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another gem, a wonderful collection of obscure solo acoustic guitar tunes from the mid 60s up to the dawn of the 80s -- beautiful work from a slew of players we've never heard of -- but we'd put right up there with Fahey and Basho in the way they reach from the back porch to the cosmos with just their fingers and some strings! One thing we love about this set, and the Numero Group releases to date, is how deep they dig and what beauty they unearth, somehow with impeccable sound quality. S…
The Phonos ek Mechanes trio was founded in 2007 by three composers and electro-acoustic performers from Wroc aw: Cezary Duchnowski, Pawe Hendrich and S awomir Kupczak. The name of the group comes from Greek and means 'the sound of the machine' which reflects specific methods of artistic creation applied by the three musicians. They play typical instruments such as the piano, electric guitar or electric violin, often prepared and tuned for microtonal music. Sounds that are created this way do not…
An inspired fusion of Middle Eastern rhythms and psychedelia resulted in this the gorgeous album by accomplished oud player John Berberian and his troop of skilled musicians. First released on Verve/Forecast in 1969 this exotic album features music based on traditional themes from Turkey, Armenia, Greece, Arabia and North Africa blended with the terrific improvised energy of psychedelia. So what you end up with here is bustling bazaars and scorched sands passed through the prism of the lysergic …
Reverie is the third collaboration between Antonio Testa and Stefano Musso after ten years from their last cd together "Prayer for the Forest", with this new potion the duo explore different slow-motion athmospheres, playing a wide range of acoustic instruments,and distilling healing sounds,that naturally relate with music-therapy. An album for the soul and the love of being in its entirety. Airy and suspended, "Rêverie" is inductive music for light-hearted moods .°. over any siege of though…
Recorded live on April 10th and 11th, 2010, Tasogare: Live in Tokyo documents the performances of five 12k artists at two temples in Tokyo, Japan. Komyoji Temple (April 10th) saw the first-ever performance in Japan by Australia’s Solo Andata, known for creating deep, textured music with found objects, homemade instruments and very little in the way of electronics or software tricks. The duo was joined by 12k veteran Sawako whose voice and delicate computer work were accompanied by guitarist Hofl…
Bob Rutman has invented what may well be the largest stringed instrument ever made. with a bow made of fishing line, he bows the suspension of a gigantic steel sail and in this way creates drones whose volume is not unlike the noise of a plane taking off. we might be reminded of russolo and 'the art of noise' by the futurists, or of machine music or industrial. and we're right and wrong there. of course, simply the look of rutman's steel cello gives a martial impression. so, it's not surp…
Line is pleased to announce the upcoming release of a elegant new sound work by Australian artist Lawrence English, inspired by John Cage.In 2011, anticipating John Cage’s centenary, I began thinking about how to approach a work that might act as a homage to the aspects of his life and work that have inspired me over the past two decades (ironically, those in which he has been physical absent, but philosophically more present than ever). John Cage, with that beaming smile and trademarked c…
Claire Bergerault, voice. Jean-Luc Guionnet, pipe organ. 'Music that proves that improvisation can still offer something vibrant and different. Intense, powerful music that will annoy as many as it delights.' Highly recommended !
After a series of CD-R re-issues, Klanggalerie are now proud to present you a new silver CD edition of one of the most obscure records ever to be recorded: Konstruktivists' "Black December" is a highly neglected gem in the history of Industrial music. Not as noisy as the band's masterpiece "Psykho Genetika", this record is a classic full of stunning music that doesn't fit into any categoriz…
The collaborative efforts of Athens native Savvas Ysatis and New Yorker Taylor Deupree were well known in the early and mid 1990s through their work as SETI, Futique, and Arc, as well as their soundtrack to Japanese architect Toyo Ito's famed Tower of Winds building in Yokohama, Japan. After going their separate ways, Ysatis to recording for Tresor in Berlin, and Deupree to founding the 12k label, they have united again for their first project in nearly 10 years.
Almost all of Ysatis and Deupree…
2nd full-length from self-styled black ambient guitar overlord. Like Earth's seminal "Hex" before it, this invokes the ghosts of a lost America & drags the rotting carcass of country music through a swamp of noise & drone. The chugging, blown-out treble & isolated darkness of Xasthur is all present & correct, but there are also echoes of William Basinski & Deaf Center hidden amongst the clouds of radio static.
Once again unveiling hidden treasures from his archive of tape loops, William Basinski releases three pieces made at his Brooklyn apartment during one night in 1982, adding a fourth composition (based on the same source material) made earlier this year. You can't help but wonder why this music, recorded so long ago, is only just surfacing. Was the world not ready for WIlliam Basinski in 1982, or was WIlliam Basinski simply not ready to hand himself over to an audience at that point? Whatever the…
'First reedition. Recorded in 1981. Originally released in 1982. Lydia Lunch: vocals, piano. Dix Denney: guitar. Greg Williams: bass. Cliff Martinez: drums, percussion. Digipack.'
The new CD-EP (clocking in at 20 minutes exactly) from Stephan Mathieu is a coda to A Static Place (2011, 12k), created with his highly focused setup of two mechanical-acoustic gramophones and computer. Coda (For WK) is dedicated to the legendary “quiet” pianist Wilhelm Kempff, whose 1927 recordings of Beethoven’s Piano Sonata No. 26 Les Adieux from a double 12” 78RPM set on Brunswick were used as input for an autogenerative process. Mathieu’s process emphasizes the archaic beauty and texture of…
In its two hundred year history, the glass armonica has played many roles. It was a serious attempt by Benjamin Franklin to create a new instrument for the classical repertoire; believed to cause insanity in its players, it gained traction as an object of superstition; a century or more in historical obscurity ensued, followed by its revival as a compositional curiosity for a handful of composers and as an exotic timbre in soundtracks and on pop records. More recently, Christina Kubisc…
Excellent first recordings by Mani and Luigi Archetti.Far away from Mani's space rock releases these are great improvisational postpunkish ethnic jazzy rock masterpieces "Integrating themselves into the sound of nature, or stretching out their feelers, reaching the chaotic realms of unheard soundwaves surrounding us, they may also become devouring monsters, eating up your guts, brain and ears like roaring chainsaws through inventions and delicate discoverings make it a pleasant journey in wonder…
Moondog's fanbase seems to be righteously on the up nowadays, with reissue after reissue re-illuminating his singularly out-there musical genius. This is a stranger album than most however: on this one Moondog sings. Yes, this is possibly the only entry into the blind Viking impersonator/singer/songwriter sub genre. Inevitably, it's really good. Even though this album (recorded in 1969, incidentally) reduces the composer's ordinarily expanded palette to little more than voice and piano, there's …
Moondog's outsiderness ensures an approach to modern composition that doesn't ever establish any single, fixed identity, which is of course what makes this man such an alluring figure in 20th century music. Mr Scruff remix is a post-futuristic-jazz influenced by hip-hop cadences that makes appear how important Moondog has been in the past and how he will be for contemporaries and future generations.
Reissue of Chronoscope CPE 2002-2. Originally issued on LP 19 and a limited edition cassette. Evan Parker's first solo concert on soprano saxophone. Recorded by Martin Davidson in 1975 at the Unity Theatre in London, at that time the preferred concert venue of the Musicans' Co-operative. Further solo material for the original LP release was recorded by Jost Gebers in the FMP studio in Berlin later that year.
Certain places are more horrifying than others, closer to the source of primordial terror, be it the netherworld, the glacial outerspace of Lovecraftian ancient evil or simply the subconscious. Such places are sources of myth and awe. For their second album, Owwl tapped into these sources. Dark Places channels the world's sinister sites. The results are minimally shifting walls of drone, oppressive and entrancing like stars in a forlorn place or the historic pitfall of ground drenched with…