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Their sophomore release, after their supreme 1972 psychedelic debut, is a proto-hard rock affair. The Japanese power trio is in a more enthusiastic jammin' mode, with deep heavy blues notation. Ensure this lost classic now and forever!
Despite a 40-year age gap and the vast distance between Japan and Greece, pianist Masahiko Sato and guitarist Giotis Damianidis reveal themselves as kindred spirits on Thousand Leaves. Capturing their very first meeting—recorded live on February 2, 2024, at Jazz Spot Candy in Chiba, Japan—this album is a testament to the power of improvised music to dissolve boundaries of geography and generation. The rapport between Sato and Damianidis is so immediate and intuitive that one might imagine a much…
After a first album made up of 11 pieces from Tombstones by Michael Pisaro-Liu — works with delicate tones and dusty melodies that wrap us in an intimate atmosphere — the musicians of the Muzzix collective, brought together under the direction of Barbara Dang, present this second recording, which completes the entire collection. This new opus continues the sonic exploration: timbres become more diverse, textures thicken, and silence — in its rawest materiality or its faintest breaths — becomes a…
*2025 stock. 20 copies limited edition* Abstract sampler-based film score by Jeremy Kennedy, “blending electronics and vocals that really remind me what Gong were doing in 1972-73.” - Byron Coley
Blu-ray disc of accompanying film by Justin Rhody included.
2024 repress! Gary Wilson's monumental 1977 LP reissued with the original cover art (care of Owen Maercks's well-loved copy), delicately laid out by Scott Allison. Which makes it, perhaps, the last copy you'll ever need. You Think You Really Know Me (also the title of Michael Wolk's 2005 documentary about Wilson) was Wilson's second LP, but the first he recorded as a vocalist, hewing to his own bizarre vision -- a syncretic collision of romance, new wave cocktail jazz, heartbreak, disco porn-sou…
2025 stock ‘Adorable Ruin’ is the second release of Stokholm-based composer and electronician Siri Jennefelt under her Nev Lilit moniker, and her first one to be released on vinyl. Each composition of the release starts with a drone that seems to be of a similar design, but brings us into vastly differing worlds. Jennefelt’s blend of large, primal drums and meticulously crafted synthesis, that moves independent of each other, makes a fitting canvas for her extensive arsenal of haunting, dystopi…
From the depths of Gothenburg, The Family Men emerge. Since 2017, they have slowly carved out a sound entirely their own within the current music scene, standing out as one of the hardest groups in Sweden today. Making use of unconventional sampling, chainsaw-guitars and gritty industrial tones, they manage to blast their way into yet uncharted musical territory. Their debut album 'No Sound Forever' is an explosive, daring and vital record of a band ready to swallow you whole.
*170 copies limited edition* "The city where I live was created by digging holes : removing stones from the ground, then making buildings with them. The only hill on the island was quarried. Elsewhere, they just dug giant square pits. Over time, many of these holes became dumps of some kind; the Francon quarry became a snow dump. Half the snow plowed from the streets of Montreal after each storm is loaded onto trucks and dumped in the 70 metres deep hole. Every winter, snow piles up there. Some …
*180 copies limited edition* "Fish Point is part of a 68 acre city park called the Eastern Promenade, located in my neighbourhood in Portland, Maine. Fish Point has sweeping views of Casco Bay and is busy with shipping traffic, barges, commercial fishing, tugboats, ferries coming and going from the islands, sailboats and increasingly yachts, tourists paddling, and cruise ships. Fish Point is off a multi-use trail that runs along the Portland waterfront. The area near Fish Point used to be semi-…
"It was my first time performing at Chitei. The venue has a dark, almost secret-hideout-like atmosphere, with a sense of decay that resonated deeply with my emotional state at the time. The speakers were quite large relative to the space, so the sound would circulate and create feedback that doesn’t happen in other venues. By moving the microphone through the space and changing its position, the pitch and harmonics of the feedback would shift. Very few venues offer this kind of experience.
To me…
*200 copies limited edition* “Rarefied Airs” is the debut album by Glasspack, duo of Henry Birdsey and Ian McColm. Both Birdsey and McColm are part of an extended New Haven (CT) musician family (think of Stefan Christensen, Shirese, David Shapiro, Center, Figured, Tongue Depressor etc.). In Glasspack they fuse Birdsey’s bagpipes with McColm’s computerized sounds to hammer out rock solid modern fourth world music masterpiece.
“Rarefied Airs” offers two long pieces (both ticking at almost 19 minut…
*200 hand-numbered copies limited edition* Aiko Takahashi is a Nova Gorica-based musician, a spirit that has released albums on various labels. Just like the line that separates the two cities where Aiko lives, Gorizia and Nova Gorica, divided between two countries yet united as one, Aiko’s music exists on a boundary. A line that separates silence from peculiar, almost imperceptible sounds. Too quiet to be Ambient, too Ambient to be Sound Art. Two years ago, after a first complete release on IIK…
*60 copies limited edition* Noising Sheng documents Zhang Meng’s attempt to reinvent the Chinese sheng into a noise instrument. Since ancient time, the sheng has been associated with the virtue of “he” central to Confucian ethics, denoting peace, harmony, and conciliation. In the family of Chinese wind instruments, the sheng is a rare member who is able to fix to a certain tune unaffected by playing, and to play multiple notes at the same time. In an ensemble setting, it often functions on the o…
*60 copies limited edition* Xu Shaoyang makes music about the fragmented beauty of everyday life. Over the years, he has sustained a fresh spirit of amateurism by travelling and performing in many different parts of the world, occasionally as a member of the avant-pop group Maher Shalal Hash Baz. His songs are made of simple tunes, sometimes silly sometimes smart, sometimes delivered with a “backing band” of improvising musicians who he met and collected along the way. Sometimes the karaoke work…
Sarah Davachi’s ‘All My Circles Run’ is a meditative journey through sustained drones and harmonic resonance, blending analog synths, strings, and organ into a deeply immersive ambient experience."
A landmark debut reissued: Barons Court finds Sarah Davachi crafting mesmerizing electroacoustic landscapes that invite deep listening and contemplation. Blending vintage synths and acoustic timbres with patient, immersive composition, Davachi’s singular vision reshapes the boundaries of minimalism and ambient music
A quietly stunning meditation on sound and space, Let Night Come On Bells End The Day sees Sarah Davachi sculpting slow, luminous improvisations for Mellotron and organ. Each piece unfolds with patient restraint, revealing rich overtone complexity and a dreamlike sense of presence-minimalism at its most intimate and immersive
Ostranenie is a collection of digitally manipulated, impressionistic piano miniatures — each named after blockbuster films and TV series. Improvised late at night as a reaction against passive media consumption, these pieces function as both homage and critique, navigating the space between classical impressionism and contemporary digital manipulation. They don’t just deconstruct traditional piano expression; they interrogate the emotional stakes of sound in an era where immersion culture flatte…
"Languishing off-catalogue for many years, McCoy Tyner's Extensions may be the pianist's most unjustly neglected album. Strange days, for not only is the music ineffably vibrant, but Extensions is the only recording ever to feature Tyner alongside pianist and harpist Alice Coltrane, who replaced him in saxophonist John Coltrane's group in 1966. The album has one foot in the echoes of John Coltrane's "classic quartet," of which Tyner was a member from 1960-65, and the other in the astral jazz sty…
“Night Dreamer is an album that finds Wayne Shorter in a state of transition as he was still rooted in the hard bop style that started his career, but also starting to lean toward the more abstract style that will serve for the greater part of his remaining career. It’s a talented, and somewhat unusual ensemble that Shorter has assembled here. McCoy Tyner and Elvin Jones, at that time, were mostly known for their famous work with Coltrane, but in 1964, when this album was recorded, Tyner and Jon…