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the fifth issue in a series of monthly magazines collecting activities and changes in general.This issue was made in vienna in the beginning of august, made in between, after, and before swimming, train rides, visits to exhibtions by Burroughs, daniel spoerri, breathing in fresh air, garlic soup, wine etc..i like vienna, not only for all above mentioned, also because there's a bunch of old skool photo boot machines there.. where half of this book was made.limited to 150 copies, riso printed by j…
the twelve issue in a series of monthly magazines collecting activities and changes in general, this issue is enetirely made of photobooth portrait photos
the fourth issue in a series of monthly magazines collecting activities and changes in general.This fourth issue collects 20 pages, a bunch of mat inverted purple music paper and a bunch of raw green glossy messyness!the golden cover portraits are made by Mima Schwahn and the inside cover is tripple stamped and hand numbered!lay out by jef cuypers, offset printed and limited to 200 copies
a 60 pages zine made as a contribution to the "changez, een belgenshow" exhibtion at 21 rozendaal in een schede/holland. this zine collects the short period right before this exhibition. all work is made or found between november 4th, when tyfus joined the subhumans of hair police on a tour through europe and december 31st. besides a lot of drawing in the tourvan, this period included a residency at codalunga in vittorio veneto (which also resulted in a exhibtion), a sinterklaas performance with…
Touch and Go fanzine was the brainchild of Tesco Vee and Dave Stimson and was launched in Lansing, Michigan, in 1979. Major fanatics of the new punk happenings in the late 70s, TV and DS set out to chronicle, lambaste, ridicule, and heap praise on all they arbitrarily loved or hated in the music communities in the US and abroad. In laughably minuscule press runs by today s standards, T & G was made by guys within the Midwest scene strictly for the edification of scenesters and pals in oth…
Post is the solo guise for James Wilkinson, who has gleefully cracked the ground between free jazz and punk in Bucketrider and made sonic cinema with the electro-dub-hip-hop fusion of High Pass Filter. He’s also provided innovative sound design as director for the internationally acclaimed Snuff Puppets, and his adventurous spirit runs free through Post’s pop persona. It’s the same ecstatic abandon shared by the likes of Mouse on Mars, Plaid and Caribou. Post’s playful but stirring sense of comp…
Mountains’ music is defined by slow builds, and subtle transformations, textures and melodic lines that evolve in a variety of ways to create grand soundscapes and acutely detailed compositions. For Centralia, the duo of Koen Holtkamp and Brendon Anderegg wrote and recorded in a way that mirrors the pace of their music. While the current trend in experimental music is towards hyper-prolificity, Mountains have taken their time on Centralia, resulting in an album that is as precise as it is boundl…
USW56, USW57, USW59, USW61, USW113, these five hand-made electronics hanged from a ceiling have an ultrasonic wave transmitter, a reciever and an amplifier. Each frequency of the ultrasonic wave is about 40khz but slightly different. And when each instrument swings, each frequency changes a little caused by the Doppler effect. On thier instruments we can hear beat signals between transmitted and received ultrasonic waves changed in frequency. (Manabu Suzuki) Where does art work appear? How do pe…
Reissued on Fledg'ling in 2005, originally released in 1965 by Decca. An experimental recording conceived by Austin John Marshall bringing together Shirley's haunting traditional song with Davy's guitar improvisations. Folk Roots, New Routes opened the door for Fairport Convention's Liege and Lief and Pentangle's debut. For this carefully remastered edition, Fledg'ling have restored the original artwork, added a new sleeve-note essay as well as previously unpublished photographs.
The story behind Dopesmoker, the final LP in the life of pioneering stoner sludge trio Sleep, is one of perseverance not usually associated with such dedicated grass aficionados. Intended to be the Cali band’s third record and first for major label London, the album took shape as a single 63-minute track entitled “Dopesmoker,” an ode to the joys of getting baked. After nearly two months of work, the band (guitarist Matt Pike, bassist Al Cisneros and drummer Chris Hakius) pronounced the opus…
*Limited edition of 350 copies in a vacuum packed metallic foil packaged with embossed lettering* Giuseppe Ielasi - sound artist, mastering engineer, label owner, half of Bellows - presents his most substantial solo release since 2009s 'Aix' for 12k with this untitled collection for London's Entr'acte. The eight unmarked tracks were produced in Spring/Summer 2011 and, much like his other work, would appear to be concerned with the minutiae and textured infidelities of the recording proces…
Reissue of Chronoscope CPE 2002-2. Originally issued on LP 19 and a limited edition cassette. Evan Parker's first solo concert on soprano saxophone. Recorded by Martin Davidson in 1975 at the Unity Theatre in London, at that time the preferred concert venue of the Musicans' Co-operative. Further solo material for the original LP release was recorded by Jost Gebers in the FMP studio in Berlin later that year.
Korm Plastics is proud to present the eigtheenth release in the Brombron series. Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a certain amount of time on a collaborative projec…
This is one of the most essential minimal synth wave projects, originally issued in 1980. After that, Stephan Eicher would form the band Grauzone. As a child, particularly with his little brother Martin, Stephan used a multi-track ("made in Eicher" by connecting several cassette machines together) to record little audio theater pieces. He would later organize Dada happenings and concerts, together with a small group of friends who called themselves the Noise Boys. In addition to Stephan on …
"The 2nd Digital Primitives release (Cooper-Moore, Assif Tsahar, Chad Taylor) digs in deep to fuse a new sound from blues, folk, jazz & funk, with accents from the music's African antecedents."
This is the first proper vinyl release for Tim Hecker's breakthrough 2006 album. At the time of original issue, there was a small run of a few hundred vinyl copies done by a small German label, but this was pressed on an inferior sounding single LP which was much too short for the length of the album, not to mention the wide dynamic range of the recording. This new version is mastered at 45rpm over four sides for maximum sound quality. Full color gatefold sleeve.
"The Koeln concert shows us these positive vibrations marching through "the complete continuance of creative music," and on towards the next millennium. The "success of the future" is not a lost cause as long as there is music like this in the air."-Graham Lock"Although Anthony Braxton does not play on this double CD (whose contents were released for the first time in 1995), his presence is certainly felt. He conducts the band through a fairly free improvisation and five of his compositio…
'Untitled (angle.1) is a stereo composition based on the eight-channel installation Untitled.First exhibited February 11 Ð March 13, 2009 at the Art Gallery of the University of Maryland (USA), Untitled is the unique first collaborative project between visual artist Linn Meyers and sound artist Richard Chartier, in an installation where optical and sonic patterns intersect. With an architectural transformation of the space, two fifteen foot long by eight foot high walls meet in an enfolding chev…
For more than 15 years, Tokyo, Japan's Tenniscoats have been keyboardist/vocalist Saya and guitarist Takashi Ueno. The duo have brought equal parts meditative intensity and whimsical humor to a series of acclaimed psychedelic albums, beginning with 2000's The Theme of Tenniscoats. But Tenniscoats have rarely released music without collaborating with others. Most famously, they teamed up with Scottish indie-pop legends The Pastels in 2009 for the wonderful Two Sunsets album on Domino Records…
Cyclic loops agglomerates resting on static drones intertwined by flashes of electronic frequencies; algorithmic manipulations of undefined sound materials moved by bouncing delays and recurring panoramic space variations; a sequence of metallic waves in continuous tonal variation, heavy dissonances and sonic stratifications in progressive and pseudo-randomic composition/decomposition; desolate silences corrupted by resounding echoes of entangled electric rhythmic impulses... Longly awaited re-e…