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On Lola, Zbigniew Namysłowski Modern Jazz Quartet fuse blazing post‑bop with Polish highlander melodies, cutting a 1964 London session that became both a historic first outside the Iron Curtain and a cult artefact of fiercely local modern jazz.
Audion 73 is where Audion Magazine’s global circuitry really starts to glow. First published on 3 March 2023 as a 48‑page A4 pdf, the issue threads book criticism, deep historical reappraisal and present‑tense scene reports into one restless survey. It opens, fittingly, on the printed word with “A Fistful of Spaghetti” - an extended book‑review section that uses recent titles on Italian cinema, music and counterculture as a prism, talking through how giallo soundtracks, spaghetti western scores …
Audion 71 catches Audion Magazine in full cartographic mode, tracing how progressive, psychedelic and experimental tendencies have leaked across borders, labels and generations. The issue opens with a feature on Acid Rooster, cast here as “new space-trekkers from Germany”, picking up the kosmische thread with extended jams that feel closer to orbital slingshots than retro homage. The piece listens closely to their long-form structures, guitar textures and rhythmic drift, showing how they tap int…
On Light, Palle Mikkelborg condenses a lifetime of orchestral colour into a quietly radiant final opus: solo trumpet, flugelhorn and piano drift through self‑designed soundscapes, joined sparingly by harp and guitar, like hymns remembered in slow motion.
The Pink Violin by Jon Rose and Rainer Linz is a gloriously over‑the‑top fake biography of non‑existent violinist–composer Dr. Johannes Rosenberg, a “reformist parody” that lampoons art‑school scholarship, new‑music mythologies and violin culture with such detail and deadpan rigor it almost passes for the real thing.
** 2026 Stock. Leporello French/English ** Call to a Crow – Appelle un corbeau gathers a series of short poems by David Horvitz, originally conceived for the first Son Biennale in 2023, into a leporello that reads like a pocket field guide to listening and imagining in the Alps. Each phrase is both poem and instruction, a small performative score that invites the reader to tune themselves to the landscape and its absences. “Imagine the sound of the footsteps of someone who is no more,” “Imagine …
** 2026 Stock. Edition of 500 ** 1998 brings back into circulation one of Ugo Rondinone’s most intimate and unsettling projects: a diary from his five-part cycle of the 1990s, written and drawn between 1992 and 1998 as the AIDS crisis pushed a newly fearful, homophobic Western society to shove queer lives back into the shadows. Rather than responding with slogans or safe symbolism, Rondinone invented “Ugo,” an artist and drug addict living in Zurich, and followed him across hundreds of pages of …
France's near-revolution of May '68 kicked the country's small but vibrant counter-culture into overdrive and birthed a local underground music scene. The bands it spawned made music with far less rock purity than groups from the UK and US - their influences foregrounded improvisation, disjunction and genre-blending: Soft Machine, Pink Floyd, Frank Zappa, free jazz and radical politics. The introduction of the synthesiser in the early 1970s added fuel to the fire. This six-track compilation inau…
On Paris Public Spaces 2, Éric La Casa and Seijiro Murayama stage brief, focused vocal interventions across Parisian sites, letting microphone placement and urban acoustics turn spoken sound into a moving portrait of how voice and city continuously re‑shape one another.
Nachleben is a limited-edition cassette release by Italian pianist and composer Giovanni Di Domenico, issued by Dasa Tapes, a Greek label specializing in experimental music. The album features two long-form tracks: "Parts I & II" (19:34) and "Part III" (18:06), showcasing Di Domenico's signature minimalist piano style marked by repetition, subtle nuance, and contemplative atmospheres.
Di Domenico's work on Nachleben embodies his personal approach to contemporary minimalism, emphasizing concentr…
This album emerged from a chance encounter at Casa del Popolo in Montreal during the Suoni per il Popolo festival. Over the years Tim Daisy and Stefan Christoff kept in touch and in 2023 started exchanging more seriously about working on some music together. The conversations and exchanges over the years had revolved around trying to find pathways for collective action in the arts to support movements against war.
Particularly the two discussed and collaborated on a global radio broadcast to cri…
Piero Fogliati’s “Macchina che respira” (1990) is a kinetic sculpture built entirely around the realization of the author’s artistic utopia: imbuing lifeless machinery with the rhythmic and self-sustaining process of an organism. It is an apparatus of ontological interrogation, positioned at the final, unstable boundary between the organic and the artifact. In “Macchina che respira”, the fundamental function of life -respiration- is translated into an industrial imperative, forcing the observer …
Three creative cells of Austrian avantgarde music form a playfull trio of piano and drums/percussion -pianist and composer Elisabeth Harnik has various improvisation projects, for instance with Joelle Leandre, Ken Vandermark, Zlatko Kaucic, Tony Buck, etc. She is backed by Martin Brandlmayr of Radian-fame, who works fluently in jazz, electronics and acoustic music, and Didi Kern who, coming from Bulbul guitar underground and Noiserock, lately found his place in the international improv scene.
Ka-ya-ya provides its deep-sea dive into overlooked artifacts from the early 2000s-records that slipped past the mainstream, yet quietly became cherished discoveries for dedicated listeners. The next find is micro majong – Noise Conception: a 2005 debut album, now receiving its first-ever physical edition on cassette. First physical release. Limited to 50 copies. micro majong is the project of Evgeniy Sidorov - a Siberia-based pianist, composer, producer, and mastering engineer. As a mastering e…
Aghast was a project by Nebelhexe and Nacht, released in 1994. This album was released back then by the legendary Cold Meat Industry. "Hexerei Im Zwielicht Der Finsternis" is the real dark and gloomy ambiance played in a classical dark wave vein. Minimalism in musical content, compensated by spooky and ice-cold vocals that will haunt you. Macabre enchantresses will seduce you and take you to their ghastly realm. Hear gods cry and angels fall. Listen to horror and beauty. Let Aghast bewitch you! …
Eighth album from one of the brightest space-ambient projects from 2000th. The mastermind of Algol is UK-based Daniel Kazantsev, who well known by his northern-ambient project Stuzha and cinematic drone project Black Wanderer.It's time to join Algol on a journey through infinite cosmic horizons. Leaving our rigid notion of space and time we ride the cosmic winds. "Timeshifter" delivers a portion of refined space ambient where subtle old school influences mixed with modern ambient sound.
The first full-length album of this ambient / drone project after two warmly received EPs. Enticing guitar overflows, drowsy melodies, an abundance of field recordings, analogue drone, and sound experiments, walking the waves of memory and the corridors of dreams. Guest on flute - Valera Hip. "Sometimes it happens that you walk across the field and sit yourself down to put an ear to the ground and listen... so just imagine, under the ground, but not too beep, some seeds sitting together on a rou…
Sascha returns with his third album - lighter, brighter, and more intimate than ever: After the acclaimed Seeds on Talks and Zart, German ambient composer Sascha opens a new chapter with News From The Garden House - a collection of musical sketches as airy and luminous as a summer morning. This is a continuation of the sound we've come to love from Sascha, yet here the emotional detailing feels sharper, the storytelling more present. Each composition is shorter, more eventful, and each one invit…
The second album by the German ambient composer Sascha on The Fact of Being. A year after his high reclaimed "Seeds on Talks" that has been recorded for 7 years, Sascha returns much faster. A huge evolution in sound but the same Sascha's style. The minimalistic shine of clear analog sound, the slow and transparent like an early morning. As being photographer, Sascha's music is like pictures - a static basis is always in the same place, but all moving and details are open deep inside the composit…
Bones returns with Scumbag, a stripped-back, lo-fi record that distills his bleak vision into its rawest form. With skeletal beats, muffled samples, and whispered delivery, he crafts a shadowy atmosphere that's equal parts haunting and hypnotic. Known for his prolific output and DIY ethos, Bones sidesteps convention once again - this is not music for the charts, but for the dead of night. Scumbag feels like a confessional mumbled into a tape recorder, full of dread, detachment, and flashes of vu…