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I spent two months in protected areas of Costa Rica making multichannel field recordings of the different forest ecosystems of Central America. Armed with a quadraphonic setup (IRT cross), a parabolic microphone, a hydrophone, and a scientist's passport, I went to nine main sites to record: the coastal evergreen forest, the tropical dry and deciduous forest, the mangroves, the wooded riverbanks and floodplains, and the forests altered in cultivated areas. The recordings were made at the S…
1st live album by Norway's Geir Jenssen - recorded in 2007 by Chris Watson & mastered by Touch stalwart BJNilsen. In the early 1990s, he was a pioneer of so-called "ambient techno," but since then, he has refined his sound into something more magnetic & enduring. Here, he incorporates samples of field recordings by Jony Easterby & trumpet by Anders Karlskas, invoking a sparser, more arresting sound.
'when I was young, at night, if the wind was blowing in the direction of our house I could hear the slow beating of the ships' engines.'Vessel was conceived for and presented as a site-specific, multi-channel sound installation in Diapason Gallery, Brooklyn, in October 2008. The composition consists of recordings of cargo ships on the river Waal in the vicinity of Zaltbommel, a small town in the heart of The Netherlands.For my parents. Thanks to Jan Tiggelman (boatsman) and Michael J. …
“Jean Derome (flute, alto saxophone, etc.) and Lê Quan Ninh (percussion) are both leading figures in improvised music. They are also active in other musical genres such as jazz and contemporary music. They were invited by Tour de Bras make an entirely improvised concert that was a time of intense music. Such a sublime moment. Fléchettes documents this encounter, this dialogue while surprises and smiles apart, both fun and physical, both calm and truely energic.”
"With the release of Dartmouth street underpass, Keith Fullerton Whitman inaugurates our Met Life series. for his efforts, Whitman sat in on the acoustic world of the tunnel that connects Boston's back bay station to Copley Plaza under Dartmouth street. The sounds are a combination of pumped in muzak, children's voices bouncing off the glass walls, the sudden rush of commuters, and the glorious, rumbling low end buzz and rattle of the train ushering in and out of the station. Whitman electronica…
"This project started with a commission from [performance group] eighth blackbird and Ben Broening to create a multi-channel composition for the University of Richmond's Third Practice Electroacoustic Music Festival. I wrote out a set of instructions for each musician and recorded them separately from the rest of the group. The first sessions were with Molly Michael, Nick and Lisa. I started to work with their sounds, layering processing, adding and eliminating elements until I found something t…
"‘Golden Worry’ features new drummer Emmanuel Nicolaidis and is huge step forward from 2008’s ‘Terrible Two’. The band has kept busy touring with Beach House, Celebration, Dan Deacon, Zomes, Battles, Mi Ami, Jason Urick, and Future Islands. The CD version comes in a four panel mini-LP style gatefold package. "
A sensational CD release of an awesome tape (originally published by Multiple Configuration) that includes live tracks recorded between 1983/1984 and comes in a completely remastered edition. Tasaday are a "cult" band active since the early Eighties. Born from the merging of Die Form and Nulla Iperreale, they are probably the most eclectic and groundbreaking representative of an Italian experimental scene that used to blend elements of rock, noise, experimental and industrial music with great co…
A stunning series of duo improvisations from two of the world's finest string players, whose shared dynamism and intensity of purpose produces fluid, powerful music that ranges from dense viscosity to swift effervescence.With all-strings improvisation there's often a danger of pseudo-classicism, of sounding vaguely like modernist chamber music, replete with refined flourishes and familiar motifs. Edwards and Lee don't just avoid this but go nowhere near it, heading off in another direction entir…
Otomo Yoshihide (turntable), Ozeki Mikito (kirie), Mats Gustafsson (baritone saxophone from Mats Gustafsson's solo LP 'It Is All About' on Tyyfus label). Mastered by Jun Numata. Released to commemorate the exhibition Ensembles '09: With Records at Gallery 45-8, Tokyo, October 11-November 8, 2009. No cover, limited 800 copies, serial numbers. Otomo Yoshihide (turntables), Ozeki Mikito (cutout art) and Mats Gustafsson (baritone sax).
'Two musicians from very different backgrounds finding common ground. The first half consists of studio duets on guitar and viola recorded in New York City without any electronics, but they are not what one would expect from these two instruments. The second half is very different - recorded in concert in Geneva with a liberal amount of electronics.'
The name under which Melbourne singer, songwriter and multi-instrumentalist Paddy Mann records and performs, Grand Salvo has quietly and unassumingly developed a body of work that has inspired both hardcore devotion and more recently, wider recognition, stemming from his previous album, Death. The ambitious fairytale orchestration received rave reviews from all over the country. With Soil Creatures, Grand Salvo has returned with no less scope but sits within quieter surroundings. This gorgeous s…
Rhys Chatham has trail-blazed a course through late 20th century music, equally aplomb in post-minimalist composition as he is in punk. Not since Roebling laid his span across the East River has there been an artist who builds bridges in both how we hear music and how we can appreciate art. His latest album, Outdoor Spell, is a further document in that direction. Here has has eschewed 100 guitars, or even himself playing a single guitar, for the trumpet and voice, both electrified and dry. It is…
With the saxophonist player Bertrand Gauguet, the trumpet player Franz Hautzinger and the analogue synthesizer player Thomas Lehn, this is a trio with three european musicians who are invested in the improv and new music. Gauguet-Hautzinger-Lehn works to surimpose different sonic spaces : acoustic, amplified, natural or electronic, works to build temporal structures or architectures and works to generate the modulations of an open and combinatory 'chamber music'.
Japanese duo Tenniscoats have been running together for more than ten years. Running is the tempo you need to have to keep up with these guys: always touring, recording and working on new projects.Their music is all about catching the moment. Next time everything will sound different. They are true improvisors inside their own musical world. The music on this record adds a new facet to their universe. Deeper, more intense but with still visible signs of their trademark playfulness despite the fa…
Deluxe reissue of this outsider holy grail, cosmic free jazz at the top!!There's not another record on the planet that sounds even remotely like vibraphonist khan jamal's eccentric, one-of-a-kind masterpiece, drumdance to the motherland. in its improbable fusion of free jazz expressionism, black psychedelia, & full-on dub-like production techniques, drumdance remains a bracingly powerful outsider statement thirty-four years after it was recorded live at the catacombs club in philadelphia…
“Eine Menge Papier” assembles 20 minutes of sounds derived from using paper as the sound souce. Two tracks originally came out as a limited 7” record on the austrian Syntactic label in the 1990ies and appear here for the first time on CD. The other two tracks were planned for a follow up 7” on the same label that never materialized. The fifth track is a study of sonic material in the same series. There are two further tracks from the P.I.G. series that are considered by the artists as failed att…
Mindblowing!!! Simon Balestrazzi should need no introduction. He founded T.A.C. (Tomografia Assiale Computerizzata) in 1982 and has bee pioneering the italian industrial scene since then. His passion for sound synthesis and exploration brought him in recent years to develop a research in electro-acoustics, both in duos, trios and also in solo.
A striking collaboration took place between Andrea Belfi on drums and assorted small percussion and Rutger Zuydervelt on guitar and organ. Together they produce the 'pulses' and 'places' mentioned in the title. Organic yet partially improvised, it resembles a kind of sonic geography. The listener is taken away for a journey of mild drones, soft yet outspoken percussion. A strong release.