New Arrivals

On Obscure Residue, Dimples - the bicoastal duo of Greg Hartunian and Colby Nathan - sharpen fifteen years of friendship into bittersweet, uptempo pop where orchestral arrangements lift codeine‑dream melodies while lyrics circle time, scars and the quiet truth that some currents just turn you around.

On May 21, on what would have been Arthur Russell’s 75th birthday, Audika Records presents a remastered/redux double vinyl rerelease of the much-beloved compilation Love Is Overtaking Me of Arthur’s folk, pop, and country songs including “Planted a Thought”, “Close My Eyes”, and “I Couldn’t Say It To Your Face”.

*200 copies limited edition. Carefully handcrafted case and a small booklet inside.* Spazio Notte is the result of Valerio Cosi's musical work, featuring the contribution of writer Angelo Ferracuti, who explores the theme of travel in his unpublished story, “Tra le nuvole e il nulla.” Cosi delves into what is known as the hauntological subculture, a dimension of reality that, as the term suggests (a combination of "haunting" and "ontology," coined by Jacques Derrida and later developed by Mark F…

During a 2016 trip to Colombia, I was very fortunate to be welcomed by the staff of the Rio Claro Natural Reserve, located in the central Cordillera. After several days of recording in the caves—the ones open to the public—inhabited by small colonies of cave-dwelling Guacharos (Steatornis caripensis), Juan Guillermo Garcés, director and founder of the Rio Claro sanctuary, allowed me to access a secret location outside of the reserve, home to what ornithologists reckon is one of the largest known…

*150 copies limited edition* Across centuries, catacombs have exerted a powerful fascination on the human imagination. These underground networks, carved beneath cities and landscapes, have served as places of burial, devotion, secrecy, and contemplation. Their presence continues to resonate strongly today, inspiring artists, writers, and musicians who perceive them as symbolic spaces where history, spirituality, and the passage of time converge. The silence of stone corridors, the weight of cen…

The Błoto we knew until now briefly ceased to exist in September 2025, somewhere in the backstreets of Bucharest’s Floreasca district. This was not an ending, though, but a new beginning and a conscious transformation. With their core left intact, the band expanded its lineup to include a pillar of the Romanian alternative scene, Ion D. That move became the catalyst for the most groundbreaking project in their career. The album Atmosfera, set for release in 2026 via Astigmatic Records, unfolds a…

*2026 stock* A double-set capturing Bingo Miki's Inner Galaxy Orchestra in live performance at Montreux, and one of the more ambitious large-ensemble documents in the entire Three Blind Mice catalogue. Miki spent his career writing for big bands at the edge of mainstream Japanese jazz, blending orchestral architecture with modal, spiritual and free-leaning impulses, and the Inner Galaxy Orchestra was his most expansive vehicle. The Montreux performance shows the ensemble at full stretch: long-fo…

*2026 stock* Bassist Hideto Kanai was one of the most ambitious composer-bandleaders to emerge from the Japanese jazz scene of the early seventies, a writer of long-form pieces that integrated free playing with chamber-jazz architecture, and a player with the patience to leave space where lesser arrangers would clutter. Q, only the sixth release on Three Blind Mice, is one of his most uncompromising early statements: extended group playing built around Kanai's slow, structural bass lines, with t…

*2026 stock* Trumpeter Shunzo Ohno spent much of his career moving between the Japanese scene and the New York post-bop circuit, a player whose résumé runs through American bandleaders alongside his domestic work, and whose tone bears the marks of both worlds. His quintet date for Three Blind Mice is one of the records where he sounds most explicitly engaged with the modal and spiritual currents of seventies American jazz: Coltrane shadows everywhere, but absorbed into a particular Japanese pois…

In the late 1980s, singer Bizimungu Dieudonne, his wife Agnes Uwimbabazi, and a backing band of family and friends self-released a visionary cassette, featuring stuttering electric guitars, loping bass lines, and call and response vocals. Their combo of 80s studio wizardry rooted in traditional Rwandan praise songs resulted in hypnotic, extended jams unlike anything else released in East Africa at the time. The lyrics praised the beauty of the countryside and the exploits of the ancient gods. On…

This collection of text scores is a survey and a re-formatting of my work in prose and text scoring between 2019 and 2024. While not comprehensive, several of these pieces are from my Grid Series and a few have never been presented publicly or privately. In most cases, my commitment to harmony and a specific harmonic grammar meant that these scores were presented with attached pitch material. However, the text always came first and, in this volume, these works present themselves as poems, elegie…

Lüüp, the acclaimed international project with collaborations / contributions from musicians from different countries known for blending folk textures with cinematic ambience, releases Meadow Rituals, an expansive 3CD collection that unfolds like a seasonal hymn to nature, memory, and communal ritual. Across three discs, Lüüp weaves delicate acoustic instrumentation, ritualistic percussion, choral textures, and intimate field recordings into a cohesive sonic journey that feels both timeless and …

"Halfway between the Summer Solstice and Autumn Equinox falls the pagan Lughnasadh festival marking the beginning of the harvest season in Ireland. Pas de la Demi-Lune was originally composed and performed for this festival in a celebration event organized by Phelim Ó Laoghaire. For that occasion, Dylan performed the piece in the river crossing leading to the Brennanstown Dolmen in Co. Dublin, a megalith portal tomb estimated to have been erected sometime in 4000-2500 BC. They chose to record in…

*200 copies limited edition* Mysterious lycanthrope and sound-explorer from Gothenburg, Sweden and surrounding forests - behind the name Ratvader is the composer Oscar Sidoff Rydelius. Discreet Music crossed paths with Oscar for the first time during 2025, a chance meeting that resulted in the enchanting 14-track album Kite now released on Gustaf Dickssons in-house imprint Frihetens Förlag. Evocative and strangely moving soundtrack-style compositions that at times feels like the medieval bastard…

"I call it ‘the Shadow Pattern Vignette’. A fragmentary and pleasingly non-discriminatory exercise in audio capture which, when sequenced, compiled or arranged alongside other such vignettes, leads to the finished work of Nate Ivanco’s Shadow Pattern. You can reach into the hermetic depths of his Hamilton Tapes micro label, recent transatlantic appearances via Infant Tree, Chocolate Monk or adhuman, or indeed, this new LP ‘Live at Somewhere’ and find the Shadow Pattern Vignette. Forever in evide…

*2026 stock* For this album I have assembled a collection of contrasting works from the archives. Some have previously been released, others not. Three pieces: Sculptor, Touche pas, and Bubble chamber are based on the microsound techniques of granular synthesis and micro-montage. By contrast, Modulude, Clang-tint, and Still life were conceived before my microsound period. For any given piece, my compositional practice usually takes years. For example, Modulude was initially conceived in 1998 and…

The interesting thing about Robert Morris’s (b. 1943) remarkable career as a composer (and a theorist) is how free he is to move from composing works of great rigor with intricate integrity in his use of pitch-class design, to works of sonic beauty to be performed in a natural outdoor environment, to imaginative electronic/computer music, to the music of acculturation. Among the latter, his monumental Carnatic String Quartet is an outstanding example. In his own words: “Carnatic String Quartet (…

*100 copies limited edition* A tense musical and poetic journey through the night from Uhushuhu and Prorok. Who dwells in this world? Who gradually becomes our constant companion here? Grass, sand; a hand, a candle; wool, a fish; fire, a wave; moss, the Moon; grass, a river; ice, snow; clouds, stones – hypnotic images of a lullaby whispered to a traveler lost in a stream of sound. However, paraphrasing a well-known proverb, it is impossible to put to sleep someone who is already asleep.

'Samen' collects tracks from singles, EPs, and compilations that came out between 2015 and 2025. 17 tracks, 76 minutes, presented as a continuous mix on a shiny compact disc. This album compiles some of my very favorite Machinefabriek music, and if you're a newcomer, 'Samen' certainly serves as a great entry into my discography.

“Soogie” (1969) was Willie Rodríguez’s first album for Mary Lou Records. Mary Lou Records, at that time, was also one of the labels in the right place at the right time, just before Fania smashed almost all the competition. The album is mostly comprised of guaguancós, boleros, and improvised-space-filling descargas (jam sessions). This is remarkable, as it hardly includes boogaloo, which was still prevalent during those years, yet already on the way out. According to Bobby Marín, its musical dir…