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** Original copies of this rarity. Factory sealed. Few copies available ** As collectable a Burroughs artefact as it is a Giorno one. On the first LP, William Burroughs reads satisfyingly lengthy extracts from The Wild Boys, Junkie, Naked Lunch and an early draft of Cities of the Red Night, which was not published until 1981. On the second LP, John Giorno reads three signature poems: ‘Suicide Sutra,’ ‘Eating Human Meat’ and ‘Subduing Demons in America.’ The material featured regularly in the per…
** Original copies of this rarity. Factory sealed. Few copies available ** The third in the Dial-a-Poem Poets LP series. Features many of the same artists included on previous volumes plus, for the first time, Kenneth Koch and Gary Snyder. Since 1962, John Giorno has been disseminating his streetwise, pioneering poetry to audiences worldwide. He lifts his poems off the page, delivering them through rhythmic performances; paintings, prints, and installations; and in LPs, mixed with music. Among …
** Original copies of this rarity. Factory sealed. Few copies available ** Volume two of the series, again a double-LP, with many of the same participants as the first volume plus the likes of Greg Corso, Peter Orlovsky, Imamu Amiri Baraka (Leroi Jones), Paul Blackburn, John Ashbery, and Charles Amirkhanian. "As album covers go,this must be one of the worst ever?...or one of the best ever? Maybe even the Best ever? A disco shirt clad John Giorno, knealing on a beach in the surf as if bathing in…
Blow-Up is a soundtrack album by Herbie Hancock featuring music composed for Michelangelo Antonioni's cult film Blow-Up, released in 1966. Musically the songs evoke the ambience of swinging Sixties' London with grooves that create effective bluesy Jazz moods on the slow pieces, and funky ones on the up-tempo tracks. The album features performances by Hancock on keys, Freddie Hubbard and Joe Newman on trumpet, Phil Woods and Joe Henderson on sax, Ron Carter on bass and Jack DeJohnette on drums. R…
** Original copies of this rarity. Few copies available ** The first of several releases documenting John Giorno’s dial-a-poem project. The album was released at the height of protest against the Vietnam war and of confrontation between the US establishment and radical domestic organisations such as the Yippies and the Black Panthers. Running along the bottom of the front cover is the message: “At this point, with the war and the repression and everything, we thought this was a good way for the …
A third and final volume of Jamaican doo wop & R&B records taken from the late 50s and early 60s. These records represent a period in which sound-systems were beginning to dominate the island, with Duke Reid and Sir Coxsone Dodd stepping up their rivalry by beginning to make and release their own records rather than rely on US imports for use in their dances. Many of these records are definitely more-or-less imitations of the American records, as the uniquely Jamaican ska sound was yet to take h…
** Original copies of this rarity. Few copies available, still sealed ** John Giorno’s first album, self-released in an edition of 700 copies, features a dozen or so fellow luminaries from the New York avant-garde. Among these are Robert Rauschenberg, Trisha Brown, Yvonne Rainer and the poet and singer Patty Mucha, who had been a member of the pre-Velvet Underground art-rock band The Druds along with Andy Warhol, on occasional vocals, and La Monte Young, on saxophone. When the disc was released,…
On December 17, 1947 Art Blakey led a group known as “Art Blakey’s Messengers” in his first recording session as a leader, for Blue Note Records. The records were issued as 78’s at the time and two of the songs were released on the New Sounds 10” LP compilation (BLP 5010). This octet included Kenny Dorham, Howard Bowe, Sahib Shihab, Musa Kaleem, Ernest Thompson, Walter Bishop, Jr., and LaVerne Baker. Around the same time – in 1947 or 1949 – Blakey led a big band called “Seventeen Messengers”. Th…
Although his main instruments were the tenor saxophone and the flute, Yusef Lateef was known for his innovative blending of jazz with Asian music. In addition to the oboe and bassoon (which are both unusual in jazz), he played various instruments. Lateef began recording as a leader in 1957 for Savoy Records, a non-exclusive association that continued until 1959. The earliest ofhis albums for the Prestige subsidiary New Jazz overlap his Savoy Recordings. Cry!-Tender was one of these early albums …
The most popular and productive line-up of The Athenians beat group came together in Edinburgh in late 1963 and comprised Rick Alcorn (Bass), Ally Black (Guitar), Keith Henderson (Guitar), Arthur Mackey (Drums) and Ian Orr (Vocals). After a deep delve into the catalogues of Sue, Chess, Atlantic, Motown etc. a pretty sassy outfit became the exponents of some very acceptable R&B/ Rock. Having now acquired a fan club, a manager and a large following, the band were playing seven nights a week, two o…
Big Tip! LP (clear amber). 8-page insert. The lost soundtrack to “Chess of the Wind”, Iran’s banned 1976 queer-gothic-class-horror masterpiece, restored by the director and released for the first time. A masterpiece of world cinema, Mohammad Reza Aslani’s “Chess of the Wind” was banned in Iran and thought to be lost until a complete print of the film re-emerged in an antique shop in 2014. Restored by Martin Scorsese’s Film Foundation and released to rapturous reviews in 2020, “Chess of the Wind”…
New vinyl reissue remastered from the original 1960s master tapes, packaged in classic Folkways-style tip-on jackets with original liner notes. Lord Invader was one of the most iconic and well-regarded calypso musicians of the mid-20th century. Coming from humble beginnings in the musical hotbed of Port-of-Spain, Trinidad, Invader gained notoriety for his unique voice and lyrical prowess. Calypso Travels, his final album released just before his death, was produced in New York in 1960 by Folkway…
Elizabeth Cotten's 1958 debut album Folksongs and Instrumentals with Guitar, (aka Freight Train and Other North Carolina Folk Songs and Tunes) is best known for containing the earliest recording of her classic "Freight Train." The breadth of her repertoire and her endearing style have captivated generations of guitarists and fans of traditional American music. Cotten's self-taught, upside-down, left-handed playing style on the guitar and banjo made her a true original. Many of her deeply persona…
Released in clear-tray jewel case with 12-page booklet. Larks' Tongues In Aspic is the fifth in a series of audiophile King Crimson vinyl reissues. Newly cut from masters approved by Robert Fripp, this super-heavyweight 200gm vinyl re-issue is housed in a reprint of the original sleeve. With its raw tone, inspired improvisations and hard hitting odd-metered rhythms, the album marked a radical departure for this most forward thinking of groups and was the first to include Bill Bruford and John We…
Released in clear-tray jewel case with 12-page booklet. Originally released 1970. Tracks 9 and 10 are bonus tracks taken from the single King Crimson - Cat Food / Groon. Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands…
WRWTFWW Records is delighted to unleash the complete uncut soundtrack for Lucio Fulci & Bruno Mattei’s cult zombie-ploitation gem Zombi 3 (aka Zombie Flesh Eaters 2 aka Sanguelia 2, 1988) available on vinyl for the first time ever! This future deluxe edition OOP classic is packed with menacing synths, ghoulish melodies, and contaminated anthems remastered directly from the rare original reels of maestro Stefano Mainetti which were found at an abandoned top secret research facility. Prepare to ge…
First time on vinyl. Throbbing Gristle unveils a brand new reissue of The Third Mind Movements, released commercially for the first time on CD and vinyl via Mute. Formed in 1975, Throbbing Gristle, aka Chris Carter, Peter 'Sleazy' Christopherson (1955-2010), Cosey Fanni Tutti, and Genesis Breyer P-Orridge (1950-2020), fully delivered on punk’s failed promise to explore extreme culture as a way of sabotaging systems of control. Their impact on music, culture, and the arts has been immeasurable an…
Limited LP, Deluxe 180-gram reissue including original artwork & credits.. The second album by folk artist Tim Hardin, released in 1967, Tim Hardin 2 contains his most popular and much-covered composition “If I Were a Carpenter,” most notably recorded by Bobby Darin, whose version peaked at #8 in the US and #9 in the UK in 1966. While not as prolific as Bob Dylan, Paul Simon, or Neil Young, the prototypical folk-rocker Tim Hardin remains one of the greatest singer/songwriters, as much for his ma…
May 2018 marks the release of not less than two new N records on Denovali records. First in line is the new solo record N(44) 'Vreden', featuring the live set N played on the very last Denovali festival at Weststadthalle, Essen, using a bigger rig with two halfstacks for a very monolithic sound, perfectly recorded by Andreas Brinke of [ B O L T ]. In contrast to the more symphonic sounding records like N(43) 'Anklam', the three new tracks N wrote especially for this evening seem to be more strip…