New Arrivals

Vesuvius was a 1970's musical group with Northwest Indiana roots. The band incorporated elements of prog/rock and psychedelia, combining the theatrics of Gabriel era Genesis and the psychedelic lighting effects of Hawkwind but on a bargain budget. First time on vinyl! do not miss this psych-prog gem!

*300 copies limited edition* “Avàvâgo Zamran!” marks a new ritual transmission under the name Arrokoth, a project initiated by Guillaume Cazalet (Neptunian Maximalism, Zaäar, Sol Kia...) as an ongoing exploration of musical primitivism, liminality, and distant cultural imaginaries. Conceived as a vessel rather than a fixed ensemble, Arrokoth brings together collaborative works with Dimitar Dimitrov (Corpus Diavolis, Antelogos, Haiku Funeral) and John McKusick (Three Dragon Alley), resulting in a…

LAHAR is the new musical work of Bandung power duo KUNTARI, Indonesia. A deeply atmosferic, bone-melting session of ancestral doom sounds delivered by the contemporary Indonesian primal music specialists. LAHAR is a Javanese term which was adopted in geology to describe a violent type of mudflow or debris flow composed of a slurry of pyroclastic material, rocky debris and water. The material flows down from a volcano, typically along a river valley. Lahars are often extremely destructive and dea…

The Pink Violin by Jon Rose and Rainer Linz is a gloriously over‑the‑top fake biography of non‑existent violinist–composer Dr. Johannes Rosenberg, a “reformist parody” that lampoons art‑school scholarship, new‑music mythologies and violin culture with such detail and deadpan rigor it almost passes for the real thing.

On Celestial Suite, Atlantis Jazz Ensemble stretch their spiritual soul-jazz into a full skyward arc, an unbroken studio suite where modal grooves, Afro-Latin currents and meditative codas move like one long, rising breath.

On Oceanic Suite, Atlantis Jazz Ensemble ride a warm, late‑night current of modal grooves and spiritual inflections, with trumpet, alto, Rhodes, bass and drums flowing together in live‑off‑the‑floor conversations that feel both loose and meticulously steered.

** 2026 Stock. Leporello French/English ** Call to a Crow – Appelle un corbeau gathers a series of short poems by David Horvitz, originally conceived for the first Son Biennale in 2023, into a leporello that reads like a pocket field guide to listening and imagining in the Alps. Each phrase is both poem and instruction, a small performative score that invites the reader to tune themselves to the landscape and its absences. “Imagine the sound of the footsteps of someone who is no more,” “Imagine …

** 2026 Stock. Edition of 500 ** 1998 brings back into circulation one of Ugo Rondinone’s most intimate and unsettling projects: a diary from his five-part cycle of the 1990s, written and drawn between 1992 and 1998 as the AIDS crisis pushed a newly fearful, homophobic Western society to shove queer lives back into the shadows. Rather than responding with slogans or safe symbolism, Rondinone invented “Ugo,” an artist and drug addict living in Zurich, and followed him across hundreds of pages of …

Dream Sequence of an Ancient Forest gathers pieces composed between 2017 and 2023 into a continuous arc that feels less like a compilation and more like a slow, lucid dream. Across the album, Madli Marje Gildemann listens with almost scientific care to the smallest workings of the natural world – the secret exchanges of plants, the nocturnal trajectories of birds, the micro‑rhythms of an old‑growth forest – then lets imagination bloom around those observations. Her sound world is atmospheric and…

On Paris Public Spaces 2, Éric La Casa and Seijiro Murayama stage brief, focused vocal interventions across Parisian sites, letting microphone placement and urban acoustics turn spoken sound into a moving portrait of how voice and city continuously re‑shape one another.

Nachleben is a limited-edition cassette release by Italian pianist and composer Giovanni Di Domenico, issued by Dasa Tapes, a Greek label specializing in experimental music. The album features two long-form tracks: "Parts I & II" (19:34) and "Part III" (18:06), showcasing Di Domenico's signature minimalist piano style marked by repetition, subtle nuance, and contemplative atmospheres.​ Di Domenico's work on Nachleben embodies his personal approach to contemporary minimalism, emphasizing concentr…

This album emerged from a chance encounter at Casa del Popolo in Montreal during the Suoni per il Popolo festival. Over the years Tim Daisy and Stefan Christoff kept in touch and in 2023 started exchanging more seriously about working on some music together. The conversations and exchanges over the years had revolved around trying to find pathways for collective action in the arts to support movements against war. Particularly the two discussed and collaborated on a global radio broadcast to cri…

Piero Fogliati’s “Macchina che respira” (1990) is a kinetic sculpture built entirely around the realization of the author’s artistic utopia: imbuing lifeless machinery with the rhythmic and self-sustaining process of an organism. It is an apparatus of ontological interrogation, positioned at the final, unstable boundary between the organic and the artifact. In “Macchina che respira”, the fundamental function of life -respiration- is translated into an industrial imperative, forcing the observer …

Three creative cells of Austrian avantgarde music form a playfull trio of piano and drums/percussion -pianist and composer Elisabeth Harnik has various improvisation projects, for instance with Joelle Leandre, Ken Vandermark, Zlatko Kaucic, Tony Buck, etc. She is backed by Martin Brandlmayr of Radian-fame, who works fluently in jazz, electronics and acoustic music,  and Didi Kern who, coming from Bulbul guitar underground and Noiserock, lately found his place in the international improv scene.

Ka-ya-ya provides its deep-sea dive into overlooked artifacts from the early 2000s-records that slipped past the mainstream, yet quietly became cherished discoveries for dedicated listeners. The next find is micro majong – Noise Conception: a 2005 debut album, now receiving its first-ever physical edition on cassette. First physical release. Limited to 50 copies. micro majong is the project of Evgeniy Sidorov - a Siberia-based pianist, composer, producer, and mastering engineer. As a mastering e…

Aghast was a project by Nebelhexe and Nacht, released in 1994. This album was released back then by the legendary Cold Meat Industry. "Hexerei Im Zwielicht Der Finsternis" is the real dark and gloomy ambiance played in a classical dark wave vein. Minimalism in musical content, compensated by spooky and ice-cold vocals that will haunt you. Macabre enchantresses will seduce you and take you to their ghastly realm. Hear gods cry and angels fall. Listen to horror and beauty. Let Aghast bewitch you! …

Eighth album from one of the brightest space-ambient projects from 2000th. The mastermind of Algol is UK-based Daniel Kazantsev, who well known by his northern-ambient project Stuzha and cinematic drone project Black Wanderer.It's time to join Algol on a journey through infinite cosmic horizons. Leaving our rigid notion of space and time we ride the cosmic winds. "Timeshifter" delivers a portion of refined space ambient where subtle old school influences mixed with modern ambient sound.

The first full-length album of this ambient / drone project after two warmly received EPs. Enticing guitar overflows, drowsy melodies, an abundance of field recordings, analogue drone, and sound experiments, walking the waves of memory and the corridors of dreams. Guest on flute - Valera Hip. "Sometimes it happens that you walk across the field and sit yourself down to put an ear to the ground and listen... so just imagine, under the ground, but not too beep, some seeds sitting together on a rou…

Sascha returns with his third album - lighter, brighter, and more intimate than ever: After the acclaimed Seeds on Talks and Zart, German ambient composer Sascha opens a new chapter with News From The Garden House - a collection of musical sketches as airy and luminous as a summer morning. This is a continuation of the sound we've come to love from Sascha, yet here the emotional detailing feels sharper, the storytelling more present. Each composition is shorter, more eventful, and each one invit…

The second album by the German ambient composer Sascha on The Fact of Being. A year after his high reclaimed "Seeds on Talks" that has been recorded for 7 years, Sascha returns much faster. A huge evolution in sound but the same Sascha's style. The minimalistic shine of clear analog sound, the slow and transparent like an early morning. As being photographer, Sascha's music is like pictures - a static basis is always in the same place, but all moving and details are open deep inside the composit…

Bones returns with Scumbag, a stripped-back, lo-fi record that distills his bleak vision into its rawest form. With skeletal beats, muffled samples, and whispered delivery, he crafts a shadowy atmosphere that's equal parts haunting and hypnotic. Known for his prolific output and DIY ethos, Bones sidesteps convention once again - this is not music for the charts, but for the dead of night. Scumbag feels like a confessional mumbled into a tape recorder, full of dread, detachment, and flashes of vu…

Un Ent Los is a composition of a total of 36 electroacoustic miniatures, for which Johannes S. Sistermanns has drawn from his wide-ranging audio archive. The material of his composed, fleeting sound moments are sounds of the numerous musical instruments he plays and their electroacoustic transformation. In addition, field recordings from the Australian outback and the soundscapes of metropolises such as Shanghai, Hong Kong or New York can be heard, as well as the diverse resonance sounds that Si…

On Tepepa, Ennio Morricone turns the Mexican Revolution into an operatic fever dream, braiding solemn mariachi‑tinted themes, mystical guitar‑and‑orchestra adagios and defiant song into a score where personal vengeance and collective uprising share the same melodic bloodline.

In August 1971, the white wizards of South Africa's psychedelic rock underground shared the stage with the black witchdoctors of the Afro-jazz avant-garde. The event was the Tribal Blues concerts at Wits Great Hall, an unprecedented cross-cultural showcase of independent music hosted by the maverick 3rd Ear Music label. Ourang-Outang (2020) presents rehearsals and jams recorded by 3rd Ear director, producer and engineer David Marks in rural KwaZulu-Natal as this unlikely alliance of musical drui…

After following Luke Blair's work for approaching two decades from his 2007 debut as Lukid on Actress' Werk Discs, we're humbled to present a new album on Death Is Not The End. Following relatively hot on the heels of 2023's Tilt (his first in 11 years, not counting his work with Jackson Bailey under the Rezzett guise) Underloop brings Blair's innate knack for building loops and sound structures further to the surface, while allowing his ear for emotional expression to be dialled up a notch. Tho…

A remarkable document finally surfaces after nearly 40 years in the NDR archives. John Taylor - the piano master of dense, orchestral voicings and skittish melodic invention - captured here in 1987 with the full NDR Radio Symphony Orchestra conducted by Dieter Glawischnig. All music written and orchestrated by Taylor himself. This is the logical conclusion of everything the man stood for musically - from Azimuth to Johnny Griffin's band to this luxurious symphonic setting. Stan Sulzmann on sopra…

In the centenary year of his birth, Quartet Records unveils for the first time the complete score that Georges Delerue composed for Fred Zinnemann's masterful 1973 thriller The Day of the Jackal - a work largely unheard until now, buried beneath the weight of editorial decisions that stripped the film's second half of any musical accompaniment. Based on Frederick Forsyth's bestselling novel, the film follows a professional assassin hired by disgruntled military veterans to eliminate President Ch…

Mimosa Pudica brings together two works by Luciano Maggiore, both conceived as live performances structured around the presence and behaviour of an audience. In both cases, rhythmic and formal elements arise from acts of observation and listening: eye contact, involuntary sounds, shifts of attention, hesitation, withdrawal.
 Mimosa Pudica reconstructs the conditions of these works in the absence of an audience. The record operates as a displacement: a concert without spectators, a live situation…

On Horizonte, PSI channel the late‑’70s German fusion boom into a lean, high‑octane set where Matthias Frey’s electric keys and Volkmar Zimmermann’s manic guitar ride a phenomenal rhythm section, delivering melodically rich jazz‑rock that punches as hard as it dazzles.

Four Season finds Virgo - the German fusion group that first came together as Lava in 1974 - stepping away from major‑label orbit into a more autonomous, exploratory phase, stretching their jazz‑rock language into a calmly expansive, four‑part suite tracked at Tonstudio Bauer in late 1976.

On Park of Reason, Paul Chain loosens doom metal’s grip just enough to let in air, colour and delirium, fusing obsidian riffs, reverb‑soaked keys and his unmistakable glossolalic vocals into a wandering, lysergic meditation on faith, doubt and psychic drift.

xavisphone's debut for Modern Love hits with unrelenting energy; a hyper-kinetic, red-lining funk that joins dots between DJ Anderson do Paraiso’s darkside minimalism, Equiknoxx’s riddmic pressure and DJ Ramon Sucesso’s walloping delirium.

*150 copies limited edition* After the success of his debut 'Stealer' and the relative failure of his follow up 'The Great Tower', soon to be legendary director Mikkel Mannheimer needed a hit, eventually finding it in the now cult horror classic 'Deathgames'. Set against the backdrop of a grimy, sleazy 1980s New York, Deathgames follows savant ex-profiler turned true crime writer Gil Wrexham, as he finds himself dug far too deep in an active case. At each turn the equally clever killer is slowly…

*60 copies limited edition* The time that flows here remains constant even though the space has changed with the time passing by. This project explores the time and existence of the imaginary space associated with the sounds and melodies. The project highlights the sounds and melodies placed between the boundary of nature and human-made, fragments of the natural - cultural aspects and takes a deconstructive approach to explore the time and space through the soundscape. The sounds and melodies ar…

*60 copies limited edition* This album is like a mirror in which disappearances and vanishing happen quietly and unobtrusively, a place where reality and fantasy intertwine and the boundary between life and death becomes an endless blur. A place where realities gradually fade away, making room for new truths, and time becomes merely an echo of what unfolds deep within existence. Nahal Kavand is a multidisciplinary sound artist based in Tehran. She uses field recordings and ambient sounds to crea…

*50 copies limited edition* Ambient artist Pallette's album Below the Surface, There Is a Gift, is available via rohs! records (ROHS!073CD). Launched on October 23, 2025, this collection invites listeners into serene depths of introspection and solace.

*60 copies limited edition* “New Context” can give altered meaning to familiar spaces. The fields and streets you know have changed; nothing is fixed. The music is quiet night music, combinations of environmental sounds and sparse arrangements to sit and listen to.

On Ash, Paul Chain strips his sound down to its smouldering core, turning slow‑burn riffs, funereal keys and desolate vocal invocations into a stark ritual of aftermath, where every chord feels like a fragment left behind by some unnamed catastrophe.

** 2026 Stock ** An unpublished portrait of one of the greatest occultists of the 20th century: Fulvio Rendhell. From his childhood spent in a family of mediums to the founding of the Navona 2000 spiritualist circle. The incredible story of the founding father of modern magic understood as a true science. Extra: interview with Fulvio Rendhell by Silvia Vecchi. Reissued in a new elegant graphic design with commentary by Italian cinema maestro Pupi Avati. Duration: 43 min.

On Darkest Before Dawn, Dark Day strips post‑punk down to a skeletal, nocturnal pulse, turning minimal synths, deadpan melody and spectral atmosphere into a stark hymn for the final hours before collapse.