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LAST COPIES...Incredible 25-minute percussion and bass variations from Japanese uber-producer Aoki Takamasa, new on Raster Noton!* Hugely respected percussive technician Aoki Takamasa has released a stream of rhythmic electronic expressions on labels like Fat Cat and Progressive Form since 2001. This is his first set of productions for the Raster Noton imprint, released as part of their 'Unun' series, after previous installments from Grischa Lichtenberg and NHK. 'RN-Rhythm-Variations' explores b…
Since the very beginning 13 years ago Supersilent have always moved forward with the greatest integrity. No albums, or indeed concerts, sound the same, yet there´s always a strong signature present. So also with this album. Mostly recorded by Jan Erik Kongshaug at the famous Rainbow Studio in Oslo, this was their first session after drummer Jarle Vespestad lef the band. This time they have moved slightly towards a more acoustic landscape with Ståle Storløkken, for the first time with Supersilent…
A sumptuous 5-CD box-set covering the entire discography of the cult Absolute Body Control band. Influenced by bands from the German and UK electronic scene, Dirk Ivens (synths & voice) formed the band early 1980, and was joined by Mark de Jonghe (synths) and Veerle de Schepper (backing vocals). After a first track on a compilation and a first 7" single (Is there an exit?), Mark leaves the band and Eric van Wonterghem (who was in fact a spectator at the first ABC concert), filled in the gap…
As the album title could say, this is a way to the "wonderland" (also called as "the other side" - many names have been used during the history of humankind), which shouldn't be mixed with the adventure's of the famous Alice - though it might give some idea about what is going to happen, but that's just the start of it all - the start of nothing else but listener's mind. What are the "echoes" then? They are something which is coming from beyond to here where we stay - so the album is a link betw…
With an eldritch terror that could just as easily be from another dimension as the darkest ocean comes the latest release from Ural Umbo, Delusion of Hope. Feedback and melody barely escape from the murky crevices, tinged with a sense of grinding tension. Sharp, acidic percussion slices through the blackness with violent urgency, while electronic blasts and organic drones entwine and ensnare. Some dim instinctive memory vaguely resurrects a shadowy scene wherein black drums roar madly, and monst…
Berlin Fields is a sonic journey not limited by national boundaries, city limits, or material limitation. Roden perambulates, recording as he goes with the immediacy and quirks that come from using both portable recorder (a Sony PCM-D50) and phone. Exploring intuitively, Roden brings together 19 sonic vignettes via “finds”: things discovered; and “activation”: objects performed on site.Using intuition as a guide, Roden's interactions and sonic interventions – “play” in every sense of the word –…
2007 release, complex book (texts in French with a translation into Engish) richly illustrated, containing a precious CD with Luc Ferrari's earlier concrete music pieces, dated 1959.Luc Ferrari trained in music since a very young age and continued his composition and piano studies, until a case of tuberculosis in his youth interrupted his career as a pianist. From then on he mostly concentrated on musical composition. During this illness he had the opportunity to become acquainted with the radio…
A state of mind between sleep and consciousness, where the past gently glides over the future, weaving it's self into the unknown. An unfamiliar place, surrounded by things you recognized and things you do not. Birds in flight, sprinklers, quiet humming of machines, echoing voices blended with strains of haunted melodies that remind you there is a vast world outside your door in a state of constant change.
Collaboration works. Embossed gatefold sleeve. w / poster & obi. Originally planned to be released in 2006, but not actually released until April 2007.
Versatility has always been what sets Luca Sigurtà apart. His new solo album ‘Bliss’ out on Fratto9. Recor- ded in 2011 and Mastered by Giuseppe Ielasi, this new offering exhibits his most dreamy side. There are five tracks which sit between cinematic drone music and that of Angelo Badalmenti.
It a soundscape through a sunny afternoon in the North of Europe, filled with white light that illuminates the port and with the presence of distant noise.
Shared between the passion for silence and …
Chart smashing 7" from the Olde English Spelling Bee camp, dropping the debut from Brooklyn's hugely tipped Greatest Hits. Aside from having one of the best names ever, this band also make some of the most f**ked up pop music we've heard all year. Think Autre Ne Veut doing a guest spot on The Hitman And Her presented by Pete Waterman and James V/VM in a Michaela Strachan mask, and you're almost there. The PWL-production line groove of 'Danse Pop' is our favourite, while 'Make You Mine' s…
Relocation.Reconstruction is derived from the sound elements of the three installations in Yann Novak’s solo exhibition Relocation at Lawrimore Project (May 2009). In the original exhibition, Novak explored the multitude of emotional states experienced during and after the relocation of one’s life. With this latest work, Novak continues his exploration into this theme a year after the initial event that inspired him, with the new insight that although he has arrived at his destination, the reloc…
First vinyl effort for this italian percussionist and first wax for second sleep too.Living in Ravenna, Malatesta studies percussions at Conservatory in Bologna. Although his pitch is strictly academic, what always impressed me was his extreme physicality and punk attitude he has in everything. He collaborated with Christian Wolfarth, Lorenzo Senni, Seijiro Murayama.What Enrico offer here are two side of fast and dynamic structured pieces, decise hissing sounds collide with more delicated…
New tour disc of solo material from Tom Carter (made for May's Charalambides UK/EU tour). The first track, 'Train Kept', was previously issued on the long out of print split LP with Barn Owl. This is the first time it has been released on CD. The second track, 'Hurricane Isis' is a new track recorded by Marcia Bassett in Tilburg, Netherlands in March 2008. 'Train Kept' was recorded the month before 'Hurricane Isis'. Both tracks are absolute raging guitar pieces, similar to Carter's 'Shots …
Amazing box containg the entire Polyphonic Size discography, with all singles, maxi singles, 1st lp produced by JJ Burnel (live for each moment), b-sides and rare tracks, plus superb unreleased material (in excellent sound quality), carefully selected and remastered from roger-marc vande voorde's archives. including unreleased songs (Me Or You, Citizen Of Science, Asakusa Dub, Her Toys Dub), unreleased electronic instrumental tracks (Electronic 14-7, Electronic 65-4, Electronic 69-7, Electronic …
In many ways, O, released on Thrill Jockey after a nine-year break, was a second debut album for Markus Popp aka Oval. A radical break with old concepts and methods, a new beginning. While Popp's artistic approach in the 1990s and early 2000s was more of a structural, theoretical nature, O was just about the music itself. Themes such as the means of production, limitations, dogma and concept took a back seat to a musical sensibility. Instead of writing new software to synthesize and process soun…
Beautiful string experiments by Tashi Wada, son of original Fluxus member Yoshi Wada. Julia Holter is a fan of his, and from the strength of these pieces, so are we. Hand-stamped edition in wrap-around jacket** "Tashi Wada is a San Francisco-based composer and performer whose recent work focuses on sound perception as a basis for direct modes of listening. His work has been performed throughout the United States and Europe, and for several years now he has performed alongside his father, …
“In his last publication Francisco López presents us two pieces, Köllt and Kulu, both with an audiovisual and an audio version. In this work, the artist has blurred the boundaries between field recordings and artificial sounds by means of an artful manipulation of sound. As a result the field recordings are no longer identifiable, and have lost all visual association. Even in the audiovisual version of Köllt, where there seems to be a correspondence between the displayed images of ant activity a…