Moving Furniture Records super sale
Caveman
Caveman is a document of Stamou's live practice: two complete extracts of solo improvised performances using his 'portable electroacoustic studio'. The setup combines acoustic instruments (prepared zither, reeds, recorders, objects) with handmade ele…
Equal Weights
Companion to Various Weights, pursued through an inverted method. De Waard prepares two empty acoustic containers of predefined length with his own sonic brushstrokes, then sends them to Comes, who completes the 'paintings' by filling in the blanks -…
A Concrete Pasture
Follow-up to Haarlemmerhout, pushing Polack's hyper-local Haarlem practice out into the wider world. Four long pieces are built from material gathered across continents - the temple of the reclining Buddha (Wat Pho, Bangkok), Schiermonnikoog in the D…
Inheritance
First collaboration between the brothers Sietse and Tjeerd van Erve - Orphax (drone and electroacoustic) and PONI, Person Of No Importance (dark lo-fi guitar songs). Inheritance is a near-translation of the family name van Erve, and the album returns…
En De Stilstaande Tijd
Continuation of the same piano source material used on the Piano Music 7-inch, here developed into a long-form work. Orphax takes a postcard he bought in a Spanish village in 2001, while studying geology, as imaginative axis: the tranquillity of smal…
Crystalline Tragedies / The Procession - Distant Motionless Shore
An unusual collective release: Comes and Aldinucci composed their two pieces in complete isolation, exchanging neither studio time nor materials, but both worked from the same Nietzschean opposition - the moral codex of the Christian church against t…
Foliage
Foliage is a long-form graphic music score by Elliott Sharp, consisting of eighty risograph prints offered as abstract instructions open to any number of realisations by any instrumentalist or ensemble. Sharp works in the lineage of post-1945 graphic…
Unfold Yourself
Fourth release by Petrovic on the label, distancing himself from the GEST instrument to re-explore conventional means. Seven pieces narrate an emotional arc - Disrupt, Obstruct, Shatter, Rejuvenate, Illuminate, Erupt, Arise - through which a Petrovic…
Battleship Potemkin
Seventh in the MFR Contemporary Series. Ezequiel Menalled composes a new soundtrack for Eisenstein's Battleship Potemkin (1925), performed by Ensemble Modelo62 and recorded at their Hague studio on 13 March 2020. Six acts span the film's structure, i…
Loess
First collaboration between Scanner (Robin Rimbaud) and Modelbau (Frans de Waard), composed entirely by exchanging physical cassettes through the post. Each artist worked unpredictably on what the other sent: Rimbaud through Ellitone Farm Detective U…
Memory Loss
Sixth release in the MFR Contemporary Series. Greek trio Eventless Plot (Liolios, Giatas, Tsirikoglou), joined by bass clarinetist Chris Cundy, take recent research on music and Alzheimer's disease as starting point: that music helps both retrieve ol…
Of What Once Was
A fifty-five-minute diptych. The opening piece transposes Yves Klein's Monotone Symphony (1949) onto solo electric guitar: a sustained drone on the pitch D, where variation arises only from durational shape and the changing morphology of resonance. T…
Music For Modified Melodica
Suzuki's third solo album, framed by a single instrument she modified herself: a melodica re-engineered to play via foot bellows, so that high-pressure airflow overblows the small reeds into a sustained, loud excitation. The pumped breaths are amplif…
John Duncan / T.R. Kirstein
First collaboration between Tobias R. Kirstein and John Duncan, prompted by a dream Kirstein had on 31 May 2019 - the day Roky Erickson died - in which Duncan repeated 'You Are Safe' against a backdrop of sine waves. Two long pieces result: Duncan vo…
Less Is More
Recording of Orphax's live performance at Factor-IJ, Amsterdam in August 2021, part of the programme curated by Moving Furniture Records to accompany the Polderlicht-organised exhibition Less Is More. The full set is reproduced as recorded, without e…
Weerkaatsing
First studio meeting between two figures long circling each other in the Dutch experimental scene. The structure is itself a kind of mirror: Spiegeling is Machinefabriek's remix of Orphax's De Eerste Dag, Reflectie is Orphax's twenty-minute remix of …
Smelter
Second album by DNMF, the duo formed between Machinefabriek and the Dutch droning free-jazz combo Dead Neanderthals. Across some forty minutes Smelter develops a highly dynamic amalgam of metal, drone and dark ambient, the heaviness of the Neandertha…
Seeking the intimacy of silence
Haarvöl's fifth album for the label, departing from their previous trilogy. The work draws inspiration from the silence and solitude experienced during the heavy Portuguese pandemic lockdowns, while celebrating the act of coming together again - and …
Bayou-Borne / Jitterbug
Fifth release in the MFR Contemporary Series. The Amsterdam-based ensemble MAZE (La Berge, Calderone, Davis, Kyriakides, Hijmans, van Houdt) realises two works by Annea Lockwood, both built around graphic scores derived from photographs of natural sy…
The Sprawl
Distorted Nude is Glenn Dick's new project after Find Hope In Darkness, marking a decisive shift from a wholly computer-based practice to one centred on electric guitar. The Sprawl is a single composed track built from improvised sessions with guitar…