condition (record/cover): NM / NM - Oiseaux du Venezuela continues Jean-Claude Roché's ornithological project on L'Oiseau Musicien, shifting from island isolation to continental profusion. Venezuelan birds inhabit ecosystems ranging from Caribbean coast to Andean peaks to Amazonian jungle, diversity that Roché's microphones attempted to capture.

The LP format imposes editorial choices: which species to include, how long each recording should run, what sequence creates meaningful listening experience. Roché understood that field recording isn't neutral documentation but composition by other means. The recordist chooses where to stand, when to press the button, how to frame the sound. These decisions shape what listeners hear as surely as a composer's choices shape a symphony.

For listeners uninterested in ornithology, these records might seem irrelevant. But the sounds themselves carry musical weight independent of their sources. Pitch, rhythm, timbre, counterpoint: birds deploy all parameters that human composers manipulate. Roché simply revealed what was already there, music that preceded humanity and will likely outlast it.