ECM Summer Campaign
Opening
The repertoire features original compositions and Norwegian folk themes, balancing lyrical melodies with subtle harmonic exploration. Pieces such as “The Circle” and “Stream” highlight Gustavsen’s ability to let themes emerge organically, favoring patient development and deep listening over overt virtuosityWith Opening, Tord Gustavsen returns to the classic piano trio format that has defined his ECM legacy, unveiling a fresh perspective on his distinctive blend of Scandinavian folk hymns, gospel…
Isabela
On his second release for ECM New York-based saxophonist Oded Tzur introduces a heightened sense of urgency and a conceptually augmented approach to his distinctive voice, weaving one underlying musical idea through a series of elaborate and impassioned designs. The quartet’s lineup is unchanged from 2020’s Here Be Dragons and the group’s interplay has grown even more expressive in the meantime. Throughout Isabela the saxophonist and his collaborators – pianist Nitai Hershkovits, Petros Klampani…
Once Around The Room (A Tribute To Paul Motian)
On Once Around The Room ECM recording artists and key jazz musicians from several generations unite in a small ensemble to celebrate the musical legacy of drum icon Paul Motian in a big way. Joe Lovano and Jakob Bro lead a party of seven through fiery originals that recall the idioms and idiosyncrasies which Motian brought to light over six influential decades behind the drums. Lovano and Motian had been intimate colleagues for many years with their most notable collaboration being the groundbre…
Provenance
2025 stock There is a distinguished tradition of solo bass albums on ECM, but Provenance is the first to be devoted to the electric bass guitar. Björn Meyer, Swedish-born and Swiss-based, has shaped a unique voice for his instrument inside the most diverse contexts, working alongside Persian harpist and singer Asita Hamidi, Swedish nyckelharpa player Johan Hedin, and Tunisian oud master Anouar Brahem. For a decade he was a member of Nik Bärtsch’s Ronin, in which his bass guitar was frequently th…
Travels
Over the years, Pat Metheny Group's Grammy-winning double live album Travels has earned a singular reputation among jazz aficionados as one of the most distinctive and impeccably recorded live jazz albums of all time. Upon its initial release, it appeared on numerous year-end best-of lists, with The Wire hailing it as simply "remarkable" and "superbly recorded."
The album captures the Pat Metheny Group during their 1982 US tour, a period when Brazilian percussionist Nana Vasconcelos had become a…
Far From Over
Keyboardist-composer Vijay Iyer’s energized sequence of ECM releases has garnered copious international praise. Yet his fifth for the label since 2014 – Far From Over, featuring his dynamically commanding sextet – finds Iyer reaching a new peak, furthering an artistry that led The Guardian to call him “one of the world’s most inventive new-generation jazz pianists” and The New Yorker to describe him as “extravagantly gifted… brilliantly eclectic. Far From Over features this sextet of virtuoso im…
Call On The Old Wise
With Call on the old Wise Nitai Hershkovits delivers an entrancing solo album. In this largely improvised solo rendering, the pianist draws from broad influences, ranging from his extensive work in jazz contexts and cutting-edge contemporary explorations to his background in classical music. This immaculate balance of idioms gives rise to an abundance of colours and timbres, explored by a pianist, who has successfully forged his very own voice as improviser and shape-designer.
With a soft tou…
The Blue Land
For the follow-up of his ECM-leader-debut La traversée, French saxophonist Matthieu Bordenave expands his trio of German pianist Florian Weber and Swiss bassist Patrice Moret with the unique sensibilities of drummer James Maddren, whose unrelenting pulse adds deft counterpoint to the group’s already idiosyncratic sound. Besides the soulfully angular rendering of John Coltrane’s “Compassion”, the quartet tackles eight Bordenave-originals that bridge the gap between chamber-jazz dynamics and post-…
September Night
Recorded at Munich’s Muffathalle twenty years ago, in September 2004, this previously-unreleased concert recording of the Tomasz Stanko Quartet is a fascinating document, capturing a developmental chapter in the music between the song forms of the Suspended Night repertoire and the improvised areas that the Polish musicians would explore on Lontano. The Munich show was a highlight in a year in which the Stanko Quartet played a record number of gigs, with extensive tours of the US and Europe. T…
My Prophet
On My Prophet, Oded Tzur together with his quartet of pianist Nitai Hershkovits, bassist Petros Klampanis and the new group member Cyrano Almeida on drums, continues on the idiosyncratic musical path he has carved out for himself – a flowing jazz idiom that seamlessly combines multiple forms of expression –, while delving deeper into the meditative and highly concentrated realm of improvisation. In the process, the saxophonist presents some of his fiercest playing yet.
The quartet’s synergy is…
Gnosis
In this vivid and exciting project, the Santiago-raised and New York-based pianist-composer David Virelles looks towards one melting pot from the vantage point of another. A far-reaching work with deep cultural roots, Gnosis speaks of transculturation and traditions, and of the complex tapestry of Cuba’s music – the sacred, the secular, and the ritualistic – but the work’s shapes and forms could only have been created by a gifted contemporary player thoroughly versed in the art of the improviser…
Time is a Blind Guide - Lucus
Norwegian drummer/composer Thomas Strønen presents a revised edition of his acoustic collective Time Is A Blind Guide, now trimmed to quintet size, and with a new pianist in Wakayama-born Ayumi Tanaka. Tanaka has spoken of seeking associative connections between Japan and Norway in her improvising, a tendency Strønen seems to be encouraging with his space-conscious writing for the ensemble, letting in more light. As on the group’s eponymously-titled and critically-lauded debut album there are ex…
The Dreamer Is The Dream
In this third ECM release as a leader, Chris Potter presents a new acoustic quartet that naturally blends melodic rhapsody with rhythmic muscle. The group includes superlative musicians well known to followers of ECM’s many recordings from New York over the past decade: keyboardist David Virelles, bassist Joe Martin and drummer Marcus Gilmore, who each shine in addition to the leader on multiple horns. The Dreamer Is the Dream features Potter on tenor saxophone – the instrument that has made him…
Streams
On his second leader album for ECM – following on from the prizewinning Gefion – Danish guitarist Jakob Bro continues to refine his trio project, with its emphases on melody, sound, space, layered textures and interaction. The rapport between Bro and Thomas Morgan (Bro calls him “my musical soul mate”) has become something extraordinary, and often guitarist and bassist develop improvisational ideas in parallel. There’s an historical aptness, too, in the choice of Joey Baron as the band’s new dru…
Ravensburg
One of the pleasures of Mathias Eick’s Midwest album was hearing his vaulting trumpet supported by violin, an instrumental combination further developed on Ravensburg. The new violinist in Eick’s ensemble is Håkon Aase, one of the up-and-coming players of the Norwegian scene, whom attentive ECM listeners will already know from his work with Thomas Strønen’s group. The core Eick road band is further shored up by the addition of Helge Andreas Norbakken, who interacts excitingly with fellow drummer…
The Finnish/Swiss Tour
A landmark in avant-garde jazz, The Finnish / Swiss Tour captures the irrepressible energy and inventiveness of the Hal Russell NRG Ensemble live in Europe. Recorded in November 1990 at the Tampere Jazz Happening (Finland) and the Internationales Jazz Festival Zürich (Switzerland), this album documents the group’s first European tour and was originally released by ECM in 1991.
Led by multi-instrumentalist Hal Russell (tenor & soprano saxophones, trumpet, vibraphone, drums), the NRG Ensemble feat…
Musik Für Zwei Kontrabässe, Elektrische Gitarre Und Schlagzeug
"After discovering the unique hand-wringing style of guitarist Christy Doran on Red Twist & Tuned Arrow, I was excited to check out this seemingly neglected record, for which he was again joined by drummer Fredy Studer, only this time, intriguingly enough, with two bassists: Bobby Burri and Olivier Magnenat. Burri is a familiar name in the ECM circuit, having shared stages with Pierre Favre, Manfred Schoof, and Tim Berne, and of course as a member of OM (also with Doran and Studer). Burri, it be…
Wave Of Sorrow
"An evocative, lyrical recording.... The two draw heavily on Slavic folk influences, even as they mine the kind of airy, contemplative jazz harmonies associated with the ECM school." - David R. Adler, AllMusicWave of Sorrow is an album by Soviet-Norwegian jazz pianist Mikhail Alperin and Russian brass player Arkady Shilkloper recorded in July 1989 and released on ECM the following year.
Voice In The Night
*2024 stock* Charles Lloyd’s sixth ECM album is both a departure and a homecoming for the Memphis-born and California-based tenorist, introducing new music and revisiting archive favourites (including the epic "Forest Flower"), and featuring an all-star line-up. With his "Scandinavian" band currently on hold,this is Lloyd’s first all-American album in a long while – Dave Holland qualifies as an honorary American by now – with all the differences of cultural emphasis that this implies. ECM vetera…
Trio Tapestry
The great saxophonist Joe Lovano has appeared on a number of ECM recordings over the last four decades, including much-loved albums with Paul Motian, Steve Kuhn and John Abercrombie. Trio Tapestry is his first as a leader for the label, introducing a wonderful new group and music of flowing lyricism, delicate texture, and inspired interplay. Lovano and pianist Marilyn Crispell are in accord at an advanced level inside its structures. “Marilyn has such a beautiful sound and touch and vocabulary,”…