone, harsh noise and good old-fashioned industrial in a package that sounds distinctly out of time.
Rebuild, Purify
*2025 stock. 35 copies limited edition* For the first time on a physical format, No Holiday brings you two releases from Pawtucket, RI's Crusher Conveyor. True electronic dissections and recombinations of all things dark and horrible, these two span drone, harsh noise and good old-fashioned industrial in a package that sounds distinctly out of time.
The Twitching Clot
*2025 stock. 250 copies limited edition* Brooklyn's Mouths Agape offers 23 minutes of suffocating power electronics exploring dreams, child abuse and the possibility of violence. An outpouring of contempt in the spirit of the contemptible.
Msanthology Volume One & Two
*2025 stock* Since January 2024, New Jersey's Chvrch Street has released 14 digital releases and counting. With stark titles composed of sinister compound words, these releases span dark ambient, death industrial and pure noise with a surprising degree of emotional complexity.
Here, No Holiday is releasing the first ten EPs in two packages, showcasing the evolution of the project while allowing each one to tell its own story. Best listened in one marathon session, Misanthology Vol. 1 & 2 is read…
Mysterious Guy Hardcore Junglist
*65 copies limited edition* New York's Chronowerx serves up a slab of jungle as refracted through Americanoise and Jerkbooth arguments on 'Mysterious Guy Hardcore Junglist,' No Holiday's first cassette release. Breaks are chopped into chthonic new forms beyond easy classifiers like "power noise." Jungle's form is exploded and reassembled over and over again on each of these four tracks, familiar and unrecognizable at once.
Hometown Girl
Groggy, engrossing new work from Ulla under their newly minted U.e. tag, riffing to the sublime on a set of (mostly) acoustic reveries that tap into the kind of smokey vapours favoured by the likes of Vincent Gallo, Voice Actor, Jonnine. Oh aye, it’s a special one.
A new year, label, album and handle for Ulla, a multifaceted artist who has draped our pages with wonder, under numerous aliases and collabs, for almost a decade. On ‘Hometown Girl’ they distill transience and flux into a quiet set of…
Forma
CEM has gained international notoriety over the past years for bewitching club and festival audiences alike with his feverish, polymorphic and richly referential DJ sets. For his debut full-length album, FORMA, the Berlin-based Herrensauna founder momentarily departs the dancefl oor, instead contributing a refl ective and at times menacing compositional study on terror and temporal anachronism for our perplexing times. All six pieces were originally commissioned to accompany Portuguese artist Ma…
Montreux II – Recorded Live At The Montreux Festival, 1970
Recorded at the 1970 Montreux Jazz Festival in Switzerland and produced by Helen Keane, Montreux II (originally issued on the CTI label) was the second of Bill Evans’ Montreux concert recordings to be released, following the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968). It features the leader accompanied by Eddie Gomez on bass, and Marty Morell on drums. According to AllMusic writer Ken Dryden, the concert finds “the pianist in peak form” presenting “a terrific live perfo…
Further Conversations With Myself
Further Conversations with Myself, released on the Verve label in 1967, was Bill Evans’ sequel to his 1963 Grammy Award LP Conversations with Myself. As on that initial album, here all the pieces are unaccompanied solos with piano overdubs. On Further, however, he plays just two pianos instead of the three he had previously employed. According to AllMusic reviewer Scott Yanow, “The program is brief, but Evans plays quite well throughout. In particular, his versions of Johnny Mandel's ‘Emily’ an…
...How Time Passes...
A fascinating blend of jazz and contemporary classical influences, How Time Passes is the debut album from the envelope pushing trumpeter and composer Don Ellis.
Known for his extensive musical experimentation, particularly in the area of time signatures, Ellis began his long career in the New York Citys post bop and avant-garde jazz scenes of late 1950s. Most notably he appeared on Charles Mingus Mingus Dynasty, and albums by George Russell and Maynard Feguson. But he also worked with, among ot…