We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*2026 stock. 50 copies limited edition* Underground tape label hearsay proudly releases "babas - letras", a mesmerizing new cassette from enigmatic artist babas. Dropping into the world of lo-fi experimentation and poetic soundscapes, this release captures the raw essence of whispered words dissolving into sonic haze—perfect for fans of avant-garde audio poetry and tape-loop reverie.
"babas - letras" weaves fragmented lyrics ("letras") with drooling, dreamlike textures ("babas"), evoking a bilin…
Spectre Code – The Art of Sound and Poetry in Algorithms is a collection of code-driven poems, composed in the Python programming language. Each poem functions as both an executable script and a standalone work of poetic expression, generating rich soundscapes and algorithmic visuals. Whether read on the page or run through a compiler, Spectre Code Invites an experimental and innovative interaction with poetry.
The author, who works under the name C:\VEhF\, is a sound artist and experimental ele…
** Special Time-Limited Offer ** Unity is one of the great organ records precisely because it refuses to behave like one. Larry Youngbrings the Hammond into a post‑bop, modal context alongside Woody Shaw on trumpet, Joe Henderson on tenor saxophone, and Elvin Jones on drums. The tunes – including originals by Young and his bandmates – are harmonically rich and structurally intriguing, offering the soloists wide latitude. Young’s playing is astonishing: he voices chords in unexpected clusters, sp…
** Special Time-Limited Offer ** Further Explorations pairs Horace Silver’s piano with Art Farmer on trumpet and Clifford Jordan on tenor sax, plus Teddy Kotick on bass and Louis Hayes on drums. Silver’s blend of blues, gospel, and hard‑bop sophistication is very much in evidence, but the writing nudges things into slightly more intricate territory. Catchy themes, smart modulations, and rhythmic hooks abound, yet everything feels natural and unforced. Farmer and Jordan bring contrasting horn col…
** Special Time-Limited Offer ** On The All Seeing Eye, Wayne Shorter expands his canvas to a large ensemble that includes Freddie Hubbard, James Spaulding, Grachan Moncur III, Herbie Hancock, Ron Carter, Joe Chambers, Alan Shorter, and Gene Bertoncini. Conceived as a musical cosmology, the album uses layered brass and reeds, intricate voicings, and shifting rhythmic underpinnings to explore themes of creation, judgement, and human frailty. Shorter’s own solos rise out of dense textures rather t…
** Special Time-Limited Offer ** On Heavy Soul, Ike Quebec’s big, breathy tenor is wrapped in the glow of Freddie Roach’s organ, with Milt Hinton on bass and Al Harewood on drums. The organ‑tenor setting gives the session an intimate, club‑like feel: slow blues, shuffles, and strolls that prioritise mood over flash. Quebec favours clear, singing melodies, letting the natural grain of his sound carry the emotional weight. Roach’s organ lines and comps supply warmth and subtle grit, while Hinton a…
** Special Time-Limited Offer ** On The Cooker, Lee Morgan fronts a quintet with Pepper Adams on baritone saxophone, Bobby Timmons at the piano, Paul Chambers on bass, and “Philly” Joe Jones on drums, and lives up to the album’s title. Recorded when he was still in his early twenties, the session showcases a trumpet voice brimming with swagger and control. The band digs into blues‑based vehicles and brisk swingers with equal commitment, Adams’ baritone adding a gruff counterweight to Morgan’s br…
** Special Time-Limited Offer ** Genius of Modern Music gathers early recordings that reveal just how far ahead Thelonious Monk was thinking, with different sessions featuring combinations of Idrees Sulieman, Milt Jackson, Gene Ramey, Art Blakey, Kenny Clarke, and others. The tunes – “’Round Midnight,” “Epistrophy,” “Ruby, My Dear” and more – present themselves as puzzles: jagged melodies, off‑kilter accents, harmonies that jab when one expects glide. Monk’s pianism, all percussive attack and un…
** Special Time-Limited Offer ** Dialogue finds Bobby Hutcherson at the centre of a forward‑looking sextet: Freddie Hubbard on trumpet, Sam Rivers on reeds, Andrew Hill on piano, Richard Davis on bass, and Joe Chambers on drums. The compositions are exploratory, blending post‑bop, free jazz, and avant‑garde impulses into structures that encourage risk‑taking. Hutcherson’s vibes oscillate between delicate, bell‑like patterns and sharply articulated lines, often bridging Rivers’ angular statements…
** Special Time-Limited Offer ** My Point of View shows Herbie Hancock widening his palette with a larger band: Donald Byrd on trumpet, Garnett Brown on trombone, Hank Mobley on tenor, Grant Green on guitar, Chuck Israels on bass, Tony Williams on drums, and Patricia “Patty” T. on vocals on one track. The writing is richer and more layered, from soulful vamps to waltz‑like lyricism, yet unified by Hancock’s sense of structure and colour. The horns are given space to develop ideas; Green’s guitar…
** Special Time-Limited Offer ** On Volume 2, Miles Davis again fronts shifting line‑ups – including Sonny Rollins, Art Blakey, and Horace Silver – in a programme that continues the exploration begun on its companion. The arrangements juxtapose brisk, tightly coiled numbers with more relaxed pieces that give Davis room to stretch his lyrical side. His phrasing shows a growing command of silence and attack; a single, slightly bent note can carry as much weight as a flurry of scales. The band’s in…
** Special Time-Limited Offer ** On Mosaic, Art Blakey and the Jazz Messengers show exactly why the band became a kind of graduate school for hard bop. This edition of the Messengers fields Freddie Hubbard on trumpet, Curtis Fuller on trombone, Wayne Shorter on tenor saxophone, Cedar Walton at the piano, Jymie Merritt on bass, and Blakey himself driving the drums, a front line and rhythm section as elegant as they are explosive. The compositions are memorable without ever feeling formulaic, stit…
On Triple Cool Hang, Family Underground turn two decades of haze into a single spool of time, threading freezing‑church jams, Brooklyn collaborations, and after‑hours Copenhagen séances into deep, slow‑burning cuts that hum with tape hiss and lived‑in drone.
Rosacea, the new album by Norwegian experimental guitarist Gaute Granli, channels distortion, absurdity, and raw emotion into a delirious yet finely structured noise-folk ritual. Released in October 2025 on the Egyptian label Nashazphone, the record crystallizes Granli’s signature fractured psychedelia, where repetition becomes revolt and disorder turns intimate.
On Kachouzu, Merzbow compresses his late‑period harshness into four short movements, a 2×6″ lathe‑cut blast where metallic textures, searing feedback and dense midrange roar behave less like tracks than like successive cross‑sections of the same noise storm.
With Antibes, The New Blockaders compress twelve years of activity into a fiercely curated 4CD set, 100 copies only, each hand‑signed and uniquely defaced. It plays like a late‑period labyrinth: alternates, rarities, and lost shards arranged as a single, anti‑retrospective.
On Succès De Scandale, The New Blockaders exhume and reframe their own history, collaging a feral 1984 Morden Tower performance with later materials into a single, rust‑coloured slab of anti‑music that feels like the group’s original sabotage reactivated for the present.
On Kronos Quartet Performs Philip Glass, Kronos Quartet turns four string quartets into a self‑portrait of the composer, charting his path from theatre and film scores to music written directly for the group, all in a language of pulsed clarity and slowly deepening harmony.
At a time when most bands in the post-Group Sounds boom were gravitating toward British rock, Hiroshi Segawa stood out as one of the few artists exploring country and southern rock sung in Japanese. "Pierrot" represents a peak in that pursuit, backed by an all-star lineup from Japan’s New Rock movement: Hideki Ishima and Jun Kozuki from Flower Travellin’ Band, Tetsu Uchiyama and Hiromi Harada from Samurai, and Katsuo Ohno from PYG.
This reissue includes the bonus track "Kimi ga Ita Shiroi Heya…
A heretical symbol of Rare Groove, with its alternative and avant-garde ferocity! Irvine Weldon's 1973 masterpiece, which continues to have a wide influence around the world even today! Although it is based on jazz, it is a work released in 1973 that is more soul/funk than the first album, and reflects more experimental and political aspects and ideas. For over 30 years, it has been loved by diggers all over the world and reigns at the top of the rare groove as a most wanted item, and today the …