New Arrivals
Transponder
**2025 Stock** Who still needs an introduction to the Italian living legend Bad Sector? Hardly anyone. Since 1995, every new album by this project has been an event — eagerly awaited by almost every devotee of the industrial scene. Now, at last, comes the long-awaited CD edition of one of the most intriguing albums by Italian master Massimo Magrini. Originally released in 1999 as a limited CDR on Blade Records, Transponder returns — newly presented, expanded with two exclusive compositions from…
Venenum
**2025 Stock** This is our fourth chapter in the reissue series dedicated to Maeror Tri — and by now, this legendary ambient/industrial trio needs no further introduction. This time, in our Digibook Reissue Series, we are proud to present “Venenum” — a serene, analog drone album recorded between 1989 and 1991. Originally released on cassette in 1992 and later reissued on CD (limited to 200 copies) by the short-lived but wonderful French label ÜNE (r)ecords in 1999, Venenum now returns in a newly…
The Beauty of Sadness
**2025 Stock** Infinite Fog Productions continues its series of deluxe reissues dedicated to the drone-ambient pioneers Maeror Tri.At this point, there’s hardly any need to introduce this legendary trio once again. During their seven years of existence, they created genre-defining material that remains as powerful and relevant today as it was more than a quarter of a century ago. We are proud to present “The Beauty of Sadness” — one of the band’s most striking and emotionally charged albums. A d…
To Cy & Lee: Instrumentals Vol. 1
** With a 12-page 11x11" insert booklet (new for IA11, with unpublished photos and new liner notes by Alabaster DePlume), IARC 2025 obi strip and printed poly-lined printed inner-sleeve. ** In the words of Emma Warren: Alabaster DePlume is not doing things properly, and this makes him very happy. DePlume is a Manchester-born, London-based bandleader, composer, saxophonist, activist and orator. He’s a resident at the legendary London creative hub Total Refreshment Centre, a recording artist for…
Recurring
2025 Repress. 1990's Recurring, the fourth and final studio album by Spacemen 3, is often considered the introduction of two brilliant solo projects (Spectrum and Spiritualized) rather than the work of a functioning band. While Spacemen 3's departing statement surely reveals a deep divide within the S3 camp -- each side of the LP was written by Sonic Boom and Jason Pierce separately and, unlike previous releases, the two do not play on each other's songs -- Recurring maintains a cohesive, dream…
Jazz Raga
With Jazz Raga, Gábor Szabó fused modal jazz, Indian raga, and 1960s psychedelic currents into a single visionary statement. Recorded in 1966 at Van Gelder Studio, it remains a landmark of cross‑cultural improvisation—sitar‑tinged grooves meeting the freedom and pulse of spiritual jazz.
Mongolian Music From 70's Vol.1
**2025 Stock** Ebalunga!!!, Everland and Dundgol invite you to discover the rich and diverse world of Mongolian music. "Mongolian Music from 70s - vol. I" opens the gates to the golden era of Mongolian music. This period, spanning from the 1970s to the early 1980s, is considered as the brightest and most influential period in history of Mongolian music. During this time, Mongolian musicians started using new instruments and technologies, such as electric guitars and synthesizers, which led to t…
1969
**2025 Stock** Ebalunga!!! is coming back with a new long-awaited reissue of LP by the famous Hungarian guitarist, originally released in 1969. Gabor Szabo exploded onto the American jazz scene in the early sixties. His unusual approach and unique sound brought something startling and new to jazz. With Chico Hamilton, Charles Lloyd and Gary McFarland, Szabo offered something few in jazz had ever heard before: guitarist as enchanter and conjurer and musician as storyteller and mesmerist. Once Sz…
Oacis
**2025 Stock** As regards content, acoustics and optics, raster-noton.oacis goes beyond the momentary. The texts by top writers like Rob Young (The Wire), Pinky Rose, Peter Kraut (NZZ) and Martin Pesch (e.g. Frieze, Spex, Kunstforum) examine how raster-noton works on the cutting edge of electronic music, computer graphics and video animation, with which supreme ease the label moves between pop/club culture and the fine arts. The creative cover flap includes a CD with audiotracks and multimedia d…
Grinning Cat
With Grinning Cat, Susumu Yokota continues to refine his delicate ambient universe through a dreamlike balance of melody, texture, and silence. The 2001 album merges found sounds, piano fragments, and vaporous rhythms into an otherworldly narrative of domestic tranquility and imaginative reverie.
Magic Thread
First released in 1998, Magic Thread finds Susumu Yokota navigating the liminal space between club rhythm and ambient reverie. Blending vaporous beats, dub inflections, and microscopic detail, the album traces the moment he stepped from late‑night dance floors into dawn-lit introspection.
Ali Toure Farka
On Ali Toure "Farka", the legendary Malian guitarist and singer presents a nuanced journey through desert blues, crafting hypnotic grooves and lyrical vignettes that connect tradition with a restless creative spirit. Touré's mastery lies in the interplay of voice and guitar, exploring personal and cultural landscapes across languages and styles.
Late Autumn Sunshine
Late Autumn Sunshine by Michael Garrick, released by My Only Desire Records, gathers two rare BBC Maida Vale sessions from 1973 and 1978. With Norma Winstone’s ethereal voice and Henry Lowther’s lyrical trumpet, Garrick’s compositions glow with his characteristic blend of English pastoralism and modal jazz introspection—a rediscovery of autumnal warmth and luminous craft.
The Midnight Hour
The Midnight Hour by Adrian Younge and Ali Shaheed Muhammad is a lush confluence of soul, jazz, and hip hop that bridges eras with analog warmth and orchestral finesse. Rooted in the duo’s shared reverence for Black musical heritage, it unfolds as both homage and renewal—a nocturnal suite of rhythm, poetry, and craft steeped in the elegance of timeless sound.
Abaete
Abaete by Abaete is a cult classic and one of the rare treasures from the 1970s Bahian scene—a masterfully woven tapestry of jazz-funk samba, built by a mysterious vocal trio whose only full-length album is now finally gaining renewed attention through reissues. Recorded in 1977 and originally veiled by obscurity, the album is celebrated for its supple grooves, innovative synth lines, and a distinctly Northeastern Brazilian flavor.
Altered Fetes
Altered Fetes is the most focused work to date from A'Bear, carving a distinctive space in contemporary electronic music through its innovative, rhythm-driven fusion of dance, psychedelia, and experimental sound textures. The album stands out for its coherent progression and inventive reshaping of genre boundaries, making it a remarkable entry in the artist's evolving catalog.
The Velvet Underground & Nico (LP)
*2025 Reprint. Edition featuring the album’s artworks directly printed within the vinyl surface.* Over Half a century later, this record still slays; if any album is deserving of the "classic" tag, it's The Velvet Underground & Nico. Lou Reed's affected vocals, Nico's female Lugosi-style recitations, John Cale's droning strings, Moe Tucker's minimal kit - this landmark work laid down paths that musicians today are still trying to follow. Just pick any track: "I'm Waiting For The Man," "Sunday Mo…
Desolation
Decomposed at Emoptyc studio in Opera between the spring and the autumn of 2024. Audiochemical treatments by Pharmakustik. Cover by Miguel Angel Martin.
Bluebeard
With Bluebeard (1972), Ennio Morricone explores the gothic absurdity of Edward Dmytryk’s erotic thriller through a score oscillating between melancholy, parody, and psychological unease. By blending chamber restraint and baroque flamboyance, Morricone transforms the infamous tale into a study of decadence, control, and the seductions of death.
Le Trio Infernal
Composed by Ennio Morricone for Francis Girod’s 1974 film Le Trio Infernal, this score fuses elegance and moral decay in dazzling contrast. Through waltzes, grotesque marches, and ironic chanson motifs, Morricone mirrors the film’s mordant humor and gothic perversity, crafting one of his most caustically inventive European soundtracks.