We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Five chamber works by James Opstad, played by Apartment House, the GBSR Duo & clarinettist Heather Roche. James Opstad is probably better known as the double bassist with Apartment House than as a composer. But this should change with this release, the first CD of his music as a composer. Five beautiful pieces tracking the evolution of Opstad's work as it moves from textural electro-acoustic music to pieces exploring the layering of instruments playing at slightly different tempi: "Eluvium marke…
Another Timbre presents The Willow Bends and So Do I, a new work from Swedish composer Magnus Granberg, performed by his long-running ensemble Skogen. Known for their subtle explorations of time, fragility, and sonority, Granberg and Skogen craft music that hovers between composition and improvisation, weaving delicate structures that unfold with profound patience.
At the heart of this recording lies Granberg’s distinctive method of filtering fragments of historical repertoire through a contem…
Japanese guitarist Tsunehito Tsuchihashi, celebrated for his versatile artistry across both classical and contemporary repertoires, proudly presents his debut solo album, “Crypte.” This extraordinary recording, released in April 2025, brings together the visionary works of five contemporary composers, most written on commission and premiered by Tsuchihashi himself, showcasing his commitment to expanding the guitar’s expressive potential through innovative collaborations.
“Crypte” is a testament …
*2025 stock* Renowned percussionist Shiniti Uéno unveil this latest recording project: Music for Percussion Ensemble by Japanese Composers. This remarkable album offers a profound exploration of Japan’s contemporary music landscape, highlighting the diversity, refinement, and innovation that can be found in its modern percussion repertoire.
The recording showcases six visionary composers whose works have shaped and expanded the language of percussion music in Japan: Joji Yuasa, Akio Yasuraoka,…
*2025 stock* A new recording brings together the refined artistry of Japanese composer Jo Kondo, the visionary musicians of Ensemble Nomad, and the distinct pianism of Satoko Inoue in a captivating exploration of sound, texture, and form. Orient Orientation offers a rare and illuminating entry into Kondo’s world, where silence, resonance, and subtle contrasts guide the listener through an intimate sonic landscape.
The album presents works that showcase Kondo’s unique compositional language—mar…
Live recording from the “Yuji Takahashi Piano Recital: Bach and Cage” held at Kanagawa Prefectural Music Hall on 30 May 1974. Originally released on LP in 1977, this work is now reissued on CD and for download. The Cage works include: Cheap Imitation, employing chance operations; Metamorphoses, an early work utilising serial manipulation; and The Seasons, ballet music choreographed by Merce Cunningham expressing India's traditional seasonal perspective. In Bach's Toccata No. 2 in C minor, two di…
*2025 stock* In essence, group improvisation is a conversation. It relates to a certain point in time, its current surroundings, personal expression and the stories each performer choses to tell from their musical paths. On Sound Flower three masters of improvised music from different generations meet for the first time as a trio and their world of sound (in Danish: klangverden) is immediately captivating. You can listen to each performer and they will tell you a story of their own, or you can t…
Loveland Music proudly announces the release of Live at The Village Vanguard, a remarkable new recording that brings together seven of the most distinctive voices in modern jazz. Recorded in the legendary New York room that has defined generations of improvised music, this album captures the raw immediacy and atmospheric depth of a once‑in‑a‑lifetime gathering. Subtle, deeply melodic, and unhurried, Live at The Village Vanguard reveals Bro’s unique gift for creating spacious musical landscapes w…
Collective interplay is essentially about listening and giving space. If ever there was a credo for this ensemble recording, this would be it. Sometimes the soloist or a small group steps forward, other times they play as a large unit. This collective of musicians are connected through old and new friendships, a set of relations that has been formed through two decades of co-creation on stage and in the studio, and their new recording is a reaffirmation of that with an A-side of free improvisati…
"If I’m not mistaken, Ben Frost and I first talked about the ideas of what would become Steelwound sometime in mid 2002. In the early 00s, Ben had been working on cut-up electronics, spilling over with floating rhythms, humming string samples and piano splices. It was a sound realised in part through the subversion of fruity loops and also owes a debt to Ableton Live which arrived in late 2001. His works to that point, gently saturated and bristling with a fizzy distortion at times, hinted at an…
"I first owned a fender rhodes electric piano in the late 1970s. It was a Mark 1 model (wooden key action). I had a band with my younger brother and my best friend from school and this was my ‘portable’ gigging instrument that weighed ‘a ton,’ and only just fitted in our small car. (I eventually got smart and left the 15 kg lid at home.) I had one effects pedal, a Boss chorus. Sadly—due to the rise of synthesisers and electronic keyboard instruments—I sold this lovely instrument in the late 1980…
"Even without visiting a place, we often think we know it. It’s a syndrome of the modern age. The world is right before us, on screen, summarised and sensorially curated into a particular vision that casts light across ‘just so much’ of an impression of a place and a time. In some ways, I realised this phenomenon most strongly when I visited Antarctica in the summer of 2010. In my mind’s ear (and eye) certain features of that place were front and centre – imagined, as to be real. The stark colou…
A limited-to-300 reissue of this rare west coast psych inspired album from 1972. With all lyrics and liner notes by Jaakko Riihimaa.
Bengt Huhta, known by his nom de plume Kristian, made this unusual album in 1972, after enjoying a pop star career in the late sixties.
As a singer he suffered the same fate as most sixties pop singers - no matter how ambitious the artist, his choice of songs to record was always made by the label, the songs more often than not being Finnish translations of popular…
2025 stock When they formed in 1968, Pentangle were hailed as Folk’s first supergroup, fusing elements of jazz and underground music and comprising the twin guitar/songwriting talents of Bert Jansch and John Renbourn with bassist Danny Thompson, drummer Terry Cox and singer Jacqui McShee.
Between 1968 and 1972, Pentangle issued six albums – five on legendary Folk label Transatlantic and a swansong release on Reprise. Their debut, The Pentangle (1968), was hailed as a Folk Rock classic and charte…
Hyperentasis is a double LP celebrating the unique connection between legendary saxophonist Akira Sakata and the city of Thessaloniki. Home to Defkaz Records and the birthplace of the Damianidis brothers, Thessaloniki has welcomed Sakata countless times. This release captures two of his landmark performances as a bandleader in the city. The first LP features the group Entasis with Giovanni Di Domenico (upright piano), Giotis Damianidis (electric guitar), Petros Damianidis (double bass), and Alek…
Twenty years after its original release, Ben Frost's "Steel Wound" returns as a testament to isolation transformed into transcendence. Born from solitude at a derelict cabin on Australia's windswept coast, this masterpiece of textural guitar manipulation still sounds like a transmission from another world—one where beauty emerges from the marriage of abandonment and obsession.
Originally released on tape by SicSic in 2014, Aprilnacht commemorates a decade of music from Brannten Schnüre and marked the spring in a tetralogy of albums about the four seasons when it came out. Back then the Würzburg-based project consisted solely of Christian Schoppik, who later welcomed Katie Rich to take over the vocals. He used to perform as Agnes Beil, but dropped the name when, while making this album realized his music was becoming "much gentler and more fragile". Aprilnacht already …
Thumbing through the back pages of German electronic music, Bureau B uncovers another hidden gem from the Sky Records archive: 'Inventions', the 1983 collaboration between Adelbert von Deyen and Dieter Schütz. Fusing expansive kosmische textures with biting rock guitars, motorik rhythms, and the growl of '80s synth-pop, the duo conjure a sonic singularity which still sounds like the future today. Compact yet cosmic, 'Inventions' distils ambient drift and experimental edge into taut, three-minute…
Bureau B once again dive into the Sky archive, unearthing another overlooked masterpiece long due for rediscovery. Originally released in 1985, 'Voyage' finds Dieter Schütz venturing beyond his Berlin School roots into a realm of lo-fi immediacy and New Age naivety. Every instrument is played by Schütz himself, except for the drums on "Above", which are performed with syncopated zeal by Michael Fecker. While its textured synthscapes and wistful melodies may echo the aesthetics of 2010s Vaporwave…
Berlin-based project Silberstreif announces the release of their new album Ich suche dein Gesicht, available now on Bandcamp. With a name that translates to “silver lining,” Silberstreif crafts music that reflects both fragility and resilience, weaving together textures of ambient, electronic, and experimental sound.
Ich suche dein Gesicht (“I am searching for your face”) is more than an album: it is a sonic exploration of intimacy, distance, and the fleeting nature of human connection. Across…