New Arrivals
Protoplasm
Hand-stamped edition of 500 copies** Blackest Ever Black present recordings of Black Rain's riveting performance at Corsica Studios in October 2012. It's the first release by Stuart Argabright (Ike Yard/Death Comet Crew) since BEB compiled and reissued their seminal cyberpunk missive 'Now I'm Just A Number: Soundtracks 1994-95' on LP, and offers a murky glimpse of what to expect from the Black Rain album due in early 2014. There are few others who do this sound with such authenticity and …
Echohaus
If you’ve heard of Felix Kubin before, you’ll likely think you have some idea of how ‘Echohaus’ is going to sound. Well forget what you know, you’re wrong – Kubin’s well-worn Sci-Fi pop stylings are entirely erased on ‘Echohaus’ as he rebuilds people’s preconceptions from the ground up. He may have just scored a long-deserved Wire cover, but Kubin is not content to simply rest on his laurels, and although ‘Echohaus’, a collaboration with contemporary chamber group Ensemble Integrales, migh…
Dawn In 2 Dimensions
After the dark conceptual ambience of Beyond the 4th Door, the members of Eternal Tapestry decided the time was right to do an album embracing their live show - blistering psych rock filled with lyrical guitar soloing and a caveman approach to rhythm, an oddly euphoric state where melancholia is blasted by ecstatic noise. Compiled from a variety of sessions at Tapestry Space throughout the spring of 2011 (some of this material first found a home on the two fall tour tapes), this set of so…
Mask of the Maker
Fuses deep kosmische moods w/ jet-propulsion lab experiments, classic galactic Italo, soaring starblood synth workouts, funky astral ragas, psychedelic dust coulds & rare mantric guest vocals
Let's Build A Pussy
Editions Mego is happy to announce a vinyl reissue of the long out-of-print and impossibly rare final Harry Pussy album, the monumental Let's Build a Pussy. Originally released in 1998 after the band broke up, this has always been an elusive release. "You cannot buy this anywhere and you will never find one!!!" was what one writer exclaimed. Consisting of an hour-long piece of Bill Orcutt time-stretching a second of Adris Hoyos' voice into a slow, shifting drone. A piece of music you will lo…
Nar
Nar is the first solo record of DuChamp. It has been composed and recorded through reharsal space changing, ideas deleted, fatwas from former lovers during year 2012 in Berlin.All tracks are played by DuChamp and recorded and mixed by Diego Ferri. Brian Pyle (Ensemble Economique, Starving Weirdos) sung in “A Worship” and also did the mastering.
The albums is released on LP with cover photo by Lara Schilling and graphics by Alice Cannavà (Occulto Magazine).
Abandon debit
Chrs Galarreta (Peru). Very active in the South American experimental scene since 1995. Founder member of the independent label and association Aloardi. The sublime and the uncertainty are present in his actions, he gets them using broken electrical appliances, homemade audiovisual instruments, field streaming, field recordings, feedback systems, the induction of errors in the software-hardware and in the way to play musical instruments. Born in 1979, Anthony Baron lives and works in Paris. It i…
Two characters
Through more than 25 years of existence, the french composer Christian Renou, aka Brume, has developed a unique 'handwriting' style within the experimental underground, something one may call 'atmospheric musique concrète'. It is the marriage of many concrete sounds, hand-played acoustic instruments and electronic drones noises that are arranged in a manner somewhat akin to a 'narrative' - highly emotive and often evolving in a dramatic way. We are delighted to have received two tracks for the S…
Kugeln / Wallerfangen
Here's the 2nd part in Dekorder's brand new series of highly limited Hybrid-Vinyl 12“ releases to celebrate the 10 year anniversary of the label. It comes out simultaneously with parts 3 (Ensemble Economique) and 4 (Kemialliset Ystävät). The 1st part by Pye Corner Audio has been a massive success and sold out within two weeks (remaining copies are only available to subscribers).
Future contributions will feature new & exclusive recordings by Leyland Kirby, Excepter, Sonic Boom (EAR), Bill…
Peripheral
*nice Price * Peripheral is the fresh new effort by Airchamber3 and marks a step forward from their debut. The improvisational element is still central in their compositional method, but Peripheral (recorded in a period of four years) shows how the trio, occasionally augmented by some additional musicians - Vincenzo Vasi (Patton/Capossela), Dominic Cramp (Carla Bozulich), Barbara De Dominicis, Luminance Ratio - has been able to integrate elements of different genres maintaining an experimental e…
ACE 26,250'/11 DEGREES 22.4'N 142 DEGREES 35.5'E
The audio on this LP was inspired by early efforts to explore extreme locations on earth, and the clash between the will of humans, the limits of their bodies, and the immutable laws of the natural world - the latter which can easily destroy both of the first two. The 11° 22.4'N 142° 35.5'E side is based on the 1960 dive by Jacques Piccard and Don Walsh in the bathyscaphe Trieste to the Challenger Deep in the Mariana Trench, the deepest known point on earth. This side aims to mirror the …
Trick17
Since the late 1980s, dieb13 is one of the european key figures in the harnessing of tape players, vinyls, CDs, hard dics and IP protocols as instruments. It's been a while since he has released his last Solo album. After extensive touring and releasing CDs among others with Phil Minton, Mats Gustafsson and John Butcher Group, his latest solo output "trick17" is an enjoyment for both the ear and the eye. Side A ("audible") is a 25 minute solo piece that he developed in an Ping Pong method…
Pyrolator's Wunderland
LP version, on 180 gram vinyl. Bureau B reissues Pyrolator's Wunderland, originally released on Ata Tak in 1984. Quote 1: "I have always strived for the opposite of whatever is hip at the time." (Pyrolator in June 2013) Quote 2: "Wunderland is so beautiful -- the first time I heard this record, I cried." (Andreas Dorau). New York City, 1983. Andreas Dorau has a gig at Danceteria and Pyrolator accompanies him as sound engineer. Back then, it really looked as if Ata Tak could make a go of it in th…
Ambivalent Scale; Tape Recordings 1979-82
Peter Becker is one half of famous Eyeless in Gaza. In 1979/80 Peter Becker and Martyn Bates formed their own label called „Ambivalent Scale Recordings“ in order to release their own music as well as projects of friends like Kevin Harrison or Bron Area. Peter released two Solo-Tapes called "They brought the Statosphere" (ASR04) and By Train to the Coast (ASR10, which also found release on Ian Dobson's Flowmotion Label)
Peters recordings from those two Solo-Tapes contain a wide variety from athmo…
We Will Always Be
There's a disarming honesty to the way Michigan-based husband and wife duo Windy & Carl communicate with one another. A blog post from Windy, published in late 2011, describes the making of We Will Always Be, framing it in the context of their relationship. "Yeah, we have had bumps in the road, and on occasion it seems as if we may never recover from these bumps, but we do," she wrote. That type of candor doesn't stop at the written word; it also bleeds through into the duo's music. Often their …
An Anthology Of Noise & Electronic Music Vol 6
The sixth and penultimate edition in Sub Rosa's ongoing assembly of crucial noise and electronic music looks at the period 1957-2010. So far the series has been duly noted for its excavation and reappraisal of lesser known works by important artists and vol. 6 is no different, presenting 26 exclusive and original compositions including the work of Tzvi Avni, Joseph Nechvatal, and Kohei Gomi/Pain Jerk among better known titans of the avant garde such as Stephen O'Malley, Dick Raaymakers, J…
Mercury time
Komora A - The trio founded by Jakub Miko ajczyk, Karol Koszniec and Dominik Kowalczyk exists from the fall of 2004. Stylistically Komora A locates itself close to ambient but not that one of smooth muzak and background music origins but that full of pulsating anxiety, reaching the black heart of the genre. Profound drones, delicate percussive intrusions, stately whizzes of analogue and modular synths, industrial interventions, multilayered structures - these are only a few ofÊ elements used by …
No. 2
Developed over a four year period, and entirely funded by a part time job working as a SAT university entrance exam mathematics tutor, Nº2 was composed using synthesizers and a variety of unidentiï¬ÂÂÂed samples that were manipulated beyond recognition. Christina Vantzou then collaborated with Minna Choi of the San Francisco based Magik Magik Orchestra. Vantzou and Choi worked on the notation and arrangements and recorded the compositions with a 15-piece ensemble at Tiny Telephone studios in S…
Ep1
Ripatti is a new label from Sasu Ripatti, better known to the world as Vladislav Delay. Envisaged as a studio diary of sorts, the label will be cataloguing ongoing experiments made by Sasu in his studio on his own and alongside various collaborators. This first twelve features two extended productions from Sasu under his own name, feeding into the emergant Techno/Footwork nexus and delivering something far removed from the submerged dub variants he made his name with on his classic 12"s and albu…
The Letter
This is the first album by Liberez, a group formed by recording engineer John Hannon and Pete Wilkins in Southend. The project began life exploring a deconstruction of the traditional "band" form before expanding to a quartet with the addition of vocalist Nina Bosnic, and multi-instrumentalist Tom James Scott. Musically rooted in improvisation, the band sought a progression from the loosely described "noise rock" sound at their inception into more abstract territories. The tracks were recorded a…