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James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
The second chapter of SStudios (Software Studio Series). SStudios is a new venture in the Software Recording Co.'s expanding catalog that invites artists in the field of electronic music to create collaborative works of quality and vision. Inspired by the historical intersections of live performance and studio post-production, Wake Up Awesome is a modern kind of fusion in technique as well as genre. At its core are three artists highly experienced with both instant and labored composition.…
Founded 40 years ago in 1972 The Pyramids released three albums before splitting up in 1977: Lalibela (1973), King Of Kings (1974) followed by the seminal Birth/Speed/Merging LP (1976). Three albums that made them one of the most mysterious and legendary of all the spiritual cosmic jazz collectives of the early 70s, like the Art Ensemble of Chicago and Sun Ra. Lalibela (1973) was the first album recorded by The Pyramids following their landmark journey throughout Africa as students from Antioch …
Automatic Music: Volume II' is the mesmerising follow-up to John Chantler's self-released first volume, originally released in 2011, the same year as his 'The Luminous Ground' LP was charted in The Wire's annual top 50. Two extended pieces for synthesiser/organ yield contrasting results on each side. First, 'For Nuno' is the more melodic of the two, with melting, kinetic modular scree and wheezing organ motifs seemingly attempting to untangle a conundrum which only gets more perplexing across it…
6 songs, 21 minutes. In high summer of 2007, Phil Elverum, in the guise of Mount Eerie, found his way to Southern Studios. Armed with a borrowed guitar and some notebook paper, and with little time before an evening gig, Mount Eerie and Southern's engineer Harvey Birrell recorded the six songs of Black Wooden.Black Wooden is the coming together of ideas that had travelled with Mount Eerie for months and had solidified into compositions in the days and hours before the studio session. The title i…
In 2010, against all odds, Angola Soundtrack Vol. 1 (AACD 069CD/AALP 069LP) was awarded the German Record Critics' Prize in the category "Black Music." This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc's multi-platinum record, Good Things. Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa, who believed such an award should have come much earlier. Since discovering th…
Sub Rosa reissues Belgian composer/violinist Baudouin de Jaer's Gayageum Sanjo (SR 347CD), with a complete new design and an additional CD of new compositions for another ancient Korean instrument: the geomungo ("black zither"). "Baudouin de Jaer chose a highly delicate musical instrument, the geomungo, and has drawn from it a marvelous creation; I can only congratulate him with all my heart for such an accomplishment, and for the release of this beautiful CD. I hope he will continue to make gre…
Finally available on vinyl for the very first time - featuring exclusive and never before available material from the likes of Autechre, Tod Dockstader, Luc Ferrari and so much more - in a super heavyweight and deluxe gatefold package* This second volume of this excellent compilation series from Sub Rosa features an exclusive/previously unreleased Autechre track 'Bronchus 1' from 1991 - an alternate version of the track on 'Incunabula'. A second chronology of pioneering sound artists cove…
Mountains’ music is defined by slow builds, and subtle transformations, textures and melodic lines that evolve in a variety of ways to create grand soundscapes and acutely detailed compositions. For Centralia, the duo of Koen Holtkamp and Brendon Anderegg wrote and recorded in a way that mirrors the pace of their music. While the current trend in experimental music is towards hyper-prolificity, Mountains have taken their time on Centralia, resulting in an album that is as precise as it is boundl…
"Era is the fourth annual report from Chicago powerhouse quartet Disappears. It was formed during the gloom of the Chicago winter at Electrical Audio by now regular foil John Congleton. Insular and dark, the album sees the band further refining their love of dub, minimalism and repetition into their most original and stark set yet. It harks back to the early 80's post punk period, when almost anything seemed possible with the classic two guitar, bass and drums lineup, and exploration and…
Our Head Technician returns with the keenly awaited follow-up to his amazing 'Black Mill Tapes Volumes 1 & 2' as Pye Corner Audio, including the previously digital-only Volume 3 and the as-yet-unheard Volume 4. Lurking in the shadows between deep house, slow techno, Carpenter soundtracks and classic electronica, these sibling LPs transcend genres with hallucinatory, shape-shifting effect, trudging forth from the pastoral whimsy of the first volumes to a darker, less certain point on the horizon.…
Arghiledes' is a brilliant homage to Greek Rebetiko music of the early 20th century by No Neck Blues Band's David Shuford aka D. Charles Speer. It's his 2nd solo LP under this moniker and a deeply researched, beautifully executed effort replete with in depth sleeve notes and paste-on cover. Coming from a Blues playing American of Greek descent, the project reflects the syncretic nature of Rebetiko music, itself made up of the many disparate elements which formed Greek urban folk music (European …
A pretty darn incredible record from Sun Ra -- with a soulful, spiritual approach that's missing from most of his other albums of the time! The album features Ra playing a good deal of organ (dubbed "intergalactic organ" in this case!) -- grooving soulfully on some short tracks that almost hit a soul jazz mode, and which recall the late 60s experiments of organist Freddie Roach.
Jim O'Rourke, guitar. Paal Nilssen-Love : drums. Lasse Marhaug, electronics. Recorded at Gok Sound Tokyo by Yoshiaki Kondo February 2011. Mixed by James Plotkin. Coproduced by Pica et PNL. Gatefold cover. 500 copies.Housing, parasites and hammering textures.
John Stevens, batterie et voix. Paul Rutherford, trombone et euphonium. Evan Parker, saxophones ténor et soprano. Barry Guy, contrebasse et électroniques. Londres, août 1978. Un quartet initialement sorti en vinyl chez View en 1980 et en CD chez Konnex en 1994. En bonus, Paul Rutherford, trombone et électroniques et Barry Guy, contrebasse à Milan en 1979. John Stevens, batterie et voix et Evan Parker, saxophone soprano à Londres en 1992. Free et historique!
A somewhat surreal audio rendition of the sounds of The City of London. BJ Nilsen (b,1975 Sweden) is a sound and recording artist. His work is based on the sound of nature and its effect on humans. Heprimarily uses fieldrecordings and electronic composition as a working method. He has worked for film, television, theatre, dance and as sound designer.Track notes: In 2012 I received a scholarship from the Leverhulme Trust for a one-year Artist in Residency at the UCL Urban Laboratory in London, …
Terrie of The Ex collaborated with numerous people over the years to get inspiration from and absorbing all elements of all music, but continuing to being raw and unpolished. In meetings with the Norwegian hard-hitting avant-garde drummer, Paal Nilssen-Love, two souls of similar attitude meet, although from very different background. Being a jazz drummer, Nilssen-Love holds his sticks well in the improvised area of music, much more than the average jazz musicians do today.
This CD is hard …
Giovanni Lami (Ravenna, Italy, 1978) is a field recordist and musician who works within soundscape and sound-ecology boundaries. Since 2009, he has founded several projects, attended many workshops and tought others about soundscaping and field recording techniques. With his various projects, Giovanni has performed in several venues including: Conservatorio B.Maderna (Cesena), DalVerme (Roma), Mu.Vi.Ment.S. Festival 2010 (Itri), Fondazione Giorgio Cini (Venezia), Festival C/off (Faenza), Schiume…
Ear drum piercer brezel göring (of stereo total) and thrash lout "hotleg" have committed themselves to a reckless and impulsive mix of dub-psycho-speed-new wave, action film soundtracks and 50's musique concrète. For several years, these two desperados have hacked their way through the unpredictable weeping fistulas of post-industrial easy listening. In doing so they combine genre-spanning arranged marriages and acceleration of track playback speed. The music is played on children's toys and fle…
Episode two in season one of the LA Vampires Collab Chronicles finds her joining forces with elusive alien discotech-head Matrix Metals of the nomadic Outer Limits Recordings cabal. Blurry ornate cassette-loop architectures groove and grind under jazzy Casio canopies while Ms. LA Vamps screws it all down and layers in additional square wave keyboard lines, echo chamber FX, drum machine detailing, low-end throbs, and sings lead on a gold spraypainted microphone. The entire LP's got that '…