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Bonecrusher creates an immersive sonic landscape that captivates listeners, drawing them into a world where chords crackle, howl, and vibrate eerily. Founded in 2020 by trombonist and composer Matthias Muche in Cologne, the ensemble showcases its latest work through four innovative compositions. Each musician explores the trombone’s capabilities with meticulous detail, crafting evolving sonic states that morph fluidly, resembling a tightly woven net.
The ensemble faces a unique challenge; those …
On Dybbuk Tse!, Yoni Mayraz turns Jewish possession lore into a groove‑driven exorcism: live‑wire jazz, 90s NYC hip‑hop grit and Middle Eastern modes colliding in a story where a wandering spirit is forced out beat by beat.
On Grzyby, Błoto complete their mycelium cycle with a compact blast of medicinal‑and‑toxic club jazz: five mushroom‑named cuts of broken beats, sub‑heavy low end and live improvisation that argue for dialogue and interdependence in a world addicted to walls.
On Scenery, Ryo Fukui turns a late‑start passion into a quietly astonishing debut: airy, confident trio swing and luminous ballads that distil a distinctly Hokkaido sense of space, light and seasonal melancholy into six perfectly breathing performances.
Quartet Records, in collaboration with GDM and Universal Music Publishing Ricordi, presents a completely revised, remastered edition of the dynamic, classic score by Ennio Morricone for the 1970 Charles Bronson action vehicle Città Violenta (aka Violkent City), directed by Sergio Sollima and co-starring Telly Savalas and Jill Ireland. The film is about a hit man who, after being double-crossed by his mistress and barely escaping a murder attempt, sets out to take revenge on the woman and the mob…
On D'une nostalgie inconnue, Delphine Dora turns a three‑week Portuguese sojourn into an intimate cartography of feeling: piano, harmonium and field recordings tracing a dream‑folk geography where Atlantic waves, stray voices and solitary improvisations blur into one interior tide.
Go On with the George Otsuka 5 was recorded in 1972 in Japan for the Three Blind Mice label. The album features a quintet led by drummer George Otsuka, a major figure in Japanese jazz in the 1960s and 1970s. The repertoire includes original compositions as well as contemporary hard bop standards.
Masmas was formed in 2021 in Rome during a residency at the Mattatoio – Palazzo delle Esposizioni. Simone Alessandrini (saxophone and composition), Mauro Remiddi (vocals and guitar, previously known as Porcelain Raft with several releases on Secretly Canadian), and Simone Pappalardo (electroacoustic artist and sound design engineer) share a free approach to sound and a desire to transcend genre categorization. More than a band, Masmas is a collective practice: improvisation, continuous transform…
Released in 1972, Riff Raff is a bold statement from a British prog quartet exploring the intersection of rock and jazz-inflected textures. The album moves between blues-tinged grooves, melodic prog passages, and expansive jazzy-rock moments, all anchored by tight rhythms, expressive guitar, and organ flourishes. Standout tracks like the opener and La Même Chose show off the band’s adventurous spirit, balancing precision with spontaneity. Though the variety of songwriters gives the album a loose…
*2026 stock* Acclaimed experimental baritone guitarist Porös release "aldrig tillbaka. alltid." is a remarkable collection which offers a profound exploration of abstract soundscapes, showcasing the artist's unique ability to transform improvisation into captivating auditory experiences. Porös's music melds intricate guitar techniques with avant-garde elements, inviting listeners into a fluid, organic sonic journey. Each track on "aldrig tillbaka. alltid." emerges spontaneously, creating a tapes…
*200 copies limited edition* Following the dense, multitracked complexity of the debut double album "aldrig tillbaka. alltid.", Porös returns with a striking follow-up, nyck.. Translating from Swedish as "whim" or "caprice," the title perfectly encapsulates the album's methodology: a series of raw, unedited, one-take improvisations.
While the debut relied purely on layered, intricately composed baritone guitar, nyck. shifts the approach to something much more immediate and impulsive. The solo ba…
We are excited to continue our work with Art P / Art Programming by finally offering the first full-length work from this Bremen-based electronic group. Originally released only on cassette in 1983, the self-titled album has now been fully restored and remastered, complete with bonus tracks and unreleased mixes unearthed from a rare demo. The LP opens with "Wesen vom anderen Stern" ("Beings from Another Planet"), a downtempo, 808-driven electro synth wave track with German lyrics telling a story…
With Figures of Glass (Piano Etudes – Edits), Vanessa Wagner offers a new listening perspective on Philip Glass’s Piano Études, shaping a curated selection of edited versions drawn from her acclaimed recording of the complete cycle. These edits do not alter the substance of the works; rather, they refine their temporal focus, revealing their emotional force with renewed clarity.
Conceived in parallel with Figures of Glass, a hybrid project developed with visual arts collective Scale, the release…
*200 copies limited edition* Ukrainian sound artist Tungu, a.k.a. Sergiy Senchuk, has long been operating in this domain and has a huge array of collaborations and solo work behind him, besides a background starting over two decades ago in metal and hardcore music. For over ten years now, however, he has been responsible for producing electronic music that draws from improvisation, abstract sound and electroacoustic composition. Paranormal Awakening catches him collaborating with equally prolifi…
London - and Berlin - based quartet Let Spin return with I Am Alien, their fifth album and first release with UK label Discus, marking a new chapter in the band’s evolution. Building on the momentum of 2022’s Thick As Thieves, the record is a continuous, shape-shifting work that thrives on tension and risk, collapsing the boundary between composition and improvisation while distilling over a decade of shared history into a fiercely unified listening experience.
Over more than 13 years of playing…
Out on Leaving Records, The Haunted House is the latest EP from Los Angeles-based artist and musician Diva Dompé. Having spent the better part of two decades channeling otherworldly transmissions with projects including Yialmelic Frequencies, BlackBlack, and their current band, Diva and the Pearly Gates, Dompé returns with a deeply personal, unguarded song cycle firmly within the singer/songwriter idiom. The titular Haunted House is a memory palace of sorts—a portal to the densely-populated imag…
*2026 stock* Yialmelic Frequencies is the therapeutic instrumental music from LA-based artist Diva Dompé channeled from her home planet Yialmel. Zjumk collects the instrumental layers Diva has created and archived at dublab.com for her monthly guided-meditation radio show “Yialmelic Transmissions” – this is the first album in a series of volumes from this reserve.
Jardim Elétrico (1971) is a vibrant and inventive entry in the Brazilian band Os Mutantes’ discography, marking the transition beyond the core Tropicália movement into a heavier, more experimental blend of psychedelic rock, Brazilian popular music, and early progressive influences. The album balances playful irreverence with darker, more electric textures, featuring distorted guitars, studio experimentation, layered vocal harmonies, and the charismatic interplay between Rita Lee, Arnaldo Baptist…
On Embrace 2: Chains and Grain, Polwechsel distil their chamber‑improv logic into a score grown from their own playing: a tense, breathing matrix of repeated figures, frayed textures and in‑the‑moment reactions that is rebuilt afresh every time it’s performed.
On Embrace 3: Magnetron/Quarz/Obsidian, Polwechsel with Andrea Neumann turn acousmatic tape, simulated multitracks and graphic notation into an intricate laboratory of cause and effect, where elevator doors, room ghosts and painstakingly negotiated scores yield two of their most conceptually precise and sonically uncanny works.