New Arrivals
Language of the Dards
WhisPers for WoLves is the solo pysch/noise/folk project of Melissa Moore. The musician, experimental instrument builder, installation/sound artist, and sculptor based in Baltimore,MD. "Language of the Dards" is a multi-part series of pieces developed around the text/teachings/songs of Indian Yogi, Milarepa made of three long recordings of voice/finger-pickin guitar, nepalese oboe, and electronics. The album comes in a hand-assembled gatefold sleeve.
I Wish I Didn't Dream
Wish I Didn’t Dream, the new album of duets by guitarist Loren Connors and vocalist Suzanne Langille, was cut in just a few hours of studio time. But the pieces started falling into place 15 years earlier on the 10th floor of a nondescript building in the Chelsea section of Manhattan. It was there, at the old location of the Brecht Forum, that Connors got to know writer and WFMU DJ Kurt Gottschalk, who was curating a concert series there. On occasion Tom Abbs (now President of Northern Sp…
Selected passages / Set.grey
Selected passages : During the winter of 2008, I stayed on the campus of a small college in Vermont where I had previously recorded the material for a piece titled 'intervals'. When I first arrived I made recordings of a small radio which was in my room, I would listen to that radio throughout my stay and captured many different sounds from it. I also spent quite a bit of time both indoors and out recording the environments, and made recordings playing some of the pianos which are in vari…
Danza de la Vida
The follow-up to our "Danza de la Muerte" compilation focuses on the more song orientated Syntactic releases. Also, you will find tracks that were planned as Syntactic or Klanggalerie 7"s, but never made it onto vinyl. The track list reads as follows: Andrew Liles - In this vegetable Glass of Nature Le Zappalot (Rehberg/Bauer/Birnbach) - Erika goes to Leopoldau O Yuki Conjugate - Madal (Circular…
Industrial Murder / Menstrual Bleeding
Another classic album reissued by Phage Tapes and R.O.N.F. Records. An early work of Maurizio Bianchi recorded at Mectpyo Studio in 1981 and originally released by Banned Productions (US) back in 1992 as a vinyl LP. CD packaged in beautiful 5 colour screen printed arigato packs. 2 tracks totalling. 50 minutes in length. Limited edition of 300 copies. As with any early 80’s Bianchi this comes highly recommended.
Moss
Moss, is a live recording from a unique collaboration by sound artists/musicians Molly Berg, Olivia Block, Steve Roden and Stephen Vitiello. This was a midnight concert at the beautiful Trinity Cathedral in San Jose, CA which was part of the 01SJ Biennial. Olivia and Steve had performed solo sets on the previous nights. The final night was meant to be a duo with Molly and Stephen but the opportunity to play with musicians/friends who we admire so much called out for an invitation to play …
Scilens
Edition of 200 housed in vacuum sealed package* Chicagoan electro-acoustic trio present their 10th release and third full length album. The equipment list for 'Scilens' should give some indication of the breadth of sonorities they're working with: A-Bitrman, Acousticon hearing aid, A-52, air conditioner, bass drum, baoding balls, bows (cello and violin), cassette recorders, contact microphones, crotales, cymbals, DS-1, EHX-2880, e-bow, electric fan, electric bass, fabric, floor tom, found…
Under Stellar Stream
For his latest album, UK avant-folk maverick Richard Youngs seems to be converging on some of the most assured and firm-footed vocal work of his career to date, fashioning rock-solid songs from typically leftfield instrumental tactics. On 'Broke Up By Night', Youngs sounds like a gnarled old folkie of almost Ewan MacColl proportions, albeit accompanied by organ drone and wispy electronics. It's a rather magical, mantra-like cadence he elicits, and the album springboards nicely from this point. S…
What Are The Roots That Clutch
It was a cavernous tone that broadcast from a ventilator duct that inspired Patrick McGinley to begin collecting field recordings and working them into his slow-arc compositions. At the time when he heard that particular tone in that particular city at that particular time, he had no gear to recording device on hand. Over the next fifteen years (and counting) McGinley has eased into a peripatetic lifestyle, wandering the European countryside and forests (but never straying too far from th…
Monsters Of Felt
Robert Horton’s musical exploits are diverse, heady and spans over three decades. From his early punk days to joining various groups in pursuit of free jazz, drone and even psychedelic hillbilly, Horton is happily hard to pin down. He also makes his own instruments. One found regularly across the 30-plus releases he’s been involved with since 2005 is the ‘boot’, a four-stringed instrument that plays like an otherworldly dobro or slide guitar. Tom Carter has been a lightning rod-like figure…
Thought for Food
Every once in a while a record like this one appears out of the ether without clear reference points. Web details on The Books are sketchy, but I have ascertained that they're a duo consisting of guitarist Nick Zammuto, who lives in North Carolina and has released some solo material under his surname, and cellist Paul de Jong, who lives in New York and has composed for dance, theater and film. After that, the pool of Books information dries up fast. The music is similarl…
Synesthesia
3rd release from duo of Rob Mazurek (ISOTOPE 217)+Chad Taylor (SAM PREKOP BAND) is a stark departure from the sound cultivated on their last LP. Utilizing electronics, found sounds, moog & studio manipulations they have made not just a jazz record but one that defies categorization in any particular genre. With assistance of studio engineer JOHN McENTIRE they overdubbed, dissected & reassembled a selection of recorded & found sounds making a record that is not only very listenable but is …
Box music
Rutger and Stephen sort of accidentally met through e-mail. A simple note regarding an ordering question for a CD led to an enthusiastic e-mail conversation and climaxed in a musical collaboration. This all happened in a very short period, both musicians being very inspired by the concept of “exchange,” as a means to cross space and time -- Rutger living in the Netherlands and Stephen in Virginia.
Most of the time, when (electronic) musicians work together it’s a matter of swapping digital files…
Tidings / Amesthyst Waves
Trying to put the last 15 years of music into context, you’d be hard pressed to get anyone to agree on a single thing. If anything, this period has been a collective convergence of all things cool-sounding: naïve experimentalism, academic composition, art-rock synthesis, electronic nihilism/flagellation, and, well, everything else. Mark McGuire could muddy anyones interpretation of the contemporary canon with his buddies in the triadic mega-unit, Emeralds, his collaborative outings in Sun Wa…
Unknown skies
...Every trio without a piano, or without a drums, or as in this case without a double bass, gains in incline what it loses in “balance”. It only takes a little sometimes. Everyone plays at ease across. Everyone can split themselves. There are no more solos as solos but phases, circles of influence and predominance which do not last. The duos bind and unbind more clearly, the contrasts stand out better. The theme is no longer material to develop but, as in Unknown Skies, a lyrical and volatile s…
Birds in a box
Stephen Vitiello is a sound and media artist. CD releases include “Bright and Dusty Things” (New Albion Records), “Listening to Donald Judd” (Sub Rosa) and “The Gorilla Variations”, with Molly Berg (12k). Vitiello’s sound installations have been presented internationally, including exhibitions at the Cartier Foundation, Paris, the Whitney Museum of American Art in NY and the High Line, also in NYC. Originally from NY, Stephen is now based in Richmond, VA.Rutger Zuydervelt records as Machinefabri…
Uncommon Sense
This is: brass to the power of three, and a lot more besides. John Clark, Dave Taylor and Franz Hackl on French horn, trumpet and bass trombone are not just a brass trio but create a whole cosmos of sounds, styles and techniques. In their musical actions and reactions, each of the three is always also each of the other two, with the voices merging into complex moods and styles. On this album the trio reveal their sense of humor, and a moment later become absorbed in hymnic devotion. Big-band ges…
Treeg Salaam
Group Doueh's second Sublime Frequencies album 'Treeg Salaam' is finally available on CD. If you're not familiar with Group Doueh, this is as good a place as any to get your fix, featuring tracks compiled and edited from Salmou "Doueh" Baamar's personal cassette archives recorded between 1989-1996. Next to Omar Souleyman and Group Bombino, Group Doueh are one of the few acts to be fully signed and released through the label, offering full length albums of original material which have become cher…
Few and far between
Susann Wehrli (flutes, melodica) with Karin Ernst (laptop, live electronics).DUE is playing. A beginning, a tone, a noise, a sound. Listen. Act, react. No ready-made concept, no intended form. Awareness. Liability. Instant composing, where what has been connects with the here and now and the yet to come. DUE is a formation that joins an acoustic instrument with electronics in a unique way: two women, each musician doing her own thing on her own instrument; but at the same time, the flute music i…
Townsville
The Necks in quiet mood recorded at a concert recording in Townsville, Thuringowa, Northern Queensland. Though many Necks' pieces open with - or eventually arrive at - some discernable groove, Townsville just floats in a state of suspension from beginning to end. It's like watching the ocean as wave follows wave follows wave: each the same; each different; assymetric. Bassist Lloyd Swanton who, on this occasion, provides the motif that set Townsville running says he had had no idea where it woul…