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The Neon Judgement was formed in 1980/1981. Instantly they self-released two cassettes. With a limited amount of electronic instruments, they recorded their debut: "Suffering". The first version of their classic track "Factory Walk" is on this tape, a much more raw version than the one which would later become an underground clubhit. "Sweet Revenge" and "Schyzophrenic Freddy" remind of Suicide and the almost claustrophobic sounding tracks "Harem" and "Army Green (WOIII) are in the veign o…
Blip is a duo collaboration between Jim Denley and Mike Majkowski: two of Australia's most prominent improvising musicians. They began playing together in 2002, as members of The Splinter Orchestra, and formed Blip in 2009. They have been developing their own approach to the woodwinds/strings duo arrangement, deconstructing and reconstructing this format. Blip music focuses on duration, the subtleties of sound, the pitch within timbre and texture, as well as pulse. Wi
Becalmed is the debut album from Sydney pianist Sophie Hutchings, recorded between two different settings: one with engineer Tim Whitten, best known for his work with The Necks, and one with Tony Dupe, who records on the preservation label as Saddleback. Becalmed isn't an entirely solo affair, and you'll hear Hutchings' family and friends helping her out with violin, cello and percussion - all elements that greatly help bring these recordings to life. Beautifully recorded, elegiac and romantic c…
"Mountain Ocean Sun is a project fronted by His Name Is Alive main man Warren Defever, who collaborates with three like-minded drone artists for an hour-long recording of shruti box, harmonium, bells, gongs and violin. The group's first performance was at a 500 year old Buddhist temple in Osaka, and that pretty much sets the tone for the quartet's quasi-mystical approach to soundscaping. Defever himself continues to mythologise, describing the recording as having been made "on a mountain, in the…
Jacob is the new project by David Cordero (Úrsula) and Marco Serrato (Orthodox). The duo first collaborated on the arrangements that would become the Emma soundtrack. With a mutual love for sci fi and horror films, Jacob push their dark sonics further on The Ominous, a piece for el cine de la mente. Atonal, dissonant string scrapes meld together in discomforting walls of noise, while hidden forces project an ambiguous malignance lurking in the deep fog. Bleak atmospheres and an abyss of s…
Joint release by Italian ambient musician FABIO ORSI & SEAWORTHY, a 3 piece collective from Sydney. Each artist contributes a solo track which in turn bookend a collaborative composition that forms the album's centerpiece.
"Which brings me to Radian with long player 'Chimeric'. The post rock button has genuinely been pushed. This record offers a lot to bearded, stand with your arms folded at gigs nodding types. They have quite a claustrophobic quality.With vibraphone and introverted samples dominating proceedings, but does not seem to move above brooding pace, which gives it a soundtrack effect. The cover is really poncey as well its a broken vase with dying flower petals strewn about the place.Its probably meant …
Tan or Boil – a pun on the name of bratty short stop from those 1970s Bad News Bears films that stuck – is the alias of the Pittsburgh-born Jason Bacasa. After growing up in Pittsburgh and studying graphic design, Jason took flight from his home town to work freelance in a variety of cities, though his latest and current stint in New York seems more permanent than those in San Francisco, Los Angeles and Chicago. On the songwriting side, Jason’s continual travels kept him to just an acoustic guit…
The Preservation label presents From The Ground, the debut album from Portland, Oregon’s Heather Woods Broderick. Growing up in the relative quiet of the Maine countryside while learning a range of instruments and being sung to sleep by her parents playing folk songs, natural and rural sounds became central to Heather’s sense of song, falling into a deeply personal realm.
The subtlety and nuance in Heather’s music also comes from her inclination towards ambient and experimental sounds, con…
You already know about Arthur Russell from disco classics like "Is It All Over My Face" and "Go Bang" (maybe you even watched the recent documentary), but do you know about all the early/mid-80's work he did on his own Sleeping Bag label? This awesome compilation collects the gems you might've slept-on or never came across. Whether its early hip-hop boogie (Sounds Of JHS 126 Brooklyn's "Chill Pill(1)"), left field electro beats (Bonzo Goes To Washington's "5 Minutes(2)"), or underground disco ba…
Large ensemble Sissy Spacek recordings featuring the cream of LA. The line-up: John Wiese, Mitchell Brown, Joey Karam (The Locust), Peter Kolovos, Rick Potts (LAFMS), Damion Romero, Corydon Ronnau and Shannon Walter (16 Bitch Pile-Up). All the source recordings used for Sepsis were taken from a group improv session recorded for the Dublab radio in 2008. The recordings from each individual channel were later chopped and rearranged into audio collages byWiese without any regard to preserving group…
In 2007, Frank Bretschneider was invited to compose music for the Subharchord, a unique electronic instrument developed during the 1960’s at the RFZ, the technical center for radio and television of the East German postal service. Built in a limited edition of eight machines total, only three Subharcords (in Vienna, Trondheim and Berlin) are believed to survive to this day. The Subharchord is, broadly defined, a subharmonic sound generator, comparable soundwise to the Mixturtrautonium. It’s sugg…
For a couple of years Ryoji Hojito, together with his wife Yoshiko, were coming to Lithuania for a one week autumn vacation. We've met in the course of their explorative journeys around the country and without thinking too much went to a studio for a spontaneous session and a year later played a concert at St. Catherin's Church in Vilnius. Both of us were happy about the music we've got on tape and today we want to share with you seven impro peaces!
The new LSD March album Under Milk Wood is their first full length since 2007's Constellation Of Tragedy for Important Records. With grace (in the rock sense), style, humor & the perfect touch of heavy riffage this tremendously unique and original recording is a classic of the new Japanese underground. Recorded at Black Snowflake Studios in Japan, Under Milk Wood is a fascinating ghostly rock album full of clean untreated restraint and a grounded calm compliments of Takahashi Ikuro's drumming. I…
Spend any amount of time in the company of Keith Rowe and the names of certain painters will arise in conversation with some frequency. Caravaggio, Twombly and, among others, most definitely, Mark Rothko. Just as, long ago, he'd imagined what the guitars in Braque's cubist painting might actually sound like, so, I think, he did with Rothko, often referring to the way the "tinged" the space in which they were hung. For some time, in the early oughts, Rowe tried to place his music in a similar are…
the new album by the über-prolific and often esoteric Z'ev sees this musician leaves the drums aside and focus on long, slightly noisy and constantly rumbling low-frequency drones. Dark and brooding, but clearly grittier and dirtier as, let's say, Lustmord, "Sum Things" is a decidedly atmospheric album in the truest sense of the word, but will also appeal to anybody interested in dense, carefully laid and deep drone works."Through an element darkly… In the fall of 2005 Z’EV began dipping deep in…
Composed by Michael Pisaro and Taku Sugimoto. Performed by Casey Anderson: computer, Matt Barbier: trombone, Eric KM Clark: violin, Devin Disanto: clarinet, Paul Fraser: trumpet, Kristin Haraldsdottir: viola, Stefan Kac: tuba, Ingrid Lee: piano, Daniel Letourneau: guitar, Heather Lockie: viola, Sepand Shahab: keyboards, Cassia Streb: viola, Christine Tavolacci: flute, Chaz Underriner: guitar, Michael Pisaro: guitar, Taku Sugimoto: guitar. Recorded by Michael Pisaro at the Wulf, Los Angeles…
This is the first release from Finland's Kemialliset Ystävät since 2007. Kemialliset Ystävät equals Jan Anderzén. He is one of the few Finnish musicians to have achieved renown in the international experimental circuit. In the case of Anderzén -- who also plies a trade as a visual artist -- this is not a matter of juxtaposition between experimental and mainstream, or a calculated career choice. Using music and images, he is busy creating a world that is a law unto itself, a world of exceptional …
Takahiro Kawaguchi: tuning fork. Shinjiro Yamaguchi: guitar. Composed by Takahiro Kawaguchi. Edited by Shinjiro Yamaguchi. Recorded by Takahiro Kawaguchi at 102 Studio, Tokyo, November 9, 2008. Mastered by Taku Unami. Takahiro Kawaguchi began making field recordings and performing improvised music in 2000, and in recent years has attracted a great deal of attention as a sound artist. In January 2009 he released, on Taku Unami's label Hibari Music, the solo album, on which he uses several remodel…
With “Kuopio”, Raster-Noton releases the second full length album by Vladislav Delay aka Sasu Ripatti. The record features eight new songs which allow the listener to dive into Delay’s cosmos of deep and likewise organic sounds. Subtle yet complex electronic manipulations are used, resulting in a high degree of variation within every single track and a nearly imperceptible intensification of their density. Progressive and energetic rhythms play an important role as already indicated in hi…