New Arrivals
Labyrinth Of Memories
Unfortunately, Kashual Plastik got lost, but the threads have snapped progressively. It got lost in fluxes, that sometimes dry up, freeze, or overflow, sometimes combine or diverge. On the way it became capable of loving without remembering, without phantasm, interpretation, without taking stock. The result is “Labyrinth of Memories”, an epic four-sided compilation, full of romanticism, witchcraft, and necromancy, drifting in an ocean of sentiments, that gently reach the limits of control.
The m…
Tower Of Silence
*2023 repress* Music From Memory returns with their penultimate release of 2016, this time bringing together a compilation of works by the Italian composer and musician Roberto Musci. While studying guitar and saxophone in his hometown of Milan, Musci developed a deep fascination for non-western music and set out to travel across India, Asia and Africa, which he would do extensively between 1974-1985. During his many journeys Roberto would become deeply embedded in each unique world of rhythms, …
As-Shams Archive Vol. 1 - South Africa Jazz, Funk & Soul 1975-1982
As-Shams Archive Vol. 1 introduces the core catalogue of As-Shams/The Sun, the independent record label that documented some of the most exciting developments in jazz, funk and soul from South Africa in the 1970s. With 10 tracks from 10 iconic albums featuring 10 different artists and 10 original compositions, this compilation delivers 85 minutes of South African music history.Including essential tracks by the likes of Dick Khoza, Black Disco and Harari, remastered from the original analog tap…
Postcards
Tip! The original environmental album from the Kyoto Connection available on Vinyl for the very first time. The album was composed, produced and recorded by Argentinian producer Facundo Arena over the course of one month in early 2018. A self trained musician and digital synths enthusiast, for this project Facundo wanted to move out of his comfort zone and compose the album purely using plugins and sequencing software on his iPad, running the songs directly onto tape, in this case his trusted 19…
uGaba The Migration
Highly anticipated sophomore release from saxophonist and composer Sisonke Xonti, winner of South Africa's 2020 Standard Bank Young Artist Award for Jazz. At the centre of the album, Xonti's four-part "Migration Suite" is his boldest work to date, exploring rural and urban identity and the perilous spiritual journey from homeland to the global village. Produced by Xonti and pianist Yonela Mnana and featuring photography by Mandisa Buthelezi, the album appears on As-Shams/The Sun as part of a ros…
Early-Mart
Gideon Nxumalo was a key figure during the formative years of South African jazz in the 1950s and 60s, helping shape a modern African jazz sound as a composer, arranger and pianist and contributing to the scene as a music teacher and radio presenter. His recorded output as solo artist/bandleader is comprised of a trilogy of iconic albums from Jazz Fantasia (1962) to Gideon Plays (1968) to Early-Mart (1970).Early-Mart was Gideon Nxumalo's tribute to friend and musical compatriot, drummer Early Ma…
Love
*In process of stocking* Repress of Wildflower's 2nd album. The band continued to explore areas of groove-based improvised jazz. Taking a slightly freer approach to the writing process, simple but effective melodies and bass motifs are explored to create fully realised pieces with dynamic extremes that bring a full range of emotion. Recorded over a two-day session at Studios in London, the band sounds relaxed and at ease, giving space to explore intricate improvised interplay and dialogue fully …
It's A Matter Of Fact
Paul Dunnall’s dynamic Birmingham quintet’s release Yes Tomorrow was a Discus highlight of 2022. We enjoyed the release so much that we took the unusual step of suggesting he add Julie Tippetts and Charlotte Keeffe to the group to make a second release. Paul embraced the idea with enthusiasm, and came up with this suite for the expanded group. The result is a freewheeling set with a great “live gig” feel, which gives plenty of space for each player to shine, and which mixes some tight compositio…
Theta 6
Theta Six – OUA’s sixth album – is an ever morphing tapestry of new sounds arriving via wormhole direct from the left field progressive sound universe. It evolved from a studio session of bass driven rhythms followed next day by a marathon free-improvisation session. These sessions were amalgamated through a high impact collision which made extensive use of chance procedures, and then carefully sculpted and arranged for horns and voices by Martin and Jan.
The music is heard as a single continuou…
Senza Sapere Niente Di Lei
Senza Sapere Niente di Lei (1969, Luigi Comencini) is one of the first scores composed by Ennio Morricone, for a Giallo film, just ahead of the great season of the cult Italian thriller genre forged by Dario Argento. The soundtrack perfectly mirrors the philosophy behind the Morricone Segreto series, not only for its extraordinary dark-tinged and psychedelic vibes, but also because of the rarity of the score, which has surprisingly remained unreleased on vinyl (with the exception of two tracks i…
Nell'Anno Del Signore (Original Soundtrack)
*In process of stocking* First of a trilogy of films directed by Luigi Magni dedicated to the papal Rome of the Risorgimento period, Nell'anno del Signore (In the Year of the Lord) depicts a Rome subjected and accustomed to the temporal power of the church.After this feature film will follow: In the Name of the Pope King (1977) and In the Name of the Sovereign People (1990), which will have the same stylistic line. In the first two feature films, the scores were written by Armando Trovajoli, whi…
Senzatempo
The music of 'Senzatempo' moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.
Austrian guitarist, composer, and electronic musician Christian Fennesz is recognized as the key figure and one of the most distinctive voices of electronic music today. His wide international reputation has been consolidated through his substantial …
Don't Ever Let Me Know
*200 copies limited edition. In process of stocking* Don't Ever Let Me Know is Sheffield's first solo release since 2018's Repair Me Now (Glistening Examples) and is a work in a similar mode to that album in that it comprises two lengthy pieces of multiple movements and moods. For this new work, and as a kind of ode to his late father, Sheffield has employed samples entirely taken from (or inspired by) the city in which both men were born. In this way, the sounds have been utilized as a kind of …
Danza Sin Nexo
*300 copies limited edition. In process of stocking* A new mutation on Mecánica Clásica's sound, preserving the essence of previous works: ambient inspired by electronic pioneers such as Craig Leon, K. Leimer, Marc Barreca, Jon Hassell or Cluster. Continuing with their contemporary update of these sounds, this new delivery evolves to more rhythmic tracks, oriental influences and percussive sequences that bring it closer to leftfield vibes, with a wide range of textures and details that appear an…
Filtraciones de Luz
*200 copies limited release. In process of stocking* Finally a vinyl edition of the first release by Valencian electronic experimental band Mecánica Clásica. A very limited edition of just 200 copies. Originally released on cassette in 2019. Eight tracks of early electronic experimentation, meandering rhythms, minimal modular ambient passages and bleeping synth sequences. From Cluster to Craig Leon, from K. Leimer to Marc Barreca. A journey to the inner reaches of the sound modulation.
Finn Von Eyben Workshop
150 hand numbered copies. Kick-ass free music recorded in the glorious year of 1966 in Copenhagen. From Finn Von Eyben a leading exponent of the fertile Danish free jazz movement of the 1960s, comes these never-before-released live and studio recordings, offering an interesting addition to our understanding of a time in Danish music history where past, present, and future clashed to create a whole new sound. This is as essential as it gets. Piano, double-bass & drums in total interaction.
150 h…
69 Exhibition Road: Twelve True-Life Tales from the Fag End of Punk, Porn & Performance (Book)
A vibrant, wry, and engaging account of life as an adventurous, queer young person in late 1970s London discovering themselves as an artist, and an individual. While working as a photographer's model, gallery usher, and exotic dancer, Dorothy “Max” Prior witnessed the births of Adam and the Ants, The Monochrome Set, The Sex Pistols, and Throbbing Gristle, as well as drumming in her own cult band Rema Rema and recording with Industrial Records. Her exuberant commentaries, each presented as a sta…
Being Below
Being Below is a mini-album of short songs created with digital and analogue instruments, recorded in 2020. Written with a structure that reflects shifting states, overlooking the past and future as a split pathway with the present endlessly fluctuating between. The pangs of rumination. An exercise in loop-less writing.
"Staring out, tense. Looking down isn’t so different than looking up, but it passes by faster. Contentment at the accomplishment that I'm here, and the fear that what I’ve always…
Encyclopedia of Pitch and Deviation
Matthias Kranebitter has written the odd piece without electronics in the past. However, the use of electronics in his music usually is a given. At the same time, the way in which electronics are employed in his work is anything but a matter of course. They are not simply an instrument amongst others, they don't serve as an atmospheric background, a synthesized ear-tickler, or formal glue which is meant to cover up fractures within the musical material. Rather, they themselves embody such fractu…
Sensational Bliss
"In the past, I was interested in themes of sound, such as, 'new sound', 'expressive sound' and 'metaphoric sound'. In fact, I still enjoy these expressions. However, my obsession with expressing sound itself has decreased, and I instead want to express my feelings, my thoughts and my life, with sound. With this change, I have enjoyed taking a closer look at my temperament, personality, and life, and have tried to display the results through sound. To better articulate myself, I have avoided any…