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Liminoid is a composition for large ensemble exploring sonic immersion in drones and textures, rhythms and pulsations. Incorporating composed and improvised segments, the piece uses elongation of sound and layered polyphony in an attempt to create a liminal and/or numinous state. This recording of Liminoid is from its premier at The Music Gallery’s X-Avant Festival in Toronto, October 25, 2008. The piece features a powerful vocal performance with every member sharing the vocal duties. The lyrics…
Taku Sugimoto : metronomes, mandolin... Taku Unami: computer, mandolin... Recorded live by Taku Unami at Loop-Line on May 2 and October 16, 2008. Mastered by Taku Unami.
'when I was young, at night, if the wind was blowing in the direction of our house I could hear the slow beating of the ships' engines.'Vessel was conceived for and presented as a site-specific, multi-channel sound installation in Diapason Gallery, Brooklyn, in October 2008. The composition consists of recordings of cargo ships on the river Waal in the vicinity of Zaltbommel, a small town in the heart of The Netherlands.For my parents. Thanks to Jan Tiggelman (boatsman) and Michael J. …
It all began with Study Ten. After releasing his 4th Static album, which included ten songs, about 15 musicians and which took almost 6 years till its release, Hanno Leichtmann had the wish to record an album in one go, without endless recording and mixing sessions. While experimenting with his modular system he discovered a method to compose that, what he later called Minimal Studies. A modular sample player which can be controlled manually, by a sequencer, LFO or any CV source would mak…
Would it be that when everything finishes that everything starts? Rather than a postlude or a coda, the five minutes a cappella by Joe McPhee on the tenor saxophone placed here in thirteenth position, sound like a song of love and hope coloured utopia which condenses the invisibility of lives which are here and then are no longer here.from the effervescence of an aviary where chirpings and warbling intersect (from Raphael Imbert, Urs Leimgruber, McPhee, Evan Parker and John Tchicai each sax seem…
"Cheerful Mats was dragged into the studio last year by David Grubbs for the ostensible purpose of contributing to a Thicket-in-the-works. The pair instead became terminally sidetracked with recording the two lengthy duets for harmonium and tenor saxophone and harmonium and fluteophone (Mat's invention -- a flute with a reed mouthpiece) that make up Apertura. Listening to Apertura, the first question is 'who is doing what?' It's not certain that even the artists themselves know." Two long …
Pete Swanson (electronics, vocals) and Gabriel Mindel Saloman (electric guitar, electronics). Produced and recorded for Dwars by Berry Kamer, Amsterdam, May 17th 2007. Packaged in a 3-panel cardboard relief sleeve. Artwork & concept by Staalplaat. Limited edition of 500 copies.
Stephan Mathieu's latest work transforms music made for Gustav Flaubert's titular play. First published as part of the book Trois Contes (Three Tales) in 1877 and translating to 'A Simple Heart', the text, a modern rereading of an old tale, makes for a neat analog to Mathieu's sonic practice - augmenting recordings of obsolete formats - wax cylinders, 78s - and early instruments by computer processes. Using pieces written by early renaissance composer Guillaume Dufay (1400-1474) and performed in…
This is an exceptional collection of pieces by one of the pioneers of electronic and tape music. Halim El-Dabh began experimenting with wire recorders in Egypt even before Pierre Schaeffer inaugurated the practice of Musique Concrete in France - one piece here dates from that period ('Wire Recorder Piece', 1944) and is thus of great historical importance. Most of the other works were recorded in 1959 and evidence a remarkable body of work and experimentation. El-Dabh does not sound like his fell…
Kraut-rock at heart, this is a brtual, cosmic melange of sound & rhythm, where Terry Riley-like keyboard motifs entwine w/ intense Battles-esque drumming, clouds of audio detritus, gamelan gongs, rewired synthesizers, & clashing feedback guitars. Oscilating between pools of crystal-clear ambience & miasmic clouds of dense noise, it spans entire decades of musical exploration: the fractured psych dreams of The United States of America, the dense weave of Stockhausen's Hymnen, the intensity of Con…
A survey of Asian sound activity: 1997 - 1998 1 Koji Tano Field Recording Intro (1:16) 2 Government Alpha Acoustic Type (0:48) 3 Chris C. Lin Bathyal (2:55) 4 Ching Shen Ching* V-Zone (7:25) 5 Magmax Gracie Jugend (5:33) 6 S.Isabella Phosphorescence (4:36) 7 Z.S.L.O. 422189 (4:36) 8 R.H.Y. Yau Dog (1:13) 9 MSBR Fragment #1 (5:10) 10 Kazumoto Endo Night Falls On IKEBUKURO (4:17) 11 PNF My Favorite Scratch (7:58) 12 Yukiko Toyama Park 3AM (5:55)
Strøm are Gaudenz Badrutt, pianist and electronic musician (1972) and Christian Müller (1971), clarinettist and electronic musician. Under the name of strøm the two artists from Biel mix since 2001 various ingredients: free improvisation with conceptual music, contemporary music ideas with free jazz explosions, down to earth, drifty energy with spherical sound. The duo mixes electro-acoustic chamber music skillfully with allusions to contemporary pop-aesthetics. Both musicians studied at …
A beautiful acoustic-based record featuring careful, melancholy arrangements in the tradition set by his famous previous record - but with a few unpredictable musical touches. Seconds weaves black threads of lyrical reflection into its sleeve in the short-lived Higgins tradition. His was never a hippie-dippy perspective - back in the day, his songs featured a thoughtful, but worldweary, occasionally even paranoid perspective. Accompanied by his fellow travelers (including a couple Red Hash playe…
Another due reissue of valuable New Wave materials “Made In Italy” that stretches around thirty-seven tracks contained on a double CD. Bi Nostalgia was the solo project of Luca Rigato, already part of the duo Endless Nostalgia. Composed and recorded between 1984 and 1987 (with the addition of one more recent unreleased track), all songs have been completely remastered from the original master tapes of "Anthems for Losers", "Dances of the Pessimism", "The Seeping Mouth”, “Cathedrals EP","Art Is N…
The first meeting of AMM guitarist Keith Rowe and pianist John Tilbury after Rowe departed in 2004, a delicate and intricate long improvisation, fascinating dialog between two long-acquainted and innovative conversationalists. "Keith Rowe and John Tilbury are both known as prominent members of AMM, the legendary ensemble which has been incredibly influential on the field of improvised music.Originating the tabletop guitar, Keith Rowe was a co-founder of AMM in 1965. He's since been involved in a…
Vladimir Nabokov: the master of "chamber music in prose" (literary critic Marcel Reich-Ranicki) and composer of crackling word sonatas. Franz Koglmann: a commuter between jazz/avant-garde and literature, and writer of intimate sound novellas. It was only a matter of time before Koglmann would create "Music on Nabokov," and transform literary motifs and characters into music. Together with his Monoblue Quartet (Tony Coe, clarinet/saxophone, Ed Renshaw, guitar, Peter Herbert, bass) the trumpeter K…
Originally released in 1976 by Nippon Columbia, this is the final album by legendary Japanese space/psych-rockers Far East Family Band. Droney and far-out electronica influenced by German producer/electronic music composer Klaus Schulze is more pronounced, merging prog rock with electronic music to create something rather weird and wonderful. Although Schulze oversaw the production of the album rather than playing on it (which he definitely didn't!), the synth star here is Masanori Takahas…
Mindblowing!!! Simon Balestrazzi should need no introduction. He founded T.A.C. (Tomografia Assiale Computerizzata) in 1982 and has bee pioneering the italian industrial scene since then. His passion for sound synthesis and exploration brought him in recent years to develop a research in electro-acoustics, both in duos, trios and also in solo.
In the fall of 2011 the pianist Marino Formenti performed four one-hour solo concerts hosted by the Wien Modern festival. The so-called “Notturni” series was centered around the piano oeuvre of Friedrich Cerha. To celebrate the occasion Cerha wrote his first piece for solo piano in twenty years and dedicated it to Formenti. The pianist extraordinaire’s main objective in these performances was to contemplate the music jointly with his audience, to analyze and reanalyze the sounds of the in…