New Arrivals
Fade
In three connected sections, Rick Cox's Fade offers a series of harmonic “moments” of various densities and complexities and timbres and lengths. Throughout the work, these moments, like elements in a mobile, are in a constant state of changing persp…
Top Ten: 2008-2018
Edition of 200. 550 pages, LP size. Top Ten: 2008-2018 is the second volume in James Hoff’s Top Ten series. In almost every issue since April 1998, Artforum has asked an individual from the art world to compile a top ten list of their favorite recent…
Top Ten: 1998-2008
Edition of 200. 440 pages, LP size. Top Ten: 1998–2008 is a new edition of the long-out-of-print publication by James Hoff. In almost every issue since April 1998, Artforum has asked an individual from the art world to compile a top ten list of their…
A Temperament For Angels
Michael Jon Fink's A Temperament for Angels (written in 1989 and fully revised for this recording in 2003) combines equal measures of beauty and grit in a powerful, kaleidoscopic, elusively shaped textural music that is compelling from its first quie…
Los Tigres De Marte
Frequently shifting focus as its harmonies melt one into another, this swirling piece finds its wildly branching roots touching on many styles of music—from Delius and Debussy to bop to techno. Los Tigres de Marte is sometimes lush and enveloping, so…
The City The Wind Swept Away
The quiet rumbling of trombones and the soft keening of strings haunt the piano’s slow stream of notes. A mosaic, a tapestry. Rich harmonies and simple triads come and go, like the ever-changing, yet ever-similar, landscapes one passes while driving …
Awakening At The Inn Of The Birds
Continents of City and Love and Tidal, written 20 years apart, are both arch-form pieces scored for two pianos, synthesizer, string quartet, and double bass. They both feature expanding piano lines that intersect and compliment individually expanding…
Adams / Cox / Fink / Fox
This album presents four noted West Coast composers—three from Southern California and one from Fairbanks, Alaska—writing haunting, generally quiet, sometimes lyric, occasionally pensive music for clarinet and bass clarinet accompanied by either stri…
Aluminum Overcast
Chas Smith's six-movement set of variations that comprise Aluminum Overcast play with the listener’s sense of time—the perceived pace and the clock pace at which musical events take place—as they slowly progress, the spare advancing to the dense.The …
Cold Blue
Back by popular demand (and available for the first time as a CD), this essential collection of West Coast new music—an anthology known simply as Cold Blue—is a classic. Originally issued on vinyl in 1984, shortly before the demise of the old Cold Bl…
Dancing On Water
All the music on this album, with the exception of Song(s) of the Sirens, was written specifically for remarkable clarinetist/bass clarinetist Marty Walker. As Is Thought/Aurora, a casually dramatic work for bass clarinet, harp, and vibraphone, is li…
I Hear It In The Rain
Five Pieces for Piano (1997), Two Preludes for Piano (1996-97), and For Celesta (1985)—the latter for an instrument that is very seldom featured in a solo setting—display Michael Jon Fink’s command of crystalline forms that are Debussyian in beauty (…
Nikkowolverine
Nikko Wolverine (1999) is a three-movement piece scored for various bowed and struck metal instruments in non-tempered tunings. These instruments, which were designed and built by the composer, emit tones that are rich in complex harmonics and often …
Last Things
Last Things, for bass clarinet, pedal steel guitar, piano, and electronic keyboards, was written for clarinetist Marty Walker in 1987, and has been subsequently performed (as a piece for bass clarinet and tape) by Walker at concerts across the U.S. S…
I'd Rather Be Lucky Than Good
I’d Rather Be Lucky Than Good is a new recording collaboration of Sam Ashley and Werner Durand. Sam Ashley’s mystic parables imbued with benevolent humor are drawn from a lifelong pursuit of a present-day shamanism. Werner Durand’s wind work on inven…
Points Sans Surface
Points sans surface is a composition by Jean-Luc Guionnet for the Un Ensemble, a large ensemble created in 2012 under the direction of David Chiesa. The piece includes a sound system for 25 musicians and 8 speakers. It is also a visual experience gen…
De Rerum Natura / Dance of the Elements
In his poem De Rerum Natura (On the Nature of Things) the Roman
poet/philosopher Lucretius (c. 99 – c. 55 BCE) explores Epicurean
physics and philosophy through richly poetic language and metaphors, as
he presents an entire cosmology: based on the…
Arantzazu Close & Far
Nearly 15 years after the edition “Maison.House II-V” – in duet with his electroacoustic friend Eric La Casa – Vert Pituite La Belle is pleased to collaborate once again with Jean-Luc Guionnet, this time alone and at the organ.For Arantzazu Close & F…
Artists on Hanne Darboven
Artists on Hanne Darboven is the first installment in a series culled from Dia Art Foundation’s Artists on Artists lectures, focused on German conceptual artist Hanne Darboven. Established in 2001, the lecture series highlights the work of modern and…
Nachtfalter
Günter Schickert's debut Samtvogel (1975) was one of the most significant guitar albums of the krautrock era. Points of comparison from today's perspective are Syd Barrett or Pink Floyd's more adventurous early recordings. Schickert's follow-up, Über…