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"It may surprise some that, after two decades of silent films, when Alam Ara broke the silence in 1931, it and every South Asian talkie that followed was what we in the West think of as a "musical." Music had been integral to the culture's staged drama going back to the Gupta Dynasty — sometime between the 4 th and 6 th Century CE. Since its inception, South Asian cinema drew heavily from Marathi, Parsi, and Bengali musical theatre and silent film screenings were often accompanied by live music …
Gerald Eckert’s third release on Mode, night, falling, is a 2-CD set of mostly works for orchestra, often with electronics. Eckert says: “I am fascinated by orchestral works containing the structures of chamber music. For me, the definition of orchestra is not characterized by its large scale, but genuinely through its individual voices.”His music explores the marginal edges of sound, fractures in tonal constructs, crystalline solidification and instabilities which (for him) always symbolize exi…
Originally released in 1967, Ayler's first LP on Impulse! and arguably his best for the label. "During 1967-69 avant-garde innovator Albert Ayler recorded a series of albums for Impulse that started on a high level and gradually declined in quality. This LP, Ayler's first Impulse set, was probably his best for that label. There are two selections apiece from a pair of live appearances with Ayler having a rare outing on alto on the emotional 'For John Coltrane' and the more violent 'Change Has Co…
Art edition of 20 copies consists of vinyl treated with the wire wool to create a subtile physical distortions (hissing whistles) on the surface of the record. Comes with a numbered and signed certificate of authenticity”. Arturas Bumšteinas & Gitis Bertulis, “Goldberg Variations”. Audio documentation of sound installation's soundtrack from the perspective of two gallery rooms. The sound installation is inspired by the Rube Goldberg's machines and consists of recorded sounds of various objects …
The scores were commissioned for the screening of Artūras Barysas' films as the original soundtracks are currently unavailable due to copyright restrictions. Images from the film 'Tas saldus žodis' and original reels were used with kind permission of the Barysas Family. In Wejdas composition 'Du Žmonės Miške' played Donis (Donatas Bielkauskas), uncredited. Limited edition of 300.
All 8 tracks were composed by Arturas Bumšteinas from audio material recorded during open rehearsal sessions at Kunstvlaai contemporary art fair in Amsterdam, May 2010. All instrumental and vocal recordings that appear on this CD originate from fragments of various scores by Richard Wagner.
Organ Safari is an ongoing project which was started in year 2008 by Lithuanian composer and artist Arturas Bumšteinas (b. 1982). Since then he is traveling around Europe and recording sounds of various organs in churches, concert halls, record stores, streets, music schools and other locations. From these collected recordings artist has built an extensive sound archive which serves as an important source for his various acoustic and electronic compositions, improvisations and collaborations tha…
All sounds in this record were collected in solitary afternoons or sleepless nights, while studying electric guitar and effect boxes, an FM synth and a sampler, and were taken care of as if they were plants that you would move around the house to see where they like it best. Occasionally they met other sounds from far back in time, and they got along well. All these sounds talk to me of fragility and effort; to me they taste like gratitude and affection and joy. - FIlippo Mazzei
Simon Balestrazzi: analog and digital synthesizers, treatments, crotalesPaolo Monti: synthesizer, guitar, live electronicsNicola Quiriconi: synthesizers, electronics, magnetic tapes, contact microphones, voice
recorded between 2020 - 2024
Exceptionally virtuosic and sensitive, South African harpist Jacqueline Kerrod is perfectly at home across multiple genres. This is her first recording with American guitar maverick Joe Morris. These are sublimely adventurous improvisations for pedal harp and guitar.
A reissue on CD of the 1972 sophomore album by Spontaneous Combustion a late British psych band with progressive tendencies.
A reissue on vinyl of the 1972 sophomore album by a late British psych band with progressive tendencies. The LP is presented in a US pasted cardboard sleeve. - See more at: https://www.lpcdreissues.com/item/triad-3#sthash.jWSS6KcV.dpuf
A reissue on vinyl of the 1972 sophomore album by a late British psych band with progressive tendencies. The LP is presented in a US pasted…
2025 stock The idea of Grains of Voices was born when Åke Parmerud was commissioned to write a work for the Swedish Radio. A journey around the world, recording the different inflections of the human voice then followed and the material was processed in the studio to make this electro-acoustic composition.
Grains of Voices is an electro-acoustic mix, a collage of voices from all over the world – singing, talking and shouting. The work was premiered in the Dag Hammarskjöld auditorium, in the UN…
2025 stock A composed improvisation, or possibly the other way around – this is one way of describing the music played by Mats Gustafsson and the Nu Ensemble, a multinational group of improvisational musicians.
The saxophonist Mats Gustafsson, born in 1964, became interested in improvisational music at an early age, inspired by among others the German Peter Brötzmann and the Britt Evan Parker.
The Nu Ensemble was a loosely structured, irregularly convened radio and concert project built around …
Bilingual Edition English/German This inspiring book, with texts in German and English, reflects on the aesthetic, cultural and performative dimensions of contemporary (art) music. It opens up and challenges new perspectives in musicological and artistic research with a cultural studies orientation. Texts from the last 15 years are divided into two main chapters: Cultural Practice – including analyses of major festivals such as Warsaw Autumn, Festival d’Automne à Paris and Wien Modern, the impor…
Ikue Mori's album "Of Ghosts and Goblins" is a collection of instrumental miniatures inspired by Lafcadio Hearn's Japanese folk tales, featuring themes of ghosts, goblins, and the supernatural, with tracks like "Fragment," "A Passional Karma," and "Lafcadio's Garden". Lafcadio Hearn is an author who spent much of his life researching, documenting, and preserving the ancient folk tales of Japan. He published a series of books in the late 19th and early 20th century including In Ghostly Japan, Kwa…
"Was Drosselbart a Krautrock band just because they came from Munich like Amon Düül, sang in German and released their first and only album on a major German record label in 1971?
'No,' says Monika Vincent-Gunia aka Jemima, Drosselbart's singer. 'We were the first punk band in Germany. The guys in the band could only play three chords, maybe four, but they were burning with enthusiasm'.
However, Drosselbart's music on the album of the same name has very little to do with the punk of the mid-seve…
'Sexy Tears' is a bold departure from Tristanne's (fka Tristan) critically acclaimed pop-jazz debut Wellif and lets you veer into uncharted territory, from the first tone, the bittersweet and haunting violin tones fade in on opener 'Steady Mouth'. In a split second, Tristanne lets you vanish in a dazzling matrix deep down a rabbit hole, a place where Piero Umiliani's 70s sleazy giallo era sensually resonates with Oneothrix Point Never goldwave frequencies. With a whisper of panting tension, her …
'The fun years', comprised of multi-instrumentalists Ben Recht and Isaac Sparks, have been making music together since the turn of the century, producing intriguing interrogations of ambient, drone, post-rock, and turntablism. Originally released in 2008 on the now-defunct Barge Recordings, 'baby it’s cold inside' is perhaps the high watermark of their discography. Equally concerned with microtonal nuance and harmonic intensity, it is both a product of its time and something well past it. The ch…
Although Berlin-based musical seekers Jules Reidy and Sam Dunscombe are friends who’ve worked together in numerous contexts over the last decade or so, Edge Games is their first, long overdue collaborative album. Over two expansive, mind-bending excursions the former’s microtonal guitar lines are woven into a gorgeously unstable mass of synthesis, field recordings, and clarinet produced by the latter, but it’s important to note that the recording process was deeply collaborative, with a rigorous…
The pipes that Miłosz Kędra used to craft his own organ emulator have lived many lives. They come from churches scattered across Greater Poland—some trimmed for a more presentable façade, others left to gather dust in parish houses until, stripped of purpose, they were cast away. Their first voices have faded, their inner resonance unsettled, yet with patience, one can teach them to sound again—to sing in their altered state, to be gently coaxed out of silence. Audiomancy—the conjuring of lost s…