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Extremely rare recording of Can performing live at Aston University in Birmingham, on March 4, 1977 and featuring the new addition of Rebop Kwaku Baah (the Ghanian percussionist well-known for his work with Traffic, Steve Winwood, Eric Clapton, etc.) and Roscoe Gee (a Jamaican bassist who had also recorded with Traffic). Holger Czukay, now freed from bass duties, began experimenting with an array of electronic sounds, which he also began adding to the mix in part to counterbalance Can's …
during my last visit to the states, about 2 years ago, one of the highlights was definatly a night long visit to SCOTT FOUST's house! john shaw took us there and explained from before what it was gonne be like, we would be seated down in a confortable couch while "the last great man" would stand up next to a pedastal with some quality whiskey, dope and cigarettes on it, sporting a mono coloured suit and sunglasses (day and night) while foust is telling stories about different art records, and ma…
Aggressive loop music based on sounds from photographic equipment and african field recordings. Besides being an early-Reich cheap imitation, ‘lagodelnulla’ is an italian expression (roughly translated as ‘lakeofnothingness’) found in an old Banda-Ngao lullaby (Central Africa, early ’60s). An ‘objet trouvé’ elevated as social commentary by the author. Volume encouraged. 35 minutes, transparent vinyl. Edition of 100 copies in recycled chipboard sleeve with silkscreened sheet (printed by Ped…
Temperatures are a London-based duo formed by Peter Blundell (bass, voice) and James Dunn (drums, synth). Blundell's rumbling delayed bass runs against Dunn's bursting drums that simultaneously trigger an unruly ARP 2600. Vocals are both muffled and shouting at times and eventually end up getting buried under a (controlled) landslide of sounds. Thanks to their instinctive but thoughtful approach to noise, Temperatures can express a suffocating sense of alienation and mal de vivre, as well as tod…
Call Back The Giants first surprised and delighted the listening world in 2010, with their warmly-recieved eponymous debut album. Since that time, the duo of Tim Goss and Chloe Mutter have been locked in perfect isolation, teasing every nuance of their sound into sharp focus. The Rising presents the results of their toil, exposing Call Back The Giants as true masters of cryptic intent. Homespun keyboard minimalism, wavering teenage laments, and foreboding pronouncements of doom, synthesize into …
The Parasites of the Western World are a band from Portland, OR who released their recorded debut in 1978. It's a fascinating spin, a galactic ramble across the otherworldly themes of alienation and paranoia, seemingly inspired by LSD and Philip Dick. Primarily the creation of Patrick Burke and Terry Censky, the Parasites were limitless with invention and completely DIY. This is a record that was recorded in an apartment, by a crew thoughtful enough to curtail it's loud excursions for the…
Now Voks is finally presenting his first full-length album (though only 30 minutes long this is epic in Voks' universe - both 3"CD's included 10 tracks each within 20 minutes). While keeping his trademark style of hyperactive and nervous high-pitched twisted pop songs a newborn interest in (italo-western) movie soundtracks seems to be evident. The sound of super fast surf guitars is colliding with what seems chinese opera samples, world music is combined with children's whisteling tunes. Think R…
LP version. The is the second full-length release by Sweden's Andreas Tilliander as Mokira for the Type label. It's hard to believe that five years have passed since the release of Album, Tilliander's first outing on the Type label. Album marked the final stage in Andreas' development as a "laptop" artist, and since then he has collected synthesizer upon synthesizer and enough tape to make the boys in Berlin jealous. Ditching the zeroes and ones, Andreas set about piecing together a follow-up to…
"since the last senking album "pong" (r-n122) was a great success in 2010 and sold out quickly raster-noton swiftly asked for a follow-up of massel's sound cosmos. on "tweek" senking again reveals his sense of cineastic atmospheres and dark abysmal depths of sound, which are subordinate to extremely slow choky basses and delayed beats. references to dubstep are rather the result of testing the outlying areas of the frequency spectrum than a direct relation to the genre. nevertheless it se…
Clear and Discovery were originally released as two companion CDRs by James Ferraro (of the whole Skaters / Lamborghini Crystal / 90120 / Splash / Nirvana axis) and comprise the August 1974 (Taj-Mahal Travellers) of his discography. Both albums contain absolutely beautiful whirling hall-of-knives-style synth drone that makes one want to reference Klaus Schulze or Bobby Beausoleil. Clear bursts with flam beats and a cluster of melodies muffled like a calliope wrapped in a soggy tarp, while Discov…
Vessel: a sonic narrative. Through physical confinement and isolation a threshold is penetrated and a vast new world is suddenly accessible. Pressed in a limited edition of 200 copies housed in a deluxe tip-on jacket.
A lasting gravestone release from Philadelphia's Clockcleaner packs in more drama than your mama with enough bad attitude to make the food court cry. Since 2007's release of "Babylon Rules", Clockcleaner have toured the trailer park areas of the United States as well as conquering the scorched earth of Australia. During this time the band recorded this 4 song EP length record that sharpens their midnight howl in a direction only hinted at in previous releases. The band now operates in a d…
This double album (divided into two LPs), recorded live at the Nippon Columbia Studio in Tokyo in 1974, was the group's final effort before disbanding. Here Kosugi and the Travellers blend Eastern and Western instrumentation, vocal chants and electronics to create free-form psych-laden drones. This historic album is an essential and influential piece of Japanese avant rock." Part One LP, clear vinyl in clear plastic sleeve with black lettering. Limited edition …
Mark McGuire operates chiefly as guitarist in the legendary Emeralds, however he also has racked up an impressive set of solo releases over the last few years (albeit mainly in small to micro print runs). 'Living With Yourself' is his new album and we at Editions Mego hope to meet any demand which may arise from this fine selection of modern crafted guitar tunes. Focusing on his family, early friendships and the problems that inevitably develop through years of knowing someone, it takes …
The first release from Minimal Wave, Oppenheimer Analysis, is back by popular demand. The EP is a second pressing limited edition (500 copies) on 180 gram vinyl of selected tracks from the Oppenheimer Analysis cassette entitled “New Mexico” released in 1982, as well as two others that were previously unreleased. Andy Oppenheimer (nuclear weapons consultant) and Martin Lloyd (previously involved in the Survival Label, also known for his project “Analysis”) formed Oppenheimer Analysis in the early…
The debut LP from eccentric ambient-psych pair Sherri West and Taylor Clark was recorded at a self-described "mountain fortress" in California, despite the couple generally residing in Tulsa, Oklahoma. And like their disparate locations, the duo dabbles in varying forms of weirdness, from the amateurish, Deerhoof-esque racket of opener "I Am A Pony" to the dreamier blips and bleeps of songs like "Particles," which evoke a Hawaiian vacation as narrated by Rod Serling. LAVA CHILDREN strikes a uniq…
Great 2nd full-length collaboration between Lee Counts, Matt Franco (of Air Conditioning, Holy Family Parish), and Jason Crumer. Acoustic and processed power tools on scrap metal. This record is more spare and moody than their first, lush and industrial, elegiac sanders and spareness building up and blasting away from somber to near rapture.
Expo '70 bass/synth player Matt Hill has gone solo. His debut LP under the Umberto moniker is an analog masterpiece heavily influenced by the classic film score work of Goblin, except arguably better. From the moment you drop the needle, you'll be transported to Italy as an extra in a vintage horror flick directed by Dario Argento. This is some of the most accessible, yet totally authentic sounding music of the "giallo" genre we've ever heard. It was previously only available as a hyper l…
You either loved or hated Autre Ne Veut's electrifying 2010 album for Olde English Spelling Bee, and we loved it - as we made abundantly clear at the time. Since its release, ANV has been reasonably quiet, most recently seen turning up on Mordant Music's Variables II 12"; but he's been putting his time to good use it seems, crafting this killer four-track EP for Hippos In Tanks. 'Sweetheart' finds our man warbling and whining in that unmistakable multi-tracked falsetto of his, against a r…
Black to Comm's Marc Richter is an artist that perpetually seems to be on the verge of releasing an absolute masterwork, always creeping closer and closer but never quite nailing it. Alphabet 1968 does not quite buck that trend completely, but it is an oft-brilliant and unforgettable album nonetheless. Richter's impressive artistic evolution is showing no sign of slowing.