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New tour disc of solo material from Tom Carter (made for May's Charalambides UK/EU tour). The first track, 'Train Kept', was previously issued on the long out of print split LP with Barn Owl. This is the first time it has been released on CD. The second track, 'Hurricane Isis' is a new track recorded by Marcia Bassett in Tilburg, Netherlands in March 2008. 'Train Kept' was recorded the month before 'Hurricane Isis'. Both tracks are absolute raging guitar pieces, similar to Carter's 'Shots …
Noise Vs Subversive Computing' is a collaborative project that concerns sound suggestions relating to the realm of more experimental ambient-noise, and is both sophisticated and imaginative. There are not only electronic musicians joining this effort but also radical activists, computer hackers and programming code theoreticians. The heterogeneous contributions are collected on USB flash memory and carefully divided in two folders. In the first there are only…
Recordings by Gordon Sharp (2001-2010) at Belmont shore (ca), mid-levels (hk) & Kobe (Japan) the mid-levels (hk) but manly at Roi vert, Okamoto, Japan. Cut at dubplates & mastering, Berlin, august 2010. Cindytalk have been active since 1982. During the 80s and the 90s their sound was defined by broken down rock structures and abstract piano ambience. A third side to their coin emerged at the dawn of the 21st Century with a turn towards obscure computer usage pushing all ressemblance of me…
FLEXI DISC // CLEAR // 33RPM // SQUARED // 1 SIDE // 1 SONG handmade clear screen-printed cover on holographic paper, killer modular synth experiments by Brooklyn's "Venezuelan in-exile" and No Fun label boss Carlos Giffoni
2012 repress; originally released 2006. Biosphere is Norwegian composer and performer Geir Jenssen, and this is his fifth release for Touch. In the early 1990s he was a pioneer of so-called "ambient techno," but since then, he has refined his sound into something more magnetic and enduring. Dropsonde isn't a soundtrack like the interwoven Substrata nor an episodic journey in the way that Autour de la Lune is. Here Geir Jenssen is pushing new directions towards the jazz colors of Miles Davis a…
First vinyl effort for this italian percussionist and first wax for second sleep too.Living in Ravenna, Malatesta studies percussions at Conservatory in Bologna. Although his pitch is strictly academic, what always impressed me was his extreme physicality and punk attitude he has in everything. He collaborated with Christian Wolfarth, Lorenzo Senni, Seijiro Murayama.What Enrico offer here are two side of fast and dynamic structured pieces, decise hissing sounds collide with more delicated…
Awesome electronic music by Thomas Gorbach. The composer uses algorithms to compose, but the result is so musical that it sounds intuitive and dramatic. He synthesizes sounds that mix poetic, elusive textures with powerful rhythms that come and go like images in a fog. He describes these sound sources as "various murmur and instrumental pickles" The compositions include 'Trilogy: not to yield an inch, hermitage, oysters'; and 'Miasma'.
'd'incise is a member of the Audioactivity, music & visual collective founded in 2000 in Geneva (CH). In 2002 he starded to produce different kinds of electronic music, from dub to electronica, dangerously sliding to the more experimental ways of electroacoustic. His world is made with sound fractures, nevralgic crepitations, melancolic atmospheres and a non-dissimulated fascination for rust and faded rhythms. 'Lethargie...' , his newest CD, is not far from described above. A mixture of f…
Sound and video artist MPLD works in a world of sentiment and detachment, creating a Lost & Found aesthetic uniquely his own. Lost are the old Kodachrome slides which make up the foundation of his work. Found are the feelings of misplaced memories the slides conjure, as well as the sounds — processed and amplified — of the projectors that bring those images back to life. What’s seen on lacunae is a straight shot of the screen during a rehearsal for a concert, although that might not be clear to …
Breathtaking solo organ improvisations recording!! This is the first volume documenting Zorn's breathtaking solo organ improvisations. Although organ was Zorn's first instrument (he often credits Lon Chaney in the silent classic Phantom of the Opera as a primal influence), in 2011 Zorn surprised even his hardcore fans by initiating a new series of solo organ concerts in churches around the world. Premiering at the historic Christ Church in Philadelphia, the word on these concerts spread li…
2007 release, complex book (texts in French with a translation into Engish) richly illustrated, containing a precious CD with Luc Ferrari's earlier concrete music pieces, dated 1959.Luc Ferrari trained in music since a very young age and continued his composition and piano studies, until a case of tuberculosis in his youth interrupted his career as a pianist. From then on he mostly concentrated on musical composition. During this illness he had the opportunity to become acquainted with the radio…
Julian Lynch and filmmaker Amy Ruhl first collaborated on Lynch's Seed video from his proper debut album (Orange You Glad) on Olde English Spelling Bee. Around this time, Ruhl was beginning work on her first film, an animated, allegorical biography of the courtesan, dancer & spy, Mata Hari. Spurred from talks about a using gamelan to score the film, Ruhl asked Lynch to contribute songs to the film & he delivered five new instrumentals. Drawing on both Indonesian music and his own bedro…
Preservation's latest captures Italian experimentalist, Fabio Orsi in hungry, visceral form. Joined by Rich Baker's original drum loops, Fabio plays guitar, keyboards, voice and effects on eight relatively short, one might even say poppy, rock postures within an immersive ambient sound sphere. Considering that he's best known for lushly textured drone and ambient works 'Stand Before Me, Oh My Soul' is a hugely confident sideways shift into a new realm of more aggressive sonics with a def…
Since the very beginning 13 years ago Supersilent have always moved forward with the greatest integrity. No albums, or indeed concerts, sound the same, yet there´s always a strong signature present. So also with this album. Mostly recorded by Jan Erik Kongshaug at the famous Rainbow Studio in Oslo, this was their first session after drummer Jarle Vespestad lef the band. This time they have moved slightly towards a more acoustic landscape with Ståle Storløkken, for the first time with Supersilent…
Turntablist and concrète composer eRikm is one of the more readily recognisable names contributing to the revelatory Entr'acte label, and his disc Lux Payllettes is a typically excellent work. Stretching out over a thirty-minute-plus duration, the Marseille-based composer cuts and layers a huge variety of sounds cultivated from the sonic idioms of Western cinema. A bracing and immersive collage of fractured soundtracks, dislocated foley work and strange re-combinations, Lux Payllettes comes high…
This album, Yôko Higashi's fifth as hamaYôko, features a triptych of pipe organ improvisations recorded at St Augustin's Church in Croix Rousse, Lyon. Higashi likens these tracks to a 'an old painting of a foggy landscape'. They are augmented by two silent passages and a fourth track, Panthere d'Erebos. Edition of 300 copies.
Following on from previous collaborations between Robert Horton and Charalambides Tom Carter on fine labels such as Important, Preservation and Digitalis, Carter and Horton come back to Blackest Rainbow (both we have previously worked with but not as a duo) for their first duo recording in a while. The 3 tracks result in combinations between outsider improvised trips and swirling head drones created via a wide array of instruments and non-instruments. Carter takes hold of the guitar, ebow…
an amazing release by the Czech electronic pioneer. In spite of his picaresque life and many eccentricities, it ought to be, and is, as a composer that Rossmann is best known. His artistic output was not only music, of course, and his output in any case was not particularly large. There are about 30 works in all and there are occasional gaps of up to three years between one piece and the next. But what he did produce shows that he was one of the few truly original Czech composers of the last cen…
Berlin Fields is a sonic journey not limited by national boundaries, city limits, or material limitation. Roden perambulates, recording as he goes with the immediacy and quirks that come from using both portable recorder (a Sony PCM-D50) and phone. Exploring intuitively, Roden brings together 19 sonic vignettes via “finds”: things discovered; and “activation”: objects performed on site.Using intuition as a guide, Roden's interactions and sonic interventions – “play” in every sense of the word –…
Terre Paroxysm is Daniel Menche's second release for Utech Records and a continuation in his bringing back the vehement nature of sound. A pure acoustic-electronic recording of storms: wind, ice and rain. The field recordings were captured by Menche and densely mixed and treated in a manner to create a sense of the earth sleeping then cracking open with violent emotion. An air of electronics crackles and slides around the storm recordings in a way that only can be described as acoustic-electro. …