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The hidden meanings are those that are at the origin of things. In an interview to Blow Up magazine in 2010, Venetian sound artist Enrico Coniglio, commenting on his aesthetic approach to the soundscape (it is the result of the aggregation of clusters of elements that have reason for existence in relation to their own specific function), marked off the traces for a path that some time later would take him to collaborate with the photographer and field recordist Giovanni Lami, from Ravenna, in …
35 years have passed since Bill’s last new slab of vinyl was released. We bring you this set of gems from ‘78–’81. It’s bursting with a couple new tracks (with a few traded out from the ‘05 CD), a new sequence, new art, and expanded liner notes by the man himself.
Over two years in the making, Cold Pin is the new full length record by Eli Keszler. Both a composition and stand alone installation, 14 strings ranging in length from 25 to 3 feet are strung across a 15 x 40 curved wall, with motors attacking the strings, connected by micro-controllers, pick-ups and rca cables. Recorded in Boston's historic Cyclorama, a massive dome built to house the Cyclorama of the Battle of Gettysburg painting in 1884. The b side features in addition, a 'dry' version …
A serie of duet with André Jaume and another musician, recorded in 1980 and 1983 by Jean Roché, Jean-Marc Foussat, Daniel Deshays. Raymond Boni, electric guitar. Hervé Bourde, flute. André Jaume, saxophones, bass clarinet. Jean-Marc Montera, acoustic guitare. François Mechali, doublebass. Fred Ramanonjiarisoa, piano. Gérard Siracusa, percussions.
Western Front New Music is proud to announceÊEvan Parker's return to the Western Front to celebrate our 40th anniversary with a live performance and the release ofÊVaincu.Va! Live at the Western Front 1978. Restored and mastered from the original archived quarter-inch tape that captured his dynamic, innovative performance 34 years ago, Parker'sÊVaincu.Va!Êremains well ahead of its time. His work is unconventional and unpredictable, and this album, to be issued on limited-edition LP, with n…
arthur doyle- tenor sax, voice; vin paternostro- roland 505; ed wilcox- percussions; leslie q- bass ;rec. march 26 & 27, 2004 at springwater tavern & artswatch...the final available rec. i have left of Arthur, unfortunatly ?! i kept it for the last since i find it a really special goody: a more intimate 4et live dates from 2004
Sweeping and rustically romantic neo-classical and drone flights seemingly dropped from the sky on the wonderful Students Of Decay label "From the very first seconds of “Within/Without,” listeners familiar with the output of Aquarelle, the nom-de-plume of Madison, WI-based sound artist Ryan Potts, will find themselves in territory that is at once familiar and new. This opening salvo explodes into being with the surging, analog fuzz blooms and preternatural sense of rhythm that endeared many to …
To this day, Nicholas Bullen is best-known as a founding member of arguably grindcore's most important act: Napalm Death. Although he decided to call it a day before the band slipped into the mainstream circuit, his sonic fingerprints were all over their influential debut Scum, and he's been breaking boundaries ever since. A key figure in Birmingham's experimental scene, Bullen was also a founding member of Scorn and has been involved in a variety of projects since. Over 30 years later we …
A Bureaucratic Desire for Extra-Capsular Extraction gathers all of the music drone metal progenitors Earth recorded in October 1990, during their earliest sessions at Portland's Smegma Studios. Earth, featuring soon-to-be Melvin Joe Preston in its second lineup, intended for those seven tracks to serve as its debut. Record label decisions interfered. Three of those tracks were released a year later via Sub Pop, on the out-of-print EP Extra-Capsular Extraction; four more were released…
This is a long-awaited re-issue, unavailable since 2006. The duo had formed the previous year for ErstQuake in NYC and this was to be their second and, as yet, only other performance together. The breadth and depth of [the] music is totally inspiring, I absolutely love this piece of music. Total unity in sound to make a perfect piece in the moment. It doesn't get better than this! (Gordon W. Smith)
Keith Rowe and Mark Wastell. This last performance balanced the evening well. Louder, more gestura…
"Good old free music and the best one: never too wild but always outta sight. I liked it from the very beginning 'cos it's DIFFERENT & UNIQUE." EP/Sagittarius A-Star. Sabir Mateen - Tenor saxophone, Sirone - Bass, Andrew Barker - Drums. Recorded June 30, 2008 by Andrew Barker in Brooklyn, NYC. Cover painting by Karl Francke.
Coloured white vinyl in a run of 250 copies with inserts by each artist. A new pairing of minds and techniques on a steel-grey voyage across the treacherous Ifingr river. Kiyoharu Kuwayama, master of resonant spaces and junk objects holds the reins over three chapters of spiralling horror and madness. Sounds are coaxed out ashamed and blushing: the syphilitic cough, the cracked shin bone and the greasy sheen of night sweats wired up to a 9 volt battery. Wataru Kasahara plays the mysterious maske…
Limited edition vinyl LP in super deluxe, full-colour printed jacket, featuring cover artwork by Roberto Opalio. The idea of a recording collaboration by Nels Cline and My Cat Is An Alien was born one day in Torino, Italy, while Cline was touring with Wilco in 2007. After two other intersections of their respective orbits (first at Victoriaville, then at a UK All Tomorrow’s Parties festival in 2006), Cline eventually mailed them a CDR of prepared and heavily effected electric guita…
Bolder is Martin Maischein, who used to record as Heinrich At Hart on Position Chrome, and Peter Votava, also known as Pure, who has recorded previously for Mego and was half of Ilsa Gold. With their combined background in electronic music of all kinds, Bolder introduces a significant proposition to the current experimental electronic boom. Blurring the lines between industrial, techno, dub, ambient, and narrative forms, the work on Bolder's debut presents a dance amongst the abyss, a world wher…
Virgins was recorded during three periods in 2012, mostly in Reykjavik, Montreal and Seattle, using ensembles in live performance. The sound palette of this work is wider, almost 'percussive' and tighter sounding than previous works. While this album remains committed to a painterly form of musical abstraction, it is also a record of restrained composition recorded live primarily in intimate studio rooms. This record employs woodwinds, piano and synthesizers towards an effort at doing what digit…
This brand new split LP features new sides of material from both Micah Blue Smaldone and Big Blood. This is the first new material from Micah Blue Smaldone since his acclaimed album The Red River (IMMUNE 002CD/LP). He is currently working on a new full length album. The LP is limited to only 500 copies pressed on high quality virgin vinyl at RTI and presented in an uncoated stock LP jacket with a free download card.
First release from this duo of Tokyo-based guitarist, Tetuzi Akiyama, and New York's Che Chen. Akiyama is in rare "Don't Forget to Boogie" form here; his heavily distorted, locomotive guitar lines chugging away as Chen's electrified fiddle drones, screeches and scrapes. Sine wave generators and a modified tape delay round out the mix. Sidelong live track on one side, studio jams on the flip. Released on Jozef Van Wissem's Incunabulum Records.
Jigokuhen is the final instalment in Masami Akita's 15 part Bird Series for Important Records. Inspired by Olivier Messaien's Catalogue D'Oiseaux, the Bird Series saw the release of one CD per month for 13 months while a 14th disc was released free via download to series subscribers and on CDr with the purchase of Merzbow's EcoBag. This 14th Bird Series release is being issued on the 2 year anniversary of the start of the Bird Series and in conjuntion with Vampilla's new album on Important …
LP version. Includes mp3 download and full-color poster. After two bone-chilling full-lengths for the Type Recordings imprint, Erik K. Skodvin has embarked on his first journey for his own Miasmah label with Black Tie. While originally conceived as a soundtrack to an installation by Norwegian artist Marit Følstad, Skodvin uses this as a starting point to craft his most unnerving long-form pieces to date. Split into two distinct movements, "Black Tie" and "White Noise," we are exposed to the y…
Originally released in a private edition of 300 copies in 1982. This vinyl re-issue comes in a beautiful picture disc and includes a replica of the original and hard to find insert. The copies I have here include a page of a medical book handsigned by Maurizio Bianchi himself.