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Deleted scenes, the debut album by Marion Wörle aka Frau W (Laptop) and Maciej Sledziecki (Guitar) uses the vocabulary of sound-art just as instinctively as it does elements from psychedelia, noise and Krautrock. The electronic music of the 90s and 2000s is also bursting through every crack on this record. Refreshingly non-academic and equipped with a fine sense of humor they bring great diversity to the day. No one track compares to any other - each has its own very individual character. PIRX i…
Marc and Olivier Namblard did some recordings of deer during the rutting season. Deer bellow and listen. Marc and Olivier work also with the idea of sound trap. They find a place where animals go through, they set up the recording equipment and come back the day after. Beautifull and amazing recordings. Comes with photos from David Hackel et Marc Namblard. Texts in French and English.
The Invisible Hands is the English translation of the band's original Egyptian Arabic name: El Ayadi El Khafeyya. Taking almost two years to create amidst an unusual and challenging backdrop, this is the brand new project of Alvarius B. (Alan Bishop of Sun City Girls). Eleven highly-crafted new songs projected through his typically dark lens of songwriting and a band of brilliant musicians from Cairo, the premier, self-titled CD version of this album is the English language vocals edition (s…
The Preservation label presents the fourth album from Sydney's Seaworthy. Seaworthy is the musical guise of Cameron Webb, who, for the best part of a decade, has developed singular soundscapes scored with guitar-driven ambience, field recording and digital processing. In recent years, Webb has recorded to acclaim for the esteemed 12K label, releasing the 1897 album in 2009 followed by a collaboration with Matt Rösner, Two Lakes. His compositions reflect his deep connection to environment an…
Number 4 of the Salzburg Festival “Kontinent” series was dedicated to Wolfgang Rihm. We have compiled a selection of the works for your conven- ience – including a first recording! Wolfgang Rihm once claimed that the most appropriate statements about his oeuvre are his own compositions. In 2010 the Salzburg Festival adopted this approach. The result was a “Kontinent Rihm” which placed the manifold tone colors and modes of expression created by the former Stockhausen student into a broader contex…
Pete Swanson (electronics, vocals) and Gabriel Mindel Saloman (electric guitar, electronics). Produced and recorded for Dwars by Berry Kamer, Amsterdam, May 17th 2007. Packaged in a 3-panel cardboard relief sleeve. Artwork & concept by Staalplaat. Limited edition of 500 copies.
“intersezioni di vortici, studi ritmici e false chimere” is a suite of ten short compositions for modular analog synthesizer (except for one track that incorporates a few sounds recorded with a microphone). Initially conceived as series of studies on panning and phasing, the work ended to incorporate parts of two other series, all realised in Bologna between November 2011 and March 2012. The cover includes some of Maggiore’s drawings from the same period. Luciano Maggiore lives and w…
This cd documents a series of 3 sound installations originally presented at the Schindler house / MAK center for art and architecture Los Angeles in 2001. Garden was placed near the back of the lot facing the house in a bamboo grove via 8 small speakers. A quiet flexible background for a harmonious life was placed in a small hallway of the house on headphones. Pathway was placed along the front path to the house on 4 larger speakers. The outdoor works were set to relatively low volume lev…
On a mission to bring again the best works of the Italian Industrial acts of the 80s and 90s to the light, Officina Fonografica Italiana offers its first release in the form of a CD reissue of the historic "Armaghedon" by Maurizio Bianchi. Originally released on vinyl in 1984 by the author, this album has longly been his last work before his return to music in the late 90s. Conceived as a soundtrack for a movie by Bianchi himself - unfortunately never finished and now lost - "Armaghedon" is a co…
The Necks in quiet mood recorded at a concert recording in Townsville, Thuringowa, Northern Queensland. Though many Necks' pieces open with - or eventually arrive at - some discernable groove, Townsville just floats in a state of suspension from beginning to end. It's like watching the ocean as wave follows wave follows wave: each the same; each different; assymetric. Bassist Lloyd Swanton who, on this occasion, provides the motif that set Townsville running says he had had no idea where it woul…
The Preservation label presents The Baroque Atrium, the second full-length album from Seattle's Panabrite. Panabrite is the solo recording project for Norm Chambers, who over a short time has grown a catalog of works showcasing a natural empathy for tapestries of sound that are eclectic, intricate and immediate all at once. Marking new ground in pursuit of pre-digital synthesis, Chambers' work as Panabrite is a shining light among those currently finding inspiration connecting sound explora…
'Returnal' is the fourth album from Daniel Lopatin's Oneohtrix Point Never project, after 'Betrayed In The Octagon' (Deception Island, 2007), ÔZones Without People' (Arbor, 2009) and 'Russian Mind' (No Fun, 2009). All 3 albums being superbly compiled on the 'Rifts' double CD set (No Fun, 2009). It sees Lopatin fine tune his craft for creation of deep atmospheres and texture even further. Starting off with the mind blowing triptych of 'Nil Admiari'-'Describing Bodies'-'Stress Waves', which …
"Alchemic Heart is a special project presented by Vampillia who have colored these two colossal compositions with beautiful contributions by members of the Boredoms, Jarboe (ex-Swans), Inswarm and Japanese Noise-God Merzbow. Layered strings, piano, bass, noise and voices are weaved mysteriously and expand as two magnificently parallel aesthetic worlds. Comprised of two pieces, 'Sea'/'Land,' a primitive landscape is created via listening and destroyed when the pieces are complete. Vampilli…
Once again unveiling hidden treasures from his archive of tape loops, William Basinski releases three pieces made at his Brooklyn apartment during one night in 1982, adding a fourth composition (based on the same source material) made earlier this year. You can't help but wonder why this music, recorded so long ago, is only just surfacing. Was the world not ready for WIlliam Basinski in 1982, or was WIlliam Basinski simply not ready to hand himself over to an audience at that point? Whatever the…
More than seventy years since his death in 1937, Ustad Abdul Karim Khan retains his reputation as one of the greatest singers India ever produced. Possessed of an elastic, honied voice that poured out like mercury, he influenced generations of singers including Mohammed Rafi, Pandit Bhimsen Joshi, and Pandit Pran Nath. Born at the end of the 19th century to a family of musicians that extended back in time for centuries, his art was formed in the culture of the courts of the maharajas under Briti…
Winterreise is the audio soundtrack to a series of photographs with the same name produced by Atom TM. The series was exhibited during 2011 in Tokyo and Frankfurt (excerpts included in the packaging of the Winterreise CD edition). The Winterreise soundtrack may be considered a sequel to the Liedgut (R-N 099CD) album, in the sense that the resulting photo series was conceived as a consequence of the contextual framework which Liedgut both initiated and provided. Winterreise, though, is a far m…
Gabriel Severin has been active in the field of electronic music for almost two decades (Silk Saw, Jardin D'Usure, Ultraphonist, Rob(u)rang, Dead Hollywood Stars). This sound artist and musician has delved in several disciplines. He likes to research forgotten or obscure avant-gardes.
2009 release. Outstanding reissue covering some of the best Yuasa experimental and electronic works from the 60s and 70s: Yuasa was developing a fascination for tape music from the very beginning, and the inner journeys that such music would take him on. As he later wrote: “Tape music was [a] completely unknown field at the time. Even reversed playing of recorded sound, change of tape speed, filtering and feedback echo were totally new for the ear.” However, as Yuasa’s knowledge of technolo…
Seijiro Murayama: snare drum, cymbal, sticks, brushes. Masafumi Ezaki: trumpet. Kazushige Kinoshita: violin. Recorded live by Taku Unami at Kobe Art Village Center, Kobe, April 12, 2008. Mastered by Taku Unami. Photo by Nobuhiro Sasaki. Includes liner notes by Seijiro Murayama in Japanese and English.