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Tip! Meidän täytyy valvoa jottemme nukkuisi, sillä maailma on liukas is Pietu Arvola’s first album under his own name. The album was created during a year of loss and a remarkably grey time when most of the formerly distinctive seasons coalesced into a seemingly endless rainy period.
Field recordings captured in the last natural forests of southern Finland are interwoven with the swirls of microtonal bells and disorienting clatters. Acoustic and synthetic sounds are detached from their sources, …
2025 stock We're not exactly fans of the super group concept, but we sometimes enjoy providing soups like this. Angélica Salvi, Ece Canli, João Pais Filipe and Pedro Augusto are four musicians and composers who have followed, in parallel, an important national and international path in the fields of experimental music, electronics and sound research. All with recently released albums, the connections they have established multiply between collaborations and co-editions but never in this close wa…
2025 stock This Lovers & Lollypops’ brand new release was born out of an invitation from Curtas of Vila do Conde to Black Bombaim and João Pais Filipe to provide the soundtrack of “Dragonflies with Birds and Snake“, a film by Wolfgang Lehmann.
One of the most outstanding Bossa Jazz productions from West Germany at the beginning of the 80s! These masterpieces captivate with their stylistic perfection and journey from Bossa Nova to Jazz to slight Disco´n Boogie influence. Its still on of the most DJ spinned Bossa tunes from W.-Germany in the last 30 years!
The two highly talented, creative and sensitive artists Judy (Jude Enxuto) and Ximo (Ximo Gregorio) had lived in Germany since 1980 and performing in several clubs, small art stages a…
Here comes a true South American Latin JazzFunk treasure from Argentina!!! Sound Essence is more than proud to present these lost recordings from 1974 to music lovers again in all their glory. Carlos Franzetti, who has once again been in the spotlight in recent years thanks to the re-release of his strong late 70s JazzFusion record "Graffiti", was also in charge of this record called Dedos. The story behind: In 1974, after Carlos Franzetti was living in Mexico and worked as the musical director…
This recording is an experiment in composing from percussion first. To feel movement in harmony and arrangement through the improvising senses of a percussionist. The melodic and harmonic elements appeared instantly after recording the percussion with Rama Parwata. The additional Tenor Saxophone of Cheryl Durongpisitkul (Sola) and Bass Clarinet of Flora Carbo (Sfondo and Mondo) were the final touches to bring life into the music. The result is a through-composed work, a narrative starting inside…
Pellegrino presents his new project “Zodyaco”. Inspired by the ancient mythology of the stars and their deep influence on the sea life, the record is the result of nocturnal jams in the wake of the Italian jazz-funk tradition, exotic fusion and Mediterranean mysticism. A tribute to the stars and their reflections on the sea.
FJLP-05 continues with Forest Jams recent trend of Japanese re-issues from the 90s. This one is E.S. Islands Southwind from Hachijo a deep ambient exploration that is more tribal and spiritual than prior E.S. Island releases. This was recorded on Hachijo Island featuring several traditional instruments with the bulk of the music being played by Eisuke Takahashi (R.I.P.) and Nene Sanae. Limited copies.
A Colourful Storm proudly presents remastered first-time vinyl and digital editions of Lone Capture Library’s modern-day DIY environmental masterpiece, All Natures Most Mundane Materials. “Environmental”, you say? Well, this certainly wasn’t recorded for dinner party ambience nor was it commissioned by Harrods. But it does document a haphazard wander through the English countryside, feeling the air and the earth, detaching oneself from confinement while attempting to make sense of it all. Its pr…
Future music doesn’t come from nothing. It’s out there in latent space. This new Berlin-based imprint is devoted to the natural world in her oldest and wisest form. Not green spaces, or living things, but underneath it all: potential.
Kae Takahashi’s Anti Itch Cream unveils “Silent Majority,” a bold evolution blending abrasive noisecore with melodic clarity. This album showcases her experimental range—chaotic noise, clean vocals, and hypnotic, imperfect rhythms—reflecting her signature creative freedom on Frei zum Abriss Kollektiv.
Richard Hronský’s “Pohreb” uses intimate soundscapes—wood, radio, bird songs—to evoke childhood memories and the grief of loss, transforming personal audio diaries into a universal meditation on change, tradition, and time’s passage.
Fan Club Orchestra, led by Laurent Baudoux, blends DIY spirit with experimental soundscapes. After a long hiatus, their return features a remastered 2013 album, ‘An Insane Portrait,’ now reissued with bonus material, showcasing tender, melodic electronics and bass.
This album presents Annea Lockwood’s complete concert piano works, born from a deep collaborative journey. It culminates in a new version of Ceci N’est Pas Un Piano, where voice and memory resonate through the piano’s frame via transducer speaker.
From the frayed edges of sounds that once hummed and the lingering ghost of forgotten amplifier feedback & the unanswered answering machine message echo, Glands of External Secretion return with their most different album until the next one. "Baboon and Chest" is a four-pronged stumble through the usual-yet-unusual and weird-yet-no-weird delightful auditory wreckage. This "collection" stitches together echoes across time, from 1987 to 2025 and from San Francisco and Long Beach then to Edinburgh …
“Silent Factories” is a sonic journey through abandoned industrial spaces, blending analogue photography with improvised electronic sounds and field recordings. The project explores the quiet reclamation of nature, inviting deep sensory and perceptual immersion.