New Arrivals

*200 copies limited edition* Michael Thieke is a clarinetist and composer living in Berlin. Known for his delicate, deft playing style, he is involved in many projects on the improvised/experimental music scene. Thieke is also known for his work in the clarinet duo The International Nothing, which has released several CDs on the Ftarri label. Beat Keller is a guitarist, composer and sound engineer based in Winterthur (Switzerland) and Berlin. He plays the distinctive "feedbacker electric guitar"…

*200 copies limited edition* Lee Noyes (born in 1977) is a Canadian musician who lives in Sweden. Lance Austin Olsen (born in 1943) is a Canadian artist and composer. The two musicians have been collaborating for over ten years, often performing graphic scores composed by Olsen. In late autumn 2023, Noyes received two graphic scores from Olsen. After carefully considering how best to approach them, Noyes recorded both works at once, on a night in January 2024, using InputLoop sampler and percuss…

*250 copies limited edition* Quentin Tolimieri is a Berlin-based pianist, composer and improvisational musician. He earned a bachelor’s degree in composition and piano from California Institute of the Arts in the U.S. and a master’s degree in composition from the University of Southampton in the UK. He has released recordings on labels including Wandelweiser Records (Germany), pfMENTUM (U.S.), Creative Sources (Portugal) and elsewhere (U.S.). Musician and sound artist Eric Wong, also based in Be…

*200 copies limited edition* Seijiro Murayama is a drummer/percussionist, improviser and composer who has lived in Paris for many years. He continues to carry out tours throughout Europe, and nearly every year he returns to Japan for a time and holds concerts. Murayama has many releases on labels in countries around the world. Attila Gyárfás is a drummer, improviser and composer from Hungary. Along with his activities in a number of groups including Quelquefois and Identified Flying Object as we…

*200 copies limited edition* Tom Soloveitzik is a sound artist, composer, improviser and sax player from Tel Aviv, Israel. From 2022 to 2024, he lived in Tokyo and performed with many Tokyo-based musicians. From late March to early April 2024, Soloveitzik toured in Beijing and Shanghai, and on March 31 he carried out a recording session with the up-and-coming young electronics player and improviser Sun Yizhou, who is based in Beijing. This CD contains three performances from that session. (The f…

From the silt 2016-2024. Mixed at the Centre for art tapes, Halifax. Mastered by Nick Klein

Double cut live tracks from absolute masters Brainbombs! Enough said. Side A recorded live at Sonic Protest 2024Side B recorded live at Sonic Protest 2008 Mastered by Nick Klein for PLEN audio.

Disgraced Marine Jailed For Urinating On War Memorial. Two cuts of exploded view post-noise from Richie Culver. Mastered by Nick Klein for PLEN Audio

Released December 21, 2024

New full length of ambient industrial noise from Justin Lakes. The Meaning Of Life in six movements. Mastered by Nick Klein for PLEN audio

* Presented in A5 sleeve * released September 21, 2024

*100 copies limited edition* released December 21, 2024

* Presented in A5 sleeve, real time 1:1 dubbed cassettes * released September 21, 2024

TIp! *80 copies limited eidtion* released September 21, 2024

*100 copies limited edition* Released September 21, 2024. In A5 resealable bag.

*80 copies limited edition* Released September 21, 2024

2025 Stock. Published on the occasion of the exhibition at Mudima Foundation (once Multhipla) this book is the very first extensive retrospective overview of Gianni Sassi’s work, design career and role that he played in the development of alternative cultural action and promotion in Italy. Gianni Sassi  truly was a larger-than-life figure whose contributions were wildly varied. In the Sixties, inspired by the artist Marcel Duchamp, Sassi participated in the loose interdisciplinary network of Flu…

Hardcover, 364 pages. Mostly in Italian language.  Nuova Enciclopedia del Futurismo musicale is a pivotal reference work dedicated to the history, theory, and protagonists of Futurist music, curated by Daniele Lombardi. Published by Mudima Edizioni as part of the Fluid XIII series (edited by Gino Di Maggio, Achille Bonito Oliva, and Daniele Lombardi), the volume gathers critical essays and research by leading scholars and artists, including Gino Di Maggio, Achille Bonito Oliva, and Daniele Lomba…

Hardcover, 364 pages. English/Italian. Gli anni Settanta is a richly illustrated monograph dedicated to Fabrizio Plessi, one of Italy’s most innovative multimedia artists, focusing on his pivotal creative output during the 1970s. Edited by Marco Meneguzzo and part of the Fluid XXVII series (curated by Gino Di Maggio, Achille Bonito Oliva, and Daniele Lombardi), the volume is published by Fondazione Mudima and features texts in both Italian and English. Within Gli anni Settanta, the collaboration…

*36 copies limited edition* Professionally printed CDr inserted in a professionally printed cover. The cover is made of high quality embossed cardboard (250 grams thick) and is approximately 13x15 cm in size. Insert is a b/n printed poster (25,20x29,50 cm. about) with all the text.

*42 copies limited edition* Professionally printed CDr inserted in a professionally printed cover. The cover is made of high quality embossed cardboard (250 grams thick) and is approximately 13x15 cm in size.

*150 copies limited edition* It's a weird record. The artists would like to be anonymous, so no credits or info given. Music is a bit (structured) Sunburned Hand of the Man meets Can meets Portishead but I'll let the listener judge so to say...

*300 copies limited edition* Over the last decade experimental composer Ash Fure has refined a music practice that eschews the conventions of composition and notation, favouring visceral sonic experiences in which sound is sculpted, thrown and felt. “Without language, people presume music is abstract,” she notes, “but I actually don’t feel it as abstract at all. I feel it as a really concrete and physical phenomenon.” With a PhD in music composition from Harvard and as Associate Professor of Son…

"On this new diptych, Spelterini widens the realm of possibilities even further, blending rock experiences with learned music, and forging new paths at the crossroads of post-punk and minimalist music. These two pieces, just under twenty minutes each, explore delightful points of friction between contrasting formats and temporalities, which stand in contrast to the sonic urgency at work, finding fragile points of balance between repetition, rupture, and explosion.   Named after the Italian tight…

Habibi Funk is more than happy to announce our 31st release which happens to be our 3rd various artists compilation. The album is dedicated to the cassette tape scene in Libya from the late 80s to early 2000s, from disco to reggae to pop. All songs previously unreleased outside of Libya and not available on any DSP platforms.

Girls At Our Best! were one of the greatest and most influential bands to emerge in the early 1980s as part of a new wave of independent acts. DJ John Peel championed them, playing their singles repeatedly and inviting them to record a session for his programme. Wry vocalist Judy Evans and brutal yet melodic guitarist James Alan who’d met at art college in Leeds fronted Girls At Our Best!, the proto-Indie band that formed from the ashes of Alan’s 1977 punk band SOS! Pleasure, the sole album, rea…

*180 copies limited edition* Venice Affair seeks only to give humans a look into their own lives, history, suffering, and peace, all while providing a backbeat sprinkled with sexuality, romanticism, and especially entertainment. The concept of “Ascension” is much larger than a description of upward motion; it is the human description of our evolution from four to two, from caves to high rises, from child to elder, and from stardust to flesh. This collection of songs has been in the works since 2…

*170 copies limited edition* As is now a well-established tradition, when 7 appears in the catalogue number it is the turn of handyman Asymmetrical. The title takes its inspiration from a tag that appeared in the bathroom of the historical Knick Knack Yoda after one of the (in)usual nights, and is a leap in time, a project born from the layering of different sessions that took place between 2018 and 2020 and only sees the light of day today. 7 is also the number of inches of PVC on which this do…

Astrïd and Sylvain Chauveau previously released the collaborative album Butterfly in the Snowfall in 2014, and have played shows together and with Rachel Grimes. Sylvain often covers songs, changing the original music using electronic or a minimalistic harmonium. For their new collaboration, Astrïd and Sylvain decided to work together for the first time on an album of cover songs, starting with Nina Simone’s version of Dambala, then Nancy Sinatra’s Bang Bang (a song Sylvain regularly performs li…

Listening is the foundation of Raven Chacon’s (b. 1977) wide-ranging artistic practice. “I am a listener,” he simply declares, but the attention he gives to sound is complex and vast, encompassing far more than what is immediately audible. From his earliest works, Chacon has been dedicated to amplifying the unheard, calling attention to what is absent or unknown. Although Chacon classifies the compositions on this recording as chamber music, all three of these works “zigzag” through his noise st…

In the spring of 1964 Pauline Oliveros organized a festival celebrating the work of pianist David Tudor, which featured compositions by Oliveros, George Brecht, Toshi Ichiyanagi, Alvin Lucier, and John Cage. The Tudorfest was a watershed event in the brief history of the San Francisco Tape Music Center, which not only provided its members with an opportunity to collaborate with Tudor, but also to promote their own work. Co-sponsored by KPFA, the Tudorfest demonstrated the artistic diversi…

With Robert Ashley, George Cacioppo, Gordon Mumma, Roger Reynolds, Donald Scavarda, David Behrman, George Crevoshay, Philip Krumm, Pauline Oliveros, Robert Sheff, Bruce Wise. Ann Arbor, Michigan, seems an unlikely site for the establishment of a major avant-garde festival that would shake the new-music community. Tucked away in America's heartland, the city is equally removed from the Eastern metropolises whose artists pride themselves on sensing the pulse of the times, and from the nonconformis…

Long out of print in its original, 1981 LP version from Street Records, Future Travel, has now been released again, remastered for digital media, by New World Records (80668-2). All the music composed and performed by David Rosenboom from this historic album is included, along with a new version of And Out Come the Night Ears, which was first introduced on an LP from 1750 Arch Records in 1978. One of the first albums composed almost entirely with a digital synthesizer, Future Travel, features th…

This historic recording features the first-ever release of the two earliest surviving recordings of David Tudor's seminal work, Rainforest. Sandwiched in between are six keyboard works by Gordon Mumma in recordings featuring the composer and his close collaborator, Tudor. Together, these works constitute a fascinating and historically important document of the 1960s avant-garde in America. In early 1968, Merce Cunningham created a new dance whose apparent impetus was Colin Turnbull's The Forest …

Mary Jane Leach (b 1949) explores the physicality of sound, working very carefully with the timbres of instruments, creating combination, difference, and interference tones. The use of sound phenomena, however, is only a means to an end, the ultimate goal being musicality. Early music, with its imitative polyphony and modal harmonies, is the primary source of inspiration for the compositions on this disc, four of which are part of an ongoing project focusing on the myth of Ariadne－Ariadne’s Lam…

restocked: The music comprising John Bischoff’s new CD ‘Audio Combine’, just released on New World Records, is beautiful, fascinating, thoroughly enjoyable. Philip Perkins’s engineering and production values are superb.The five tracks on the disc are diverse, representing Bischoff compositions from 2004 to mid-2011. The third track ‘Local Color’ evokes traditional chinese zhong bells, but also especially calls into question the ‘who’ of music performance [in asmuch as some of the bells are compu…

This double-CD set combines two of the key titles of Columbia Records's legendary "Music of Our Time" series curated by David Behrman. Jeanne Kirstein's recording of Cage's early keyboard works remains a touchstone of Cagean interpretation notwithstanding the passage of time. Christian Wolff recalls, "I remember Cage saying that Jeanne Kirstein's playing caught the spirit in which the pieces were written at the time he wrote them-a kind of simple excitement and enthusiasm (also, surely, ou…

Lou Harrison believed fervently in music’s power to create cultural bridges. To this end he applied his prodigious skills and creative energies to creating syncretic works that link diverse musical languages. Faulted at times for his eclecticism, Harrison responded with a vibrant defense of hybridity, cultivating a musical multiculturalism long before that term—or even the concept—held the currency it now enjoys. Harrison’s major contributions to twentieth-century American music lie in three mai…

This long-awaited reissue of the CRI recording of Earle Brown’s (1926–2002) music is the best overview of his seminal early works. “It is obviously a great pleasure for me that Cri is re-releasing its 1974 recording of my work, and an even greater pleasure that I am able to add to the repertoire. The performance of Times Five and Novara still seem very fine representations of the works and are performed brilliantly by the Dutch musicians. December 1952 as realized by the late, brilliant pianist …

Harry Partch’s compositions of the 1940s have remained until recently an unwritten chapter in the history of American music. And yet it was these very pieces—the collection of four works he would later collectively entitle The Wayward—that brought him to the attention of the New York musical world. His concert of these pieces for the League of Composers established for him a small but permanent reputation as a musical maverick who had wandered off well-worn tracks and had developed a sort of lat…