New Arrivals
Tensegrity
"Here the 14 members of British bassist Barry Guy’s Blue Shroud Band, gathered in Krakow to perform the bassist’s orchestral Blue Shroud, were recorded in Small Formations. The set features 26 tracks where band members from 10 countries demonstrate their skills. Some improvisations are unexpected, as when four reed players stack up so many timbres that are alternately shrill, subterranean, harsh and gentle, that it appears critical mass is reached. Then they’re joined by serpent-player Michael G…
Puissance 13+2
Much needed reissue a famous double album originally released on the very collectable Theleme label that has all otherwise unavailable performances by a large number of French artists, recorded live in the park of the Chateau d'Herouville."The atmosphere was wonderful throughout all of the recording sessions, sessions recorded in the open air, in the sunshine, amongst friends. We were motivated simply by the desire to play music, the music we love the way we wanted to play it. All the tit…
Discoveries on Tracker Action Organs
After superb solo CDs on piano and luthéal piano, Veryan Weston makes an equally fine solo organ album. Touring England in search of tracker-action organs, Weston tried about 40 to see if both the instrument and the space were suitable for the planned trio tuning out tour. In several cases there wasn't the opportunity to try them extensively, but in others it was possible to get beyond the discoveries of the particular instrument, and make some magnificent music. This collection consists of seve…
Electronic Sound
2016 repress. Electronic Sound is George Harrison's second solo album, and the second and final record released on the Beatles' short-lived Zapple Records (an offshoot of Apple Records), before it was folded at the insistence of The Beatles' then-manager Allen Klein. Released in May 1969, it features two lengthy pieces - one per side on the original vinyl release - performed on the Moog synthesizer. Portions of white noise from "No Time or Space" are used throughout "I Remember Jeep", one of sev…
Solo
Already established in the world of contemporary interpreters, with her debut release presents Hsin-Huei Huang her multiple pianistic abilities and approaches. Covering different composers through their very different styles, Huang offers mechanics (Lang's Hammerklaviersonatenmaschine), virtuosity ( avli) and sensitivity (Pintscher) all of that through fascinating amount of not only performing, but programming responsibility...
Gnosis
"Modern/Antique" which marked his departure from the drugged-out songs and the stepping into the world of loops and beats.Less aggressive and more focused on quasi hip-hop beats, "Gnosis" is again built on raw loops of almost broken circuitry, semi-danceable beats are sometimes interrupted by more meditative and spacey moments or disturbed by stretched and unintelligible vocals.What also emerges sometimes from the numerous layers is a sense of lament, a blues for the year 3.000 maybe.
Chupame El Dedo
Chupame El Dedo, from Bogota, Colombia present their self-titled album. Recorded live in the studio, Chupame El Dedo recreates the live performance by delving deeper in grind-core, speed and black metal clichés whilst marrying a tropical rhythm section made of salsa, cumbia, currulao & reggaeton. Tropical disoriented madness, stylistic dislocation and very fast drums.
Les Soleile De La Vie
Following the international release of “Evening Colours” in 1976, Jacqueline Thibault (Laurence Vanay) continued to compose songs that she recorded on her multi-track Revox. But she had little time for her own music, working day and night at legendary international recording studio, the Château d’Hérouville. Still, Jacqueline managed to bring together the compositions for “Les Soleils de la Vie” (The Suns of Life), with the help of her perpetual musical accomplices—Serge Derrien (guitar, …
Plays Sudden Infant'
Joke Lanz travels down memory lane! Two decks a mixer and a dozen of old Sudden Infant vinyls to spin, scratch, manoeuvre, loop and juggle into a narrative new composition. Recorded and mastered by Rashad Becker in Berlin, this album combines Joke Lanz' unique turntablism and intuition for mutant-body-dramas peppered with a great sense of humour from the rhythms of amplified faders and his own breath to spoken interjections of Bryan Lewis Saunders' dream lyrics. You can dance, you can cry, …
Enfances à Dunois le 8 janvier 1984
Daunik Lazro, alto saxophone, Joëlle Léandre, bass, voice, George Lewis, trombone, toys. Recorded at Dunois in Paris on January 8, 1984, by Jean-Marc Foussat.
Morning Glory
At the time of its original release in 1973, Morning Glory, seemed a surprising departure for saxophonist John Surman. It seemed to owe more to the music being made by Miles Davis, Weather Report andTony Williams' Lifetime in the USA or Ian Carr's Nucleus and Soft Machine in the UK than it did to the often abstract, free but determinedly acoustic music that Surman had pioneered up to that point. Hindsight tells another story. Morning Glory stands as both a consolidation of his work to date and, …
Music for Piano and Strings by Morton Feldman. Volume 3
At its best Feldman's music can take our breath away, providing a revelatory experience, a transparency which has no need of argument. Thinking back to Piano and String Quartet there are moments of extraordinary beauty when, through a sudden change of register, darkness enshrouds the music; elsewhere the string sound enshrouds the piano arpeggios. Morton Feldman seems to occupy a metaphysical space and encroaches on the domain of spirituality normally associated with religion. Thus art w…
Dawn
Dawn presents Mike Osborne in both his earliest surviving recording, as a co-leader with John Surman of a quartet from 1966, and in 1970 with the first known recordings of his mighty trio with the transplanted South African rhythm team of Harry Miller and Louis Moholo. These unearthed recordings not only fill in important gaps in Osborne's own discography but in the history of British jazz as a whole. The first six tracks, recorded in 1970, are by his trio, his main vehicle as a leader and…
Tobel
Reinhold Friedl, inside piano. Franck Vigroux, electronics. 'An encounter between two worlds. Reinhold Friedl and Franck Vigroux are two musicians, both addicted to a real contemporary approach, getting to the core of sound but by very different means. Reinhold Friedl with his purely acoustic instrument and his highly developed and refined inside-piano techniques meets Franck Vigroux with his electronics including all kind of devices from tape recorders to analog synthesizers. Their sole …
Spuren
Christian Wolfarth's work clearly thrives on tactility and manipulation. In he also applied some techniques to concoct and subsequently remodel the acoustic substance on offer. On the one hand, his instrumental expertness is in evidence: one the other, processes of cut-and-paste and natural-sounding looping furnish several sections with potent connotations: relievingly hyptnotic a moment, almost suffocating the next. In fact, there are dynamic surpises waiting for the listener.
In the fi…
Goodbye Red Rose
Chefa Alonso performed with numerous musicians during her 2004-8 stay in London. Perhaps the most profound and rewarding musical relationship was the duo with Tony Marsh. This is at least the fifth soprano saxophone and percussion duo on Emanem. While perhaps influenced by the other duos, the strengths of the two participants mean that it is a unique addition to the instrumentation. Besides their contribution to the last night at the Red Rose, there are also appearances at another London venue, …
Sable
Marta Sainz: voice, dan bau; If, Bwana (Al Margolis): amplified detritus box, recorder, clarinet.Marta Sainz and Al Margolis (If, Bwana) met and performed together in Madrid, Spain for the first time in October 2014. That initial performance - she on voice performance and he on laptop, was such a joy, that they both determined that they would work together again as soon as possible. That opportunity arose again in June 2015, when the duo did a brief tour in Spain, as well as going into the studi…
Brahim Izdag
The album that closes the triangle formed by "Thursday Evening" and "Perversions of the Aging Savant", as it was partially recorded in the same sessions of these two albums in Andrea Serrapiglio's studios.
Sparkle in Grey is a Milan based electronica and post-rock project formed in the year 1999 by Matteo Uggeri (Laptop, Electronics and Field Recordings). In 2005 two new members joined the project: Cristiano Lupo (Guitar and Drums), who was also in previous new-wave/industrial band Norm with Ugg…
![I [Sound Encounter Electric LIVE Recording]](https://cdn.soundohm.com/data/products/026/masami-tada-i-sound-encounter-electri.jpg.500.jpg)
I [Sound Encounter Electric LIVE Recording]
Japanese sound artist Masami Tada had participated in the workshop of Takehisa Kosugi at Bigakko in 1970's. His name is known as a main member of legendary improvisation group "East Bionic Symphonia" and "GAP" in mid '70s (both LPs released by ALM Records are extremely rare as you know). Nowadays Tada is mostly interested in photo installations and sound performance - he called 'sound encounter' - used many bamboo cylinder and some amplified objects. All CDs are released from SOH Gallary in Toky…
Null/Void & End
Collective act from Sweden with previous releases on Northern Elctronics, Funeral Fog and Kalligrammofon, they mix their own blend of kraut, ambient, space-age electronics with a strong mystic touch. Null/Void & End features two brand new 20-min-long jams.Includes unlimited streaming of RÅD KJETIL SENZA TESTA - Null/Void & End via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.