Best of 2023
The Annual 2023 (Book)
Softcover, 196 pages, 21x21 cm Korm Plastics founder Frans de Waard teamed up with designer Alfred Boland for this, their latest publication, The Annual. For a long time both had wanted to publish a magazine, which eventually became what they hope will be a regular yearbook with ‘everything you never knew you were interested in’. They invited their authors (present and future) to contribute an article, which led to a wildly diverse selection. From the history of turntablism, a 1985 interview wit…
Vakning
Tip! "Nothing is fixed, nothing is permanent, nothing holds for anyone, any time or anything.
As stable as we might choose to think it is, this planet is anything but that. A paper thin crust, the zone in which we find ourselves, and mostly concern ourselves with, exists as a modest veil cloaking a dynamic seismic turbulence that is as powerful as it is unknowable.
There are moments though where ruptures occur. The pressure from within carves its way to, and through, the surface of the planet si…
Baraka
** Special mirroring/olographic cover. Edition of 300 copies ** After his participation in a masterpiece such as Popol Vuh’s Hosianna Mantra, in the early 1980s Klaus Wiese produced a series of seminal works in the field of ambient-drone and healing music. The first of these, Baraka, was released on tape by Acquamarin in 1981, and already contained all the aspects of his future research into the mysticism of sound. Wiese shares the path with other German explorers such as Michael Peter Hamel, …
In Là
Timed in celebration of his 80th birthday, the venerable imprint, Alga Marghen, releases “In Là”, a stunning LP comprising a brand-new work by the groundbreaking English composer Gavin Bryars
Sound Anthology (LP)
From the celebrated imprint, Recorthings & Zona Archives, comes “Sound Anthology”, the first ever full length dedicated to the output of Maurizio Nannucci. Gathering sixteen pieces created between 1966 and 2013, the collection is an absolute revelation, blurring the boundaries between musique concrète and noise and unveiling one of Italy’s great journeymen of experimental sound practice lingering in our midst.
Solo For Tamburium
With Solo for Tamburium, Hennix plays and manipulates recordings of her precisely tuned and continuously sustained tamburas through a keyboard interface, fusing tones into psychoacoustic textures in the style of her early modal works
Ecce Homo
Edition of 400, on black vinyl. This is pure gold for the electro-Miles Davis’s lovers. The great saxophonist Gugliemo Pagnozzi directs his band in compositions built on improvisation flows that unfold starting from a minimally organized accompanying rhythmic cell in continuous transformation and in the making, which in turn is developed and modified during the executive-improvisation flow chasing instant dialling. Pressed at Optimal Media.
Éliane Radigue: Occam Delta XV
Much-needed repress. "I was very honoured to receive this request from Quatuor Bozzini, whose immense talent I already knew. The first meeting was very warm, friendly and familiar, like a reunion of old friends after a long separation." —Éliane Radigue Thus began the collaboration between Quatuor Bozzini and Éliane Radigue. In the hospitable atmosphere of her apartment, the composer conveyed the intricacies of her sound to QB. Her entire career, Radigue has been dedicated to building a body of w…
Shades of Blue
Limited 2022 repress. Due to overwhelming demand for Jazzman Records' five-LP boxset, here are the first ever official individual reissues of all five of the iconic Lansdowne recording sessions by the legendary UK jazz combo, the Don Rendell-Ian Carr Quintet. The five albums; 1965's Shades Of Blues, 1966's Dusk Fire (JMAN 108X-LP), 1968's Phase III (JMAN 109X-LP), 1969's Change Is (JMAN 111X-LP), and 1969's Live (JMAN 110X-LP), have reached almost mythical status in the collector's world. Regard…
Reality Gates
Soave Records dusts off in limited edition the psych/synth album by Doctor Steven T. Birchall recorded in 1973 in Indiana, U.S.A. with the following equipment: VCS-3 (The Putney) by EMS, Ampex MM-1000 16 trk, dbx noise reduction, SpectrasSonics Console, Studer A80 Recorder, Eventide Clockworks, Instant Phaser, Cooper Time Cube, EMT Reverb. The absolutely penetrating high tones of the opening track 'Music Of The Spheres' announce us that we are on board, passengers in the hands, or perhaps better…
Smiles + Di Domenico, Bordin, Marogna
The two recent Castel Sotterra releases in a special discounted bundle
Jackie-O MotherfuckerSmiles
Recorded live on April 28, 2014 at Outside Inside Studio, Montebelluna. Alan Zignoto: bass. Dave Easlick: drums. Tom Greenwood: guitar, vocals. Jeffrey Alexander: synth, chalumeau. Michael Whittaker: saxophone, flute, trombone. Dave Siebert: violin, lap steel. Mixed and mastered by Matt Bordin. Photos by Lorenzo Ferraro.
Giovanni Di Domenico, Matteo Bordin, Riccardo MarognaDi Domenico, Bordin, Ma…
Gangsters '70
Cinedelic returns on the back of some pretty incredible releases over the last year with one of their most exciting and unexpected records to date, the first ever release of the legendary composer Egisto Macchi's soundtrack for Mino Guerrini’s 1968 film, “Gangsters '70”. Created in collaboration with his Gruppo di Improvvisazione Nuova Consonanza associate, Walter Branchi, it's among the most strikingly experimental of all his soundtrack work and remains startlingly urgent more than half a centu…
Story Of Wind Behind Left
** Black Vinyl edition ** Recorded in September 1975 at Columbia Studio, “Story Of Wind Behind Left” is a symphonic poem in the shape of a suite. On the album, Masahiko Togashi uses music to communicate the same feelings evoked by nature. The drummer demonstrates unique composition and performance skills in the way he imitates the sounds of nature or takes inspiration from nature itself to make music. With “Story Of Wind Behind Left” Masahiko Togashi revolutionized the Japanese free jazz scene,…
Continuous Miracles, Vol.2
Avant garde supergroup Better Corners hit sublime stride with atmospheric post-everything second album.
Kofu III
** 180g heavyweight vinyl in 12" debossed sleeve with capped obi, 32pp booklet (22x14cm) with words in Japanese and English from Meitei. Offset printed, full colour on premium matt paper. ** Hailing from Hiroshima, Meitei, unveils the final chapter of his transformative Kofū trilogy. “Kofū III” marks the apex of a musical journey that began in 2020, unraveling an introspective exploration of the artist's psyche while delving deep into the essence of Japanese culture. This latest release invites …
The Black Record
Necessary reissue of a truly seminal, minimalist totem and founding document of the avant-garde underground!
Tender Membranes
Tender Membranes is the the label’s first release from Swedish-Finnish sound artist and electro-acoustic composer Marja Ahti. Active for a decade in the Finnish underground music scene, in recent years Ahti has developed a distinctive approach to patiently unfolding electro-acoustic constructions, documented on a string of solo releases and collaborative projects with Judith Hamann and her husband Niko-Matti Ahti.
Working with concrete and instrumental sounds, field recordings, and electronics, …
Gamelan IX March
Big big Tip! Green Vinyl edition, it comes insert/score print, hand numbered. Edition 150 + 50. Live recordings from World Fair, Vancouver 1994 at Indonesian Pavillion Gamelan-IX-March prelude, featuring Gamelan Son of Lion.
Traveller Song / Thanksong
Black Truffle is pleased to announce its first release from celebrated London-based Canadian composer Cassandra Miller. Though her body of mature work stretches back almost twenty years, many listeners were introduced to Miller through the success of her astonishing 2015 Duet for Cello and Orchestra, which sets an imperturbable two-note cello part against a series of increasingly dense orchestrations of an Italian folk melody; in 2019, it was selected by The Guardian as one of the ‘best classica…
One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling
"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…